The most famous and enduringly successful composer of nineteenth-century light music, Johann Strauss II captivated not only Vienna but the whole of Europe and America with his abundantly tuneful waltzes, polkas, quadrilles and marches. This unique collection brings together for the first time ever his entire orchestral output.
The most famous and enduringly successful composer of nineteenth-century light music, Johann Strauss II captivated not only Vienna but the whole of Europe and America with his abundantly tuneful waltzes, polkas, quadrilles and marches. This unique collection brings together for the first time ever his entire orchestral output. The Strauss Edition, originally fifty-two separate releases on the Marco Polo label, represented a milestone in recording history. It is celebrated by this beautiful box-set.
Critical acclaim for this superb co-production of Vienna's Staatsoper, the Wiener Festwochen and Brussels' Théâtre de la Monnaie (Das Opernglas): "Directors Ursel and Karl-Ernst Herrmann, working with Nikolaus Harnoncourt, demonstrate that the 'Entführung' is fully on the level of Mozart's Da Ponte operas and 'Zauberflöte'. In the harmony of staging and music, this is one of the most impressive Mozart performances Vienna has offered in a long time… Breaking with tradition, it seeks to fulfil his intentions as closely as possible."
Though back in his Budapest years he had coached "Die Entführung aus dem Serail" for performances conducted by no less a figure that Erich Kleiber, and the opera continued to form part of the everyday repertoire in Germany throughout Solti's career, Mozart's Singspiel nevertheless managed to elude him in theatre until he finally conducted it at Covent Garden in November 1987 - again in the company's first performance of the piece. (It is a rather surprising mark of Solti's Mozartian credentials that he gave the Royal Opera no fewer than three major company premieres of his operas.) Two years earlier he had completed his recording of the work in Vienna, with an outstanding cast at his disposal. Edita Gruberova's comprehensively excellent technique and musicality make her an eloquent Konstanze, Kathleen Battle is the vital, pristine Blonde, Gösta Winbergh a winning Belmonte, Heinz Zednik a charming Pedrillo, and Martti Talvela an Osmin of unusual power and menace.
Given the depth, range and quality of the Deutsche Grammophon catalogue, it’s hardly been difficult to put together another anthology of great recordings and great artists. The structure is as before – here are 53 original albums (including three double-sets), featuring the great names of Deutsche Grammophon’s recording history, presented, once more, in alphabetical order of artist. Claudio Abbado leads off with a complete Carmen and Krystian Zimerman rounds off with his memorable account of the Chopin Ballades.
A comprehensive survey of classical music - for the casual listener, this might be all the classical music you need in your collection; for others this provides a starting point for further exploration. Unlike many collections of this sort, most of these 30 discs contain performances by some of biggest names in classical music. Included are: Bach's Complete Brandenburg Concertos; Vivaldi's "The Four Seasons"; Beethoven's Symphonies 5 and 9, plus the Piano Concertos #4 and 5; Symphonies by Haydn, Mozart, Schubert, Schumann, Mendelssohn, Mahler and Brahms; concertos by Tchaikovsky, Brahms, and Mendelssohn; music by Ravel, Handel, Gershwin, Debussy, Moussorgsky.
It was only a matter of time before William Christie got around to recording Mozart's delightful 1782 singspiel, and the results are very happy indeed. Period instruments are just right for the raucous "Turkish" music Mozart composed for Entführung, and they go very nicely with the light voices Christie has chosen as well. Most successful is the Belmonte of tenor Ian Bostridge, already famous for his lieder singing.
Set in the exotic seraglio of the Pasha Selim, the story revolves around the rescue of the lovely Constanze by her lover Belmonte – a tale of love, bravery and forgiveness. In this work, Mozart breaks new ground in introducing dramatically rounded characters with recognisably human feelings and weaknesses. The work influenced and changed the nature of opera throughout Europe. This charming production from Drottningholm does full justice to Mozart’s score. Arnold Östman’s deliberate conducting combined with Carl Friedrich Oberle’s design demonstrates that this really is “an eternal masterpiece of music drama by a youthful, exuberant composer who suddenly found his individual voice and style in the field of opera with this particular work” (Opera now)
Another 'Great' Compilation collectable which is sure to trigger many a memory of those times. A DVD collection with the title of "Das Beste aus dem Musikladen" features 35 + 5 classic music promos across a diverse range of styles.