Featuring 12 tracks, which chart the development of the band from the early grindcore recordings through to the more melodical death metal approach of the later albums, including classics such as 'Heartwork', 'Corporal Jigsore Quandary' and 'No Love Lost'. Liverpool's legendary Death Metal pioneers Carcass are often credited with shaping the entire death metal genre. Pushing boundaries with their shocking imagery whilst evolving and innovating with each new album.
The Best of Nat King Cole is part of EMI-Capitol Special Markets' Ten Best Series, where they selected ten hits from a popular artist on their roster. For the budget-minded, it's a nice collection of Nat King Cole's best-known hits, like "Unforgettable," "Ramblin' Rose," "Mona Lisa," "Walkin' My Baby Back Home" and "(I Love You) For Sentimental Reasons." It certainly won't please either jazz purists or Cole collectors, but the budget-conscious looking for an affordable (albeit skimpy) sampler of well-known Cole should turn here.
This CD presents the brief but remarkable output of songs by Duparc during his artistic period that was cut short by a nervous affliction. These works are beautifully performed by mezzo-soprano Sarah Walker and baritone Thomas Allen, with sensitive piano accompaniment by Roger Vignoles. The collection opens with Duparc's best known melody, L'invitation au voyage, which is a setting of a text from Baudelaire's Les fleurs du mal. The lovely rolling impressionist piano harmonies are played with exquisite fluidity, as they underscore Walker's velvety and intimate vocals. The Sérénade florentine is an impressionist lullaby to a loved one, delivered with touching emotion by Thomas Allen. Extase, Elégie and Testament show the influence of Wagner, and the Chanson triste is one of Duparc's early, Gounod-style songs. Au pays oú se fait la guerre (1869) is also an early work, but is particularly entrancing with simple modal harmonies and easily perceived song construction. By sensitive use of passing tones in the piano, the harmonies are subtly redefined and the music is extended dramatically toward the end by expressive on-rushes.