Reissue with the latest 24-bit remastering. Features original cover artwork. Comes with a descripton in Japanese. Fast and funky fusion from David Matthews – building off the sound of his later Kudu recordings with a sweet electric groove! The album's got a pretty full approach overall – with Matthews on electric piano, and directing a large group of players that includes Mike Maineri, Michael Brecker, Jon Faddis, Shunzo Ohno, and Ronnie Cuber – and a number of tracks feature a vocal chorus that includes Ullanda McCullough and Yvonne Lewis. The overall style is slick, but not in a bad way – and Matthews more than meets the Japanese fusion sound head to head for this non-US release from the time!
The San Francisco Bay Area rock scene of the late '60s was one that encouraged radical experimentation and discouraged the type of mindless conformity that's often plagued corporate rock. When one considers just how different Santana, Jefferson Airplane, Moby Grape, and the Grateful Dead sounded, it becomes obvious just how much it was encouraged. In the mid-'90s, an album as eclectic as Abraxas would be considered a marketing exec's worst nightmare. But at the dawn of the 1970s, this unorthodox mix of rock, jazz, salsa, and blues…
Reissue with the latest 2014 DSD remastering. Comes with liner notes. I first became aware of Louis Van Dyke on the "Fond Memories of Frank Rosolino" CD and it became apparent that here was a creative mind with impeccable jazz abilities who was able to play into the sound of whatever environment he chose. This recording could be by a very different musician than heard on the Rosolino album as Van Dyke is able to switch hats and maintain the integrity of whichever he is wearing at the time. What we have here is unusual to say the least: 9 songs by the Beatles performed in 1970 on the Flentrop Organ in the Netherlands Reformed Chuch at Loenen a.d. Vecht.
Time and a Word, released in July 1970 by Atlantic Records, is the second album by the progressive rock band Yes. The group continued to follow their early musical direction of performing original material and cover versions of songs by pop, jazz, and folk artists. An orchestra was used on most of the album's songs; Peter Banks did not support the idea which resulted in him being replaced by Steve Howe after the album was released. Time and a Word became the group's first release to enter the UK chart at #45. It however failed to chart in the US and received mixed reviews from critics. During their UK tour in April 1970, guitarist Peter Banks was fired from the group…
Reissue with the latest DSD remastering. Comes with liner notes. A searing performance from Japanese jazz giant Sadao Watanabe – and key proof that he was a hell of a player in the years before he softened things up! There's a blissful post-Coltrane post-Miles sort of vibe going on here with Watanabe really jamming things up on the main track on the album – "Round Trip Going & Coming", which features incredible work on soprano sax, and eventually rolls into a kicked-up electric groove that has Sadao playing electric keys, alongside guitar, bass, and drums. Side two features slightly shorter tracks, but still with a great degree of exploratory freedom and fresh improvisation from Sadao – and titles include "Lament" and "Tokyo Suite: Sunset".
Chronological development of popular music from 1960 to 1997, the impact of social change on the text and style of music. Immerse yourself in a nostalgic trip, remember how it was different before. For the older generation it - a memory, a wonderful meeting with the youth and for the young - a unique opportunity to hear music that is virtually nowhere is not sound.
Recorded during their American tour in late 1969, and centered around live versions of material from the Beggars Banquet-Let It Bleed era. Often acclaimed as one of the top live rock albums of all time, its appeal has dimmed a little today. The live versions are reasonably different from the studio ones, but ultimately not as good, a notable exception being the long workout of "Midnight Rambler," with extended harmonica solos and the unforgettable section where the pace slows to a bump-and-grind crawl.