“The Duo Sonare presents recording premieres of guitar music by Mauro Giuliano and Ferdinando Carulli on historical instruments: arrangements of compositions by Mozart and fascinating original works by these two contemporaries of his.”
This latest album from the Katona Twins fully sustains the standards set by their previous three releases for Channel Classic. … Highly recommended.
In this class we’ll teach you some of the best recording and mixing techniques used to get professional sounding acoustic guitar and vocal productions. You’ll have access to the raw tracks of the song used in the class, so you can start putting everything you learn into practice right away.
Ever the sonic experimentalist, Mike Oldfield uses guitars exclusively (strummed, plucked, struck, sampled, etc.) to create every sound on Guitars. Perhaps an intentional response to the composer's previous assortment of electronic recordings, the album suffers from its form-over-substance concept…
If you thought that Chris Rea's reasonably priced 11 CD boxset called Blue Guitars, featuring over 130 songs, was a bit too much to take in at one time, then this two CD distillation might be more your style. Here, the best 22 tracks from the box are compiled on two CDs for your sampling pleasure. Includes 'Where the Blues Come From', 'The Soul of My Father's Shadow', 'Lucky Day', 'Who Killed Love' and more.
The Winter Tree is the new moniker for the American outfit formerly known as Magus. Both are the main creative vehicle for composer/musician Andrew Laitres, and his latest collaborators Deb Bond (keyboards) and Mark Bond (vocals and guitars). Magus dates back to the mid 1980s and has many full length releases, but in 2010 Andrew changed the name to The Winter Tree after a song from one of his favorite bands, Renaissance. The self-titled debut album was released in 2011. Soft symphonic art rock with nods in the direction of folk music is what The Winter Tree explores on their debut album, music pastoral in spirit and expression, emphasizing gentle moods and careful melodies in a manner that should appeal well beyond the art rock universe…
On 2016's Goodbye to Language, veteran producer Daniel Lanois and frequent collaborator Rocco DeLuca team up for an album of shifting experimental soundscapes created with lapsteel guitars. The album is far closer to Lanois' pioneering ambient works with Brian Eno, Harold Budd, and Michael Brook from the 1980s than his subsequent, more rootsy singer/songwriter albums. As the album's title suggests, there are no lyrics here, and the feelings evoked by this music can't accurately be expressed by words anyway. As simple as the idea of an ambient steel guitar album sounds, there's a lot going on here, and it never feels like mere background music.