[2014 Japan]

KISS - KISS 40: Decades Of Decibels (2014) [Japan SHM-CD, 2015]  Music

Posted by Andi_Deris at Aug. 21, 2017
KISS - KISS 40: Decades Of Decibels (2014) [Japan SHM-CD, 2015]

KISS - KISS 40: Decades Of Decibels (2014) [Japan SHM-CD, 2015]
EAC Rip | FLAC: Image+Cue+Log | 561 Mb | MP3 CBR 320 kbps | 181 Mb | Scans | 59 Mb | Time: 01:15:55
Universal Japan | UICY-15361
Hard Rock, Heavy Metal, Glam Metal

Special edition of songs culled from the 2014 "KISS 40" release, plus one of the Momoiro Clover Z vs KISS collaboration tracks, released as a commemorative of the 2015 Japanese tour.
Gerry Mulligan - Jeru (1962) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4024}

Gerry Mulligan - Jeru (1962) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4024}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 235 Mb | MP3 @320 -> 85 Mb
Full Artwork @ 600 dpi (jpg) -> 145 Mb | 5% repair rar
© 1962, 2014 Columbia / Sony Music Japan | SICP 4024
Jazz / Cool / West Coast Jazz / Baritone Saxophone

Reissue with latest 2014 DSD remastering. Comes with liner notes. Jeru was a favor that Gerry Mulligan did for his drummer, Dave Bailey, who owned a startup label called Jazzline. Mulligan was bet-ween recording contracts. The ensemble played together only once, during the four-and-a-half-hour session when Jeru was made in 1962. It features Tommy Flanagan on piano, Ben Tucker on bass, Bailey on drums and Alec Dorsey on congas. The album never appeared on Jazzline because CBS bought the master and released it on Columbia.
The Gerry Mulligan Quartet - What Is There To Say? (1959) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4255}

The Gerry Mulligan Quartet - What Is There To Say? (1959) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4255}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 277 Mb | MP3 @320 -> 98 Mb
Full Artwork @ 600 dpi (jpg) -> 99 Mb | 5% repair rar
© 1959, 2014 Columbia / Sony Music Japan | SICP 4255
Jazz / Cool / West Coast Jazz / Baritone Saxophone

Reissue with latest 2014 remastering. Comes with liner notes. The last of the pianoless quartet albums that Gerry Mulligan recorded in the 1950s is one of the best, featuring the complementary trumpet of Art Farmer, bassist Bill Crow, and drummer Dave Bailey along with the baritonist/leader. This recording is a little skimpy on playing time but makes every moment count. Virtually every selection is memorable, with "What Is There to Say," "Just in Time," "Festive Minor," "My Funny Valentine," and "Utter Chaos" being the high points. Highly recommended both to Mulligan collectors and to jazz listeners who are just discovering the great baritonist.
Bob Brookmeyer - The Dual Role Of Bob Brookmeyer (1955) {2014 Japan Prestige 7000 Chronicle SHM-CD HR Cutting Series}

Bob Brookmeyer - The Dual Role Of Bob Brookmeyer (1955) {2014 Japan Prestige 7000 Chronicle SHM-CD HR Cutting Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 151 Mb | MP3 @320 -> 95 Mb
Full Artwork @ 600 dpi (jpg) -> 204 Mb | 5% repair rar | DSD / HR Cutting Remaster
© 1954-55, 2014 Prestige / Concord / Universal Japan | UCCO-5266 | Mono | PRLP 7066
Jazz / Cool / West Coast Jazz / Mainstream Jazz / Trombone

Reissue features the latest digital remastering and the high-fidelity SHM-CD format (compatible with standard CD player) and the latest DSD / HR Cutting remastering. Comes with a description. Features the original LP designs. This CD reissue has four selections apiece from two different bands, both of which feature subtle interplay and cool tones. Bob Brookmeyer plays valve trombone and piano on two songs apiece with his 1955 quartet, a group also including guitarist Jimmy Raney, bassist Teddy Kotick and drummer Mel Lewis. The other half of this disc is actually led by vibraphonist Teddy Charles who features Brookmeyer on both of his instruments along with bassist Teddy Kotick and drummer Ed Shaughnessy; Nancy Overton takes a vocal on "Nobody's Heart." Although the overall set is not all that essential, the music is pleasing and reasonably creative.
John Coltrane - Blue Train (1957) {2014 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81001}

John Coltrane - Blue Train (1957) {2014 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81001}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 516 Mb | MP3 @320 -> 159 Mb
Full Artwork @ 600 dpi (png) -> 262 Mb | 5% repair rar | 24bit 192kHz remaster
© 1957, 2014 Universal Japan / Blue Note / Capitol | BN 75th The Masterworks | TYCJ-81001
Jazz / Hard Bop / Saxophone

Features the high-fidelity SHM-CD format (compatible with standard CD player) and 24bit remastering. Includes an alternate take of "Blue Train" for the first time in the world. Although never formally signed, an oral agreement between John Coltrane and Blue Note Records founder Alfred Lion was indeed honored on Blue Train – Coltrane's only collection of sides as a principal artist for the venerable label. The disc is packed solid with sonic evidence of Coltrane's innate leadership abilities. He not only addresses the tunes at hand, but also simultaneously reinvents himself as a multifaceted interpreter of both hard bop as well as sensitive balladry – touching upon all forms in between.
Phil Woods With Red Garland - Sugan (1957) {2014 Japan Prestige Masters Collection 1000 Series UCCO-90288}

Phil Woods With Red Garland - Sugan (1957) {2014 Japan Prestige Masters Collection 1000 Series UCCO-90288}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 233 Mb | MP3 @320 -> 102 Mb
Full Artwork @ 600 dpi (png) -> 215 Mb | 5% repair rar
© 1957, 2014 Prestige New Jazz / Concord / Universal Music Japan | UCCO-90288
Jazz / Bop / Bebop / Hard Bop / Saxophone

This highly successful blowing session works because of overlapping links among players and material. Bassist Teddy Kotick and drummer Nick Stabulas were frequent partners, in the groups of leader Phil Woods and others. Kotick and pianist Red Garland also had working experience with Charlie Parker, whose compositions are heard here as well as those of Woods, who then and now was one of Jazz’s leading Parkerites.
Phil Woods - Warm Woods (1957) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4213}

Phil Woods - Warm Woods (1957) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4213}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 312 Mb | MP3 @320 -> 111 Mb
Full Artwork @ 600 dpi (png) -> 189 Mb | 5% repair rar
© 1957, 2014 Epic / Sony Music Japan | SICP 4213 | DSD Remaster
Jazz / Bop / Hard Bop / Saxophone

This long-out-of-print CD has finally been reissued and it's a must-have for Phil Woods fans, or for anyone interested in an excellent example of post-Parker be-bop saxophone. The sound quality is excellent, the rhythm section is very competent and Phil is at the top of his game on a nice mix of standards and originals. It's easy to see why he has been the benchmark for jazz alto for decades. His swing and inventiveness are nicely showcased as he eases his way through the list of tunes. If one were to buy one or two CD's that best show Phil Woods' ability to create meaningful jazz, this one would have to be high on the list for consideration. Don't miss it!

Octave Minds - Octave Minds (2014) (Japan Edition) {Beat Records}  Music

Posted by shamanicus at March 13, 2017
Octave Minds - Octave Minds (2014) (Japan Edition) {Beat Records}

Octave Minds - Octave Minds (2014) (Japan Edition)
EAC Rip | FLAC (tracks+.cue, log) | Artwork | 371 mb | MP3 CBR 320kbps | RAR | 216 mb
Modern Classical, Hip-Hop, Electronic | Label: Beat Records - BRC-441

In Octave Minds, his collaboration with German producer Boys Noize, Chilly Gonzales sounds more comfortable than ever in the same harmony-arranging role he did on Daft Punk’s ‘Random Access Memories’. There’s not a smidgen of his hokey rap-style vocal here: instead, glacial piano familiar to fans of his 2010 album ‘Ivory Tower’ and a double dose of playfulness from Boys Noize and guest Chance The Rapper, the latter on the Pharrell-aping ‘Tap Dance’. ‘Initals KK’ borrows harmonies from New Order’s ‘True Faith’, while ‘In Silence’ goes from James Blake throb to loungy piano. Though not without corniness (see ‘Done Deal”s wanky guitar solo) ‘Octave Minds’ is a chilled, cinematic trip powered by Chilly’s piano chords.
Bobby Hutcherson - Head On (1971) {2014 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81099}

Bobby Hutcherson - Head On (1971) {2014 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81099}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 508 Mb | MP3 @320 -> 186 Mb
Full Artwork @ 600 dpi (png) -> 250 Mb | 5% repair rar | 24bit 192kHz remaster
© 1971, 2014 Universal Japan / Blue Note | BN 75th The Masterworks | TYCJ-81099
Jazz / Post Bop / Vibraphone

Features the high-fidelity SHM-CD format (compatible with standard CD player) and 24 bit remastering. Featuring the work of obscure composer/pianist Todd Cochrane, vibraphonist Bobby Hutcherson's 1971 album Head On is a highly cerebral and atmospheric affair that is somewhat different than his other equally experimental '70s work. Although the album does feature more of the avant-garde jazz that Hutcherson was exploring during this period, Cochrane's material is heavily influenced by contemporary classical music, and accordingly Head On is more of an exercise in reflective, layered jazz than rambunctious freebop – though it does offer some of that, too.
Bobby Hutcherson - Oblique (1967) {2014 Japan SHM-CD Blue Note 24-192 Remaster UCCQ-5016}

Bobby Hutcherson - Oblique (1967) {2014 Japan SHM-CD Blue Note 24-192 Remaster UCCQ-5016}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 246 Mb | MP3 @320 -> 97 Mb
Full Artwork @ 600 dpi (png) -> 232 Mb | 5% repair rar | 24bit 192kHz remaster
© 1967, 2014 Universal Japan / Blue Note | BN 75th The Masterworks | UCCQ-5016
Jazz / Post Bop / Vibraphone

Reissue. Features the high-fidelity SHM-CD format (fully compatible with standard CD player) and the latest remastering (24bit 192kHz). Bobby Hutcherson's second quartet session, Oblique, shares both pianist Herbie Hancock and drummer Joe Chambers with his first, Happenings (bassist Albert Stinson is a newcomer). However, the approach is somewhat different this time around. For starters, there's less emphasis on Hutcherson originals; he contributes only three of the six pieces, with one from Hancock and two from the typically free-thinking Chambers. And compared to the relatively simple compositions and reflective soloing on Happenings, Oblique is often more complex in its post-bop style and more emotionally direct (despite what the title may suggest).