Features the latest remastering. Includes a Japanese description, lyrics, and bonus track(s). Features original cover artwork. One of the few female pianists in 50s jazz – the great Terry Pollard, a player who's usually associated with the Detroit scene, but who works here in a hip west coast setting for Bethlehem Records! The date's got Terry's strong piano in a quintet – with Don Fagerquist on trumpet and Howard Roberts on guitar – both musicians who bring a strong sense of presence to the group passages on the date, but who are also more than willing to step aside and let Pollard really flourish on her solos during some of the album's trio tracks.
Three Blind Mice Blu-spec CD reissue series. Limited paper sleeve edition. Summertime is the seventh album by pianist Tsuyoshi Yamamoto released by the Three Blind Mice label. Virtually unknown when he made his first recording in 1974, he had become one of the most popular jazz pianists by the time of this exciting live recording in 1976.
After several years of few recordings, Art Blakey's Jazz Messengers re-emerged with totally new personnel on this Prestige LP. The strongest performance is a quartet feature for the great trumpeter Woody Shaw on "I Can't Get Started," but the other three selections (which include such musicians as George Cables or John Hicks on keyboards, bassist Stanley Clarke and Ramon Morris on reeds) are also worth hearing and sound surprisingly "contemporary" for the time. An interesting set.
Reissue with the latest DSD remastering. Comes with liner notes. Guitarist Yoshiaki Masuo was only 22 years old when he recorded Winds of Barcelona, his first leader album, in 1969. He had been discovered by the Japanese jazz giant Sadao Watanabe, and had been a member of Watanabe's group for over a year. Masuo, and the fresh, new kind of jazz – sometimes referred to as "pop jazz" – was immensely popular at the time.
TRACKS OF MY YEARS is the twelfth studio album by Canadian singer-songwriter Bryan Adams. The Covers album was released on September 30, 2014 by Polydor Records. It is an eclectic mix of songs reflective of the time when rock was played alongside pop, country and R&B, and follows Adams’ acoustic album, 2010's Bare Bones, a release that resulted in sold out shows across Europe, North America, Australia and South Africa.
This LP has the debut of drummer Marty Morell with Bill Evans and bassist Eddie Gomez, and this particular trio would retain the same personnel for six productive years. Actually, this is a quartet set with guest flutist Jeremy Steig, whose playing recalls Herbie Mann's recording (Nirvana) with Evans back in the early '60s. Both flutists were always open to the influences of pop and rock, although in both of their collaborations with Evans, the music is very much on the pianist's turf. With the exception of Evans' "Time Out for Chris" and the "Spartacus Love Theme," the songs performed on this date would fit securely in the Miles Davis repertoire of the late '50s. Steig is in particularly fine form on the program which includes tunes such as "Straight No Chaser," "Autumn Leaves," and "So What."
Three Blind Mice Blu-spec CD reissue series. Limited paper sleeve edition. Blues For Tee is the second of the three albums that came out of the legendary Christmas sessions at the Misty, a Tokyo jazz club, which took place on December 1974. The Three Blind Mice producer Takeshi "Tee" Fujii wanted to record Yamamoto before he left for the U.S. to study at Berklee School of Music, and almost all of the performances were so good that he decided to release three LPs instead of one that was originally planned.
Features 24 bit remastering and comes with a mini-description. Austin's one and only album as leader. If you like crooners, then he can croon with best. The only album we've ever seen from vocalist Austin Cromer – a deep-voiced jazz singer with a style that's somewhere in the best space between Billy Eckstine and Arthur Prysock! Cromer's a lot more relaxed and less posturing than either of those bigger names – and he's got a great setting here, with small combo backing from a group that features Hubert Laws on flute, Chick Corea on piano, Richard Davis on bass, and Bruno Carr on drums! The set's a jazz one at heart, but has some soulful undercurrents too.
Reissue with the latest 2014 DSD remastering. Comes with liner notes. Louis van Dyke, in fact his surname was van Dijk, but that didn't look English enough I guess. In 1961 he had won the Loosdrecht Jazz concours with his trio and made his first album, titled Trio / Quartet in June 1964. In the quartet recordings Carl Schulze, the vibraphone player, was added. He won with this LP an Edison Award, one of the most important awards in the Dutch amusement world.
Reissue with the latest 2014 DSD remastering. Comes with liner notes. I first became aware of Louis Van Dyke on the "Fond Memories of Frank Rosolino" CD and it became apparent that here was a creative mind with impeccable jazz abilities who was able to play into the sound of whatever environment he chose. This recording could be by a very different musician than heard on the Rosolino album as Van Dyke is able to switch hats and maintain the integrity of whichever he is wearing at the time. What we have here is unusual to say the least: 9 songs by the Beatles performed in 1970 on the Flentrop Organ in the Netherlands Reformed Chuch at Loenen a.d. Vecht.