24 Bit Remaster Shm CD

Jerome Richardson - Going To The Movies (1962) {2011 Japan 24-bit Remaster} [Jazz Masterpiece Best & More 999 Series]

Jerome Richardson - Going To The Movies (1962) {2011 Japan 24-bit Remaster} [Jazz Masterpiece Best & More 999 Series]
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 193 Mb | MP3 @320 -> 72 Mb
Full Artwork @ 300 dpi (png) -> 23 Mb | 5% repair rar | 24-bit remaster
© 2011 United Artists Jazz / Liberty / EMI Music Japan | TOCJ-50129 | Jazz Masterpiece Best & More 999 Series
Jazz / Cool / Hard Bop / Saxophone

Movie themes, along with songs from Broadway, have long been fodder for jazz musicians. This United Artists LP features Jerome Richardson leading his working quintet during a live engagement, though the venue is unidentified. The extended workout of Duke Jordan's "No Problem" (from the film Les Liaisons Dangereuses) showcases Richardson's robust baritone sax and Les Spann on flute, with the leader adding a tag at the end on piccolo. Richardson switches to tenor sax and Spann to guitar for a rather brisk arrangement of "Moon River." "Tonight" (from West Side Story) is a bit unusual in that it features both musicians on flute.
Nick Simper`s Fandango - Slipstreaming (1979) {2008, Reissue, 24-bit Remaster, Japan}

Nick Simper`s Fandango - Slipstreaming (1979) {2008, Reissue, 24-bit Remaster, Japan}
EAC Rip | FLAC (Img) + Cue + Log ~ 324 Mb | MP3 CBR320 ~ 134 Mb
Scans Included (JPG, 300 dpi) | RAR 5% Recovery
Hard Rock | Air Mail Archive #AIRAC-1454

Nicholas Simper is an English bass guitarist, who was a co-founding member of Deep Purple and Warhorse. In the 1960s he began his professional career in bands such as Johnny Kidd & The Pirates, The Flower Pot Men, and Lord Sutch's Savages…
Jean Michel Jarre - The Concerts In China (1982) {1997 24-bit Remaster + 2014 Remaster}

Jean Michel Jarre - The Concerts In China (1982) {1997 24-bit Remaster + 2014 Remaster}
EAC Rip | FLAC (Img) + Cue + Log ~ 1,04 Gb | MP3 CBR320 ~ 397 Mb
Scans (JPG, 300 dpi) ~ 40 Mb | RAR 5% Recovery
Electronic, Ambient | Disques Dreyfus / Epic #EPC 488139 2 + Disques Dreyfus / BMG / Sony Music #88843024712

The Concerts in China is a live album by Jean Michel Jarre, recorded in 1981 and released in 1982 on Disques Dreyfus. It was recorded during Jarre's Concerts in China tour of Autumn 1981, which consisted of five Beijing and Shanghai concerts in China; this was the first time a Western pop artist performed in China after the Cultural Revolution. The album is a balance of previously released tracks by Jarre, new compositions inspired by Chinese culture, and one rearranged traditional Chinese track ("Fishing Junks at Sunset"). The album consists mainly of live material, plus ambient sound recordings and one new studio track "Souvenir of China"…

Aerosmith - Big Ones (1994) [2010 Japan Remaster SHM-CD]  Music

Posted by hill0 at June 27, 2016
Aerosmith - Big Ones (1994) [2010 Japan Remaster SHM-CD]

Aerosmith - Big Ones (1994) [2010 Japan Remaster SHM-CD]
EAC Rip | FLAC (image & cue & log) | 578 MB | MP3 CBR 320 kbps | 180 MB | Scans (PNG ) | 90 MB | 1:18:43
Genre: Hard Rock | Country: USA | Label: Universal | UICY-94447

Big Ones serves up the hits and nothing but the hits; Aerosmith's excellent debut for Geffen, Done with Mirrors, is conveniently overlooked. So what's left is some of the finest mainstream hard rock of the late '80s and early '90s – the fruits of one of the most remarkable comebacks in rock & roll history. Unfortunately, there's precious little of the classic Aerosmith raunch; in fact, the two new tracks are the hardest, slinkiest tracks here.
Ahmad Jamal - Jamal At The Penthouse (1959) {Japan MiniLP 24-bit remaster UCCC-9131}

Ahmad Jamal - Jamal At The Penthouse (1959) {Japan MiniLP 24-bit remaster UCCC-9131}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 165 Mb | MP3 @320 -> 67 Mb
Full Artwork @ 300 dpi (png) -> 17 Mb | 5% repair rar
© 1959, 2005 Argo / Verve / Universal Japan | UCCC-9131 | 24-bit/96kHz remaster
Jazz / Cool / Post Bop / Piano

24bit/192kHz digitally remastered with original LP replica cardboard sleeve. A compelling title – as the record was recorded at Nola Penthouse Studios in New York, one of the hippest places to lay down tracks at the time – but the cover shows an image of the Playboy building in Chicago, famous from the TV show Playboy's Penthouse, Hugh Hefner's first foray into television! The actual music is equally compelling too – as the record is one of Ahmad's first non-trio sessions, and features some great larger arrangements from Joe Kennedy – backing the trio of Jamal, Vernel Fournier, and Israel Crosby with some light strings that create a wonderfully dreamy feel! Ahmad's piano glides along wonderfully in such a setting – set free a bit more than usual, and really sounding great on tracks that include "Ivy", "Comme Ci, Comme Ca", "Tangerine", "Never Never Land", "Ahmad's Blues", and "Seleritus".
Cannonball Adderley - Accent On Africa (1968) {2011 Japan 24-bit Remaster} [Jazz Masterpiece Best & More 999 Series]

Cannonball Adderley - Accent On Africa (1968) {2011 Japan 24-bit Remaster} [Jazz Masterpiece Best & More 999 Series]
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 219 Mb | MP3 @320 -> 75 Mb
Full Artwork @ 300 dpi (jpg) -> 13 Mb | 5% repair rar | 24-bit remaster
© 1968, 2011 Capitol / EMI Music Japan | TOCJ-50202 | Jazz Masterpiece Best & More 999 Series
Jazz / Hard Bop / Soul Jazz / Saxophone

Though labeled as a Cannonball Adderley Quintet session, this is actually a workout with a percussion section loaded with African drums, a big band, and in spots, voices – all unidentified. Nevertheless, this is one of the best and most overlooked of the Cannonball Adderley Capitols, a rumbling session that bursts with the joy of working in an unfamiliar yet vital rhythmic context. Cannonball turns in one of his swinging-est solos through a Varitone electronic attachment on Caiphus Semenya's "Gumba Gumba" and "Marabi" is a real hip-jiggler; you can't sit still through it. Other highlights include Cannon preaching blue smoke in his own Afro-Cuban-blues-flavored "Hamba Nami," a dignified trip through Wes Montgomery's "Up and At It," and Nat Adderley's commanding work on cornet at all times.
Moacir Santos - Maestro (1972) {2012 Japanese BNLA Series 24-bit Remaster TOCJ-50522}

Moacir Santos - Maestro (1972) {2012 Japanese BNLA Series 24-bit Remaster TOCJ-50522}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 191 Mb | MP3 @320 -> 85 Mb
Full Artwork @ 600 dpi (png) -> 236 Mb | 5% repair rar | 24bit/192kHz remaster
© 1972, 2012 Blue Note / EMI Music Japan | TOCJ-50522
Jazz / Latin Jazz / World Fusion / Saxophone

Reissue with the latest 24bit/192kHz remastering. Features original cover artwork. Comes with a descripton in Japanese. Amazing 70s work from Moacir Santos – the first album the Brazilian arranger recorded for Blue Note, and a set that sparkles with warmth and soul from the very first note! The approach is a brilliant updating of the famous sound that Santos crafted in Brazil the decade before – recast here with some warmer elements that includes great organ from Clare Fischer, electric piano from Bill Henderson, trombone from Frank Rosolino, and flute and tenor from Don Menza!
Moacir Santos - Carnival Of The Spirits (1975) {2012 Japanese BNLA Series 24-bit Remaster TOCJ-50513}

Moacir Santos - Carnival Of The Spirits (1975) {2012 Japanese BNLA Series 24-bit Remaster TOCJ-50513}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 194 Mb | MP3 @320 -> 77 Mb
Full Artwork @ 600 dpi (png) -> 211 Mb | 5% repair rar | 24bit/192kHz remaster
© 1975, 2012 Blue Note / EMI Music Japan | TOCJ-50513
Jazz / Latin Jazz / World Fusion / Saxophone

Reissue with the latest 24bit/192kHz remastering. Features original cover artwork. Comes with a descripton in Japanese. A sublime 70s session from Moacir Santos – a set that mixes the complex grooves he forged in 60s Brazil with the warmly jazzy sound of American fusion – all in a result that's totally unique! The album's quite different than any other electric Brazilian sets recorded in the US at the time – a complex album that's filled with soul and imagination – and not just an electrification of earlier styles from Brazil. Santos' vision here is wonderful – and he works with his own arrangements, and key help from producer Dale Oehler – who knows how to bring in all the right electric elements without losing the edge of Moacir's music.
Cannonball Adderley - 74 Miles Away / Walk Tall (1967) {2011 Japan 24-bit Remaster} [Jazz Masterpiece Best & More 999 Series]

The Cannonball Adderley Quintet - 74 Miles Away / Walk Tall (1967) {2011 Japan 24-bit Remaster} [Jazz Masterpiece Best & More 999 Series]
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 227 Mb | MP3 @320 -> 83 Mb
Full Artwork @ 300 dpi (jpg) -> 11 Mb | 5% repair rar | 24-bit remaster
© 1967, 2011 Capitol / EMI Music Japan | TOCJ-50153 | Jazz Masterpiece Best & More 999 Series
Jazz / Hard Bop / Soul Jazz / Saxophone

With the hit "Mercy Mercy Mercy" still reverberating on the sales charts, Capitol simply had the Quintet crank out one live club date after another at this point, hoping for another smash. They never really got one, but Cannonball and Nat Adderley, in league with pianist Joe Zawinul, bassist Victor Gaskin and drummer Roy McCurdy, left a strong legacy like this vigorous live Hollywood gig. One of Nat's best gospel-styled hip-shakers, "Do Do Do," opens the record, and Joe Zawinul comes up with another bluesy, catchy self-help tune in the vein of "Mercy" called "Walk Tall," prefaced by another of Cannonball's wryly inspirational talks.
Moacir Santos - Saudade (1974) {2012 Japanese BNLA Series 24-bit Remaster TOCJ-50510}

Moacir Santos - Saudade (1974) {2012 Japanese BNLA Series 24-bit Remaster TOCJ-50510}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 228 Mb | MP3 @320 -> 87 Mb
Full Artwork @ 600 dpi (png) -> 272 Mb | 5% repair rar | 24bit/192kHz remaster
© 1974, 2012 Blue Note / EMI Music Japan | TOCJ-50510
Jazz / Latin Jazz / World Fusion / Saxophone

Reissue with the latest 24bit/192kHz remastering. Features original cover artwork. Comes with a descripton in Japanese. One of the rare Blue Note gems from Brazilian arranger/composer Moacir Santos – an album of incredible warmth and charm, with a sound that's hardly been duplicated again! Santos is usually best known for his early bossa arrangements in the 60s, but here he's working in the US – hitting a sweet LA groove that mixes his earlier Brazilian styles with breezy touches from 70s jazz – done in a great mix of acoustic and electric instrumentation that sparkles tremendously throughout!