Reissue with SHM-CD format and new 24bit remastering. In 1957, Johnny Smith was at the height of his artistic power when he cut this album for the Roost label. Smith had a patented method for shifting from single-string statements of the melody line to complex chordal structures with amazing ease. This ability is put to use for each of the cuts on this album, but is especially useful on such cuts as "Angel Eyes" and "You Go to My Head." Smith's guitar also seemed to have a one of a kind resonance to it, which energized every melody he played, whether on the melody itself or when improvising, making his playing immediately recognizable.