Albedo 0.39 is a studio album by the Greek electronic composer Vangelis, released in 1976. It was the second album produced by Vangelis in Nemo Studios, London, which was his creative base until the late 1980s. It was his first Top 20 UK album. It is a concept album themed around space physics (the reflection of light i.e. physical truth). Its title is inspired by the idea of a planet's albedo, the proportion of the light it receives that is reflected back into space. The album title refers to the average albedo value of the planet Earth as it was in 1976. From the explanation on the back of the LP cover : "The reflecting power of a planet or other non-luminous body. A perfect reflector would have an Albedo of 100%. The Earth's Albedo is 39%, or 0.39". It was performed at the Royal Albert Hall in 1977. The album reached #18 on the UK Album Charts.
Most musicians when asked to give a list of their favorite composers will usually have at the top, or near the top of the list George Gershwin. They feel that Gershwin wrote in such a fashion that it gives them the most room for improvisation. You will always find that when people are asked to do albums of various composers, invariably Gershwin is on the list. Buddy DeFranco has recorded many albums for me and for two years has been insisting that he be allowed to do a Gershwin album, and this is it…
The first six selections on this CD are from a long-out-of-print LP featuring the brilliant clarinetist Buddy DeFranco with the Oscar Peterson Quartet (Peterson's trio plus drummer Louie Bellson). While the six selections are all standards, DeFranco and Peterson produce plenty of fireworks with the majority of the numbers being taken up-tempo. DeFranco sounds flawless on clarinet, making it sound so easy to play lightning-fast runs; few other clarinetists have ever come close. Recommended.
2CD set featuring 26 tracks from one of Europe's most popular rock combo's who formed in 1969. This compilation takes tracks from the 1998 & 1995 albums 'Sonic Origami' and 'Sea Of Light'. Tracks include 'Love in Silence', 'Between Two Worlds' and 'Spirit of Freedom'. 2CD set was made in Germany in 2005 and it's 24-bit digitally remastered.
Dionne Warwick's first album for Warner Bros. in 1971 didn't seem to change much. She was still working with Burt Bacharach and Hal David and still cranking out sophisticated ballads with the trademark orchestrated Bacharach sound. The only thing missing on Dionne is some kind of chart action.
Art Blakey, without any Jazz Messengers – but still coming through loud and clear, thanks to help from a unique group that features Sonny Stitt on tenor, McCoy Tyner on piano, and Art Davis on bass! The album's still got all the hardbop charm of Blakey's best Blue Note dates, but also feels a bit more spontaneous too – and the basslines of Davis are a wonderful change from the usual – beautiful sounds that drive the record quite strongly up from the bottom! Titles include the killer "Cafe", plus "Blues Back", "Just Knock On My Door", "Summertime", and "The Song Is You" – and the album features fantastic blowing from Stitt!
Nicholas Simper is an English bass guitarist, who was a co-founding member of Deep Purple and Warhorse. In the 1960s he began his professional career in bands such as Johnny Kidd & The Pirates, The Flower Pot Men, and Lord Sutch's Savages…
The name Tommy Shaw will always be synonymous with Styx, the hugely successful American pomp rock band that notched up a series of multiplatinum albums during the 70s and early 80s. After leaving Styx in 1983 he went on to carve out a solo career, resulting in a trio of well received albums before forming supergroup Damn Yankees alongside Ted Nugent and former Night Ranger songwriter Jack Blades. ‘Ambition’ was Tommy’s third solo album and is generally regarded as the best of the batch. Teaming up with British producer Terry Thomas, the former leader and creative heart of cult AOR band Charlie, and recorded in London, musical assistance was provided by a number of top notch session players…
24bit/192kHz digitally remastered with original LP replica cardboard sleeve. A compelling title – as the record was recorded at Nola Penthouse Studios in New York, one of the hippest places to lay down tracks at the time – but the cover shows an image of the Playboy building in Chicago, famous from the TV show Playboy's Penthouse, Hugh Hefner's first foray into television! The actual music is equally compelling too – as the record is one of Ahmad's first non-trio sessions, and features some great larger arrangements from Joe Kennedy – backing the trio of Jamal, Vernel Fournier, and Israel Crosby with some light strings that create a wonderfully dreamy feel! Ahmad's piano glides along wonderfully in such a setting – set free a bit more than usual, and really sounding great on tracks that include "Ivy", "Comme Ci, Comme Ca", "Tangerine", "Never Never Land", "Ahmad's Blues", and "Seleritus".
Features 24 bit remastering and comes with a mini-description. The title of this 1961 release best sums up this quartet album. There is nothing particularly innovative about this recording, but the level of expertise and musical maturity displayed here is truly astonishing. This is simply straight-ahead hard bop performed by some of the finest musicians in 1960s jazz, including saxophonist David "Fathead" Newman and pianist Wynton Kelly.