Livin Blues are without doubt the greatest Blues Band to come out of Holland, and to be honest, they deserved greater acclaim…
The name Young Guns seems ironically amiss until one learns that this recording dates from 1968-69 when organist Gene Ludwig was thirty years old, guitarist Pat Martino twenty-three and drummer Randy Gelispie somewhere in that neighborhood, long before he became fondly known as "Uncle G." The organ trio was in its heyday then, and this one was caught on tape during an exciting live date at Club 118 in Louisville, KY. How many other such performances have been lost forever owing to the absence of a tape recorder or the failure to turn it on is anyone's guess. But this one, thank goodness, has been preserved for present-day ears to appreciate.
Stand Up is the second studio album by the British rock band Jethro Tull, released in 1969. Stand Up represents the first album project on which Anderson was in full control of the music and lyrics. The result was an eclectic album with various styles appearing in its songs, yet an album which remained somewhat in the blues rock mould, which would be the last such album from Jethro Tull. The album quickly went to number 1 in the UK charts.
The Aerosol Grey Machine is the debut studio album by English progressive rock band Van der Graaf Generator. It was released in 1969 by record label Mercury. The album was originally intended as a solo album by the band's lead singer and main songwriter, Peter Hammill. When the band signed with Charisma Records, a deal was worked out whereby The Aerosol Grey Machine would be released under the Van der Graaf Generator name, in return for Mercury Records releasing Hammill from his earlier contract with it. The album was reissued on CD in 1997 by the German company Repertoire Records, using the second-edition running order of the album and featuring the first single as bonus tracks.
The Tokens are generally thought of as the vocal group who brought their "Lion Sleeps Tonight" hit to yet another generation through the success of The Lion King. But what we have here is the great lost Tokens album, recorded in 1968 and promptly turned down by Warner Bros…
The complete - and previously unheard - early work of a later celebrated jazz guitarist recorded in first-class audio quality and produced by SWF-Landesstudio Rheinland-Pfalz in Mainz, as it was then known. It is fascinating to discover the sources from which Volker Kriegel - just 19 years old at the time of the first session - derived inspiration for some of the best known jazz standards: John Lewis' Django, a relaxed Thelonious Monk (Rythm-A-Ning), Autumn Leaves, Norwegian Wood, and other down-tempo numbers of the bop and beat era before discovering his personal laid-back style.
Paulo Diniz knew success in the '70s with compositions and interpretations soaked with the freewheeling spirit of those times, a mixture of post-1968 protest with the joyous character of Bahian music. "Quero Voltar Pra Bahia" ("I Wanna Go Back to Bahia"), a nostalgic tribute to Caetano Veloso who was exiled in London at the time, was recorded by several other interpreters, including Fagner. Diniz also had his "Símbolo de Paz" recorded by Elizeth Cardoso; "Pingos de Amor" by several interpreters, including Araketu, Kid Abelha, Neguinho da Beija-Flor and Sula Miranda; "Chega" by Simone; "Um Chope Pra Distrair" by Emílio Santiago; and "Canseira" by Clara Nunes.
On Time is Grand Funk Railroad's first studio album, released in August 1969 by Capitol Records. It was produced by Terry Knight. "Time Machine", the band's first single release, barely broke the top 50 in the singles charts, reaching #48, however, after the success of their second album Grand Funk (aka The Red Album), On Time went gold shortly thereafter in 1970, one of four gold record awards for the band that year. The other two albums reaching gold status in 1970 for GFR were Closer to Home and Live Album.