The success of "The Crying Game" marked a comeback for Boy George, especially in the U.S., where his solo career had never taken hold beyond the dance clubs, and SBK (distributor of his label, Virgin) took advantage of his resurgence by compiling this 75-minute, 19-track album, which combines his former group Culture Club's biggest hits with selections from his solo work. The ten Culture Club tracks are of a piece, from 1982's "Do You Really Want to Hurt Me" (which here leads off with an ominous voice intoning, "Popularity breeds contempt") to "Love Is Love," which wasn't a hit but is a better choice than the missing "War Song," which was. The solo tracks are a more mixed batch, and not only because Top 40 U.K. hits like "Keep Me in Mind," "Sold," and "To Be Reborn" are missing. They often rely on loud percussion tracks that strand Boy George's tender tenor somewhere in the distance. He remains most effective on rhythmic ballads, whether "Do You Really Want to Hurt Me," "Everything I Own" (his chart-topping first U.K. solo hit), or "The Crying Game".
The first studio album from George Alan O'Dowd in nearly two decades, This Is What I Do begins appropriately enough with "King of Everything," a surging, late-period Elton John-inspired power ballad/anthem that finds the newly refurbished (chemically and spiritually) pop icon trying to make amends with pretty much everybody. Boy George has spent the majority of his time away from the studio in the headlines
The only album by Boy George's side project Jesus Loves You. The Martyr Mantras is a 1990 album by Boy George. It was credited to Jesus Loves You worldwide, a move to help people concentrate on the music rather than on the popular artist's name, except in North America, where it was credited to Boy George upon its release there in 1991, as requested by Virgin Records America.
Collection includes: 5 studio albums by Culture Club, 6 studio albums by Boy George and also one general compilation.
2011 album from the British Pop icon and former vocalist for Culture Club, his first artist album in more than 10 years. Ordinary Alien is an accomplished collection of tracks featuring Boy George and Kinky Roland's faultless mod-pop production. As songwriters and all-round creative entities, Boy George and Kinky Roland have worked closely over the past 15 years and Ordinary Alien is born out of this relationship - the pair are renowned for their seemingly never-ending surplus of quality material.
George Benson may have changed labels with That's Right, but he didn't change his approach. Like his other '90s albums, That's Right is jazz-inflected quiet-storm soul. It's quietly funky and always grooving, whether he's playing a light uptempo number or a silky ballad. As always, Benson's tone is smooth and supple – it's a pleasure to hear him play, even if the material he has selected doesn't always showcase his ample skills. In fact, the unevenness in material is the very thing that keeps That's Right from being on par with Benson's early '80s contemporary soul records…