[2014 Japan]

Octave Minds - Octave Minds (2014) (Japan Edition) {Beat Records}  Music

Posted by shamanicus at March 13, 2017
Octave Minds - Octave Minds (2014) (Japan Edition) {Beat Records}

Octave Minds - Octave Minds (2014) (Japan Edition)
EAC Rip | FLAC (tracks+.cue, log) | Artwork | 371 mb | MP3 CBR 320kbps | RAR | 216 mb
Modern Classical, Hip-Hop, Electronic | Label: Beat Records - BRC-441

In Octave Minds, his collaboration with German producer Boys Noize, Chilly Gonzales sounds more comfortable than ever in the same harmony-arranging role he did on Daft Punk’s ‘Random Access Memories’. There’s not a smidgen of his hokey rap-style vocal here: instead, glacial piano familiar to fans of his 2010 album ‘Ivory Tower’ and a double dose of playfulness from Boys Noize and guest Chance The Rapper, the latter on the Pharrell-aping ‘Tap Dance’. ‘Initals KK’ borrows harmonies from New Order’s ‘True Faith’, while ‘In Silence’ goes from James Blake throb to loungy piano. Though not without corniness (see ‘Done Deal”s wanky guitar solo) ‘Octave Minds’ is a chilled, cinematic trip powered by Chilly’s piano chords.
Bobby Hutcherson - Head On (1971) {2014 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81099}

Bobby Hutcherson - Head On (1971) {2014 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81099}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 508 Mb | MP3 @320 -> 186 Mb
Full Artwork @ 600 dpi (png) -> 250 Mb | 5% repair rar | 24bit 192kHz remaster
© 1971, 2014 Universal Japan / Blue Note | BN 75th The Masterworks | TYCJ-81099
Jazz / Post Bop / Vibraphone

Features the high-fidelity SHM-CD format (compatible with standard CD player) and 24 bit remastering. Featuring the work of obscure composer/pianist Todd Cochrane, vibraphonist Bobby Hutcherson's 1971 album Head On is a highly cerebral and atmospheric affair that is somewhat different than his other equally experimental '70s work. Although the album does feature more of the avant-garde jazz that Hutcherson was exploring during this period, Cochrane's material is heavily influenced by contemporary classical music, and accordingly Head On is more of an exercise in reflective, layered jazz than rambunctious freebop – though it does offer some of that, too.
Bobby Hutcherson - Oblique (1967) {2014 Japan SHM-CD Blue Note 24-192 Remaster UCCQ-5016}

Bobby Hutcherson - Oblique (1967) {2014 Japan SHM-CD Blue Note 24-192 Remaster UCCQ-5016}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 246 Mb | MP3 @320 -> 97 Mb
Full Artwork @ 600 dpi (png) -> 232 Mb | 5% repair rar | 24bit 192kHz remaster
© 1967, 2014 Universal Japan / Blue Note | BN 75th The Masterworks | UCCQ-5016
Jazz / Post Bop / Vibraphone

Reissue. Features the high-fidelity SHM-CD format (fully compatible with standard CD player) and the latest remastering (24bit 192kHz). Bobby Hutcherson's second quartet session, Oblique, shares both pianist Herbie Hancock and drummer Joe Chambers with his first, Happenings (bassist Albert Stinson is a newcomer). However, the approach is somewhat different this time around. For starters, there's less emphasis on Hutcherson originals; he contributes only three of the six pieces, with one from Hancock and two from the typically free-thinking Chambers. And compared to the relatively simple compositions and reflective soloing on Happenings, Oblique is often more complex in its post-bop style and more emotionally direct (despite what the title may suggest).
Bobby Scott - The Compositions Of Bobby Scott (1955) {2014 Japan Bethlehem Album Collection 1000 CDSOL-6126}

Bobby Scott - The Compositions Of Bobby Scott (1955) {2014 Japan Bethlehem Album Collection 1000 CDSOL-6126}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 211 Mb | MP3 @320 -> 106 Mb
Full Artwork @ 600 dpi (png) -> 273 Mb | 5% repair rar
© 1955, 2014 Solid Records / Bethlehem | CDSOL-6126 (BCP-8)
Jazz / Cool / West Coast Jazz / Piano

Really wonderful work from pianist Bobby Scott – a perfect showcase not just for his young talents as a composer and arranger, but also for a host of key solo performers as well! This full album brings together two previous 10" LP sessions – both of them brilliant, and graced by some of the most modern talents Bethlehem Records had to offer – which makes for extremely fresh sounds from Scott's wonderful music – jazz that's at a level that's really hard to peg – neither west coast cool, nor east coast arranged – but a really special space of its own!
Lee Morgan - The Rajah (1966) {2014 Japan SHM-CD Blue Note 24-192 Remaster UCCQ-5023}

Lee Morgan - The Rajah (1966) {2014 Japan SHM-CD Blue Note 24-192 Remaster UCCQ-5023}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 308 Mb | MP3 @320 -> 108 Mb
Full Artwork @ 600 dpi (png) -> 252 Mb | 5% repair rar | 24bit 192 kHz remaster
© 1966, 2014 Universal Japan / Blue Note | BN 75th The Masterworks | UCCQ-5023
Jazz / Hard Bop / Trumpet

Features the high-fidelity SHM-CD format (fully compatible with standard CD player) and the latest remastering (24bit 192kHz). This long-lost Lee Morgan session was not released for the first time until it was discovered in the Blue Note vaults by Michael Cuscuna in 1984; it has still not been reissued on CD. Originals by Cal Massey, Duke Pearson ("Is That So") and Walter Davis, in addition to a couple of surprising pop tunes ("What Not My Love" and "Once in My Lifetime") and Morgan's title cut, are well-played by the quintet (which includes the trumpeter/leader, Hank Mobley on tenor, pianist Cedar Walton, bassist Paul Chambers and drummer Billy Higgins).

Smoked Sugar ‎- Smoked Sugar (1975) [2014 Japan]  Music

Posted by JET 1 at Dec. 27, 2016
Smoked Sugar ‎- Smoked Sugar (1975) [2014 Japan]

Smoked Sugar ‎- Smoked Sugar (1975) [2014 Japan]
EAC Rip | FLAC (Tracks) +CUE, LOG | 309 MB | Covers Included
Genre: Funk / Soul | Label: Universal Music [Japan] | Catalog Number: UICY-15320

Released in 1975, SMOKED SUGAR features the production guidance of Hadley Murrell who became well known for his production and promotion of local acts within the Phoenix Soul scene of the 60s (The Servicemen and Freddie, Henchi & The Soulsetters) as well as drawing upon the technical expertise of world renowned engineer Angel Balestier, (Solomon Burke, David Ruffin, Caston & Majors, Eddie Kendricks etc).
Jack Wilson - Song For My Daughter (1968) {2014 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81089}

Jack Wilson - Song For My Daughter (1968) {2014 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81089}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 282 Mb | MP3 @320 -> 104 Mb
Full Artwork @ 600 dpi (png) -> 251 Mb | 5% repair rar | 24bit 192kHz remaster
© 1968, 2014 Universal Japan / Blue Note | BN 75th The Masterworks | TYCJ-81089
Jazz / Cool / Post Bop / Piano

Reissue. Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. On Song for My Daughter, his third record for Blue Note, Jack Wilson "changed with the times," to paraphrase one of the record's songs. Like many of his peers on the label, Wilson pursued a pop direction as the '60s drew to a close, which meant he covered pop hits like "Scarborough Fair/Canticle" and "Stormy," and that he recorded the album with a large band augmented by a string section. It is a testament to Wilson's strengths as a pianist that he doesn't get lost in this heavy-handed setting and manages to contribute some typically graceful moments, including the lovely title song.
Lee Morgan - Lee Morgan (Last Album) (1971) {2014 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81075}

Lee Morgan - Lee Morgan (Last Album) (1971) {2014 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81075}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 415 Mb | MP3 @320 -> 157 Mb
Full Artwork @ 600 dpi (png) -> 261 Mb | 5% repair rar | 24bit 192kHz remaster
© 1971, 2014 Universal Japan / Blue Note | BN 75th The Masterworks | TYCJ-81075
Jazz / Post Bop / Modal Music / Trumpet

Lee Morgan's final studio recording before he was murdered was initially released as a two-fer LP, and the original recordings without alternate takes are included here on one CD. This was a fertile creative time for Morgan, as rivals Freddie Hubbard and Woody Shaw were embracing the electrified sounds of the times and Morgan followed suit. Harold Mabern is on the Fender Rhodes piano, tenor saxophonist Billy Harper proves a formidable front-line mate, and the vibrant Bobbi Humphrey is heard on flute before she commercialized her sound.
Terry Pollard - Terry Pollard (1955) {2014 Japan Bethlehem Album Collection 1000 CDSOL-6122}

Terry Pollard - Terry Pollard (1955) {2014 Japan Bethlehem Album Collection 1000 CDSOL-6122}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 143 Mb | MP3 @320 -> 79 Mb
Full Artwork @ 600 dpi (png) -> 253 Mb | 5% repair rar
© 1955, 2014 Solid Records / Bethlehem | CDSOL-6122 (BCP-1015)
Jazz / Bop / Piano

Features the latest remastering. Includes a Japanese description, lyrics, and bonus track(s). Features original cover artwork. One of the few female pianists in 50s jazz – the great Terry Pollard, a player who's usually associated with the Detroit scene, but who works here in a hip west coast setting for Bethlehem Records! The date's got Terry's strong piano in a quintet – with Don Fagerquist on trumpet and Howard Roberts on guitar – both musicians who bring a strong sense of presence to the group passages on the date, but who are also more than willing to step aside and let Pollard really flourish on her solos during some of the album's trio tracks.
Tsuyoshi Yamamoto Trio - Summertime (1976) {2014 Japan Three Blind Mice Mini LP Blu-spec CD Remaster}

Tsuyoshi Yamamoto Trio - Summertime (1976) {2014 Japan Three Blind Mice Mini LP Blu-spec CD Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 277 Mb | MP3 @320 -> 108 Mb
Full Artwork @ 300 dpi (jpg) -> 10 Mb | 5% repair rar
© 1976, 2014 Three Blind Mice / Sony Music Direct (Japan) / Think! Records | THCD-318 | LP TBM-69
Jazz / Post Bop / Piano Trio

Three Blind Mice Blu-spec CD reissue series. Limited paper sleeve edition. Summertime is the seventh album by pianist Tsuyoshi Yamamoto released by the Three Blind Mice label. Virtually unknown when he made his first recording in 1974, he had become one of the most popular jazz pianists by the time of this exciting live recording in 1976.