2CD set featuring 26 tracks from one of Europe's most popular rock combo's who formed in 1969. This compilation takes tracks from the 1998 & 1995 albums 'Sonic Origami' and 'Sea Of Light'. Tracks include 'Love in Silence', 'Between Two Worlds' and 'Spirit of Freedom'. 2CD set was made in Germany in 2005 and it's 24-bit digitally remastered.
Dionne Warwick's first album for Warner Bros. in 1971 didn't seem to change much. She was still working with Burt Bacharach and Hal David and still cranking out sophisticated ballads with the trademark orchestrated Bacharach sound. The only thing missing on Dionne is some kind of chart action.
Art Blakey, without any Jazz Messengers – but still coming through loud and clear, thanks to help from a unique group that features Sonny Stitt on tenor, McCoy Tyner on piano, and Art Davis on bass! The album's still got all the hardbop charm of Blakey's best Blue Note dates, but also feels a bit more spontaneous too – and the basslines of Davis are a wonderful change from the usual – beautiful sounds that drive the record quite strongly up from the bottom! Titles include the killer "Cafe", plus "Blues Back", "Just Knock On My Door", "Summertime", and "The Song Is You" – and the album features fantastic blowing from Stitt!
Nicholas Simper is an English bass guitarist, who was a co-founding member of Deep Purple and Warhorse. In the 1960s he began his professional career in bands such as Johnny Kidd & The Pirates, The Flower Pot Men, and Lord Sutch's Savages…
The name Tommy Shaw will always be synonymous with Styx, the hugely successful American pomp rock band that notched up a series of multiplatinum albums during the 70s and early 80s. After leaving Styx in 1983 he went on to carve out a solo career, resulting in a trio of well received albums before forming supergroup Damn Yankees alongside Ted Nugent and former Night Ranger songwriter Jack Blades. ‘Ambition’ was Tommy’s third solo album and is generally regarded as the best of the batch. Teaming up with British producer Terry Thomas, the former leader and creative heart of cult AOR band Charlie, and recorded in London, musical assistance was provided by a number of top notch session players…
24bit/192kHz digitally remastered with original LP replica cardboard sleeve. A compelling title – as the record was recorded at Nola Penthouse Studios in New York, one of the hippest places to lay down tracks at the time – but the cover shows an image of the Playboy building in Chicago, famous from the TV show Playboy's Penthouse, Hugh Hefner's first foray into television! The actual music is equally compelling too – as the record is one of Ahmad's first non-trio sessions, and features some great larger arrangements from Joe Kennedy – backing the trio of Jamal, Vernel Fournier, and Israel Crosby with some light strings that create a wonderfully dreamy feel! Ahmad's piano glides along wonderfully in such a setting – set free a bit more than usual, and really sounding great on tracks that include "Ivy", "Comme Ci, Comme Ca", "Tangerine", "Never Never Land", "Ahmad's Blues", and "Seleritus".
Features 24 bit remastering and comes with a mini-description. The title of this 1961 release best sums up this quartet album. There is nothing particularly innovative about this recording, but the level of expertise and musical maturity displayed here is truly astonishing. This is simply straight-ahead hard bop performed by some of the finest musicians in 1960s jazz, including saxophonist David "Fathead" Newman and pianist Wynton Kelly.
Tracks have a nice rolling feel, and the group is very comfortable with each other. Foster's tone is excellent. “….this is a great, great record; a very swingin', soulful, and I dare say slightly modal side from the great sax man Frank Foster, long time sideman and musical director of the Count Basie organization. …..Foster has assembled a very competent and skillful support crew, mostly former and then current Basie sideman (which accounts for the title of the LP: 'Basie is Our Boss…) but he is also supported by a great favorite of this blog; the unheralded John Young on piano. Unusually for an Argo side, there are only 6 tracks on this LP, as Foster & company are given a rare opportunity to stretch out and tackle the material.
Features 24 bit remastering and comes with a mini-description. Brother Jack McDuff recorded an enormous number of albums during the '60s, so it can be difficult to figure out where to start digging a little deeper into his output (which Hammond B-3 fans will definitely want to do). 1967's Tobacco Road stands out from the pack for a couple of reasons. First, unlike many of his groove-centric albums, it's heavy on standards and pop/rock tunes (seven of nine cuts), which make for excellent matches with McDuff's highly melodic, piano-influenced style.
"Let me begin by saying that this is not the greatest jazz album you've ever heard." So states critic/DJ Harry Abraham in the liner notes on the back of Sweet Revival, Ronnie Foster's second album as a leader. Abraham was obviously trying to deflect criticism that this record is, in his words, "a commercial album that could have just as easily been titled 'Ronnie Foster Plays the Top 40 hits of the Seventies With Horns, Strings and Voices,'" but nothing he could write would make this album acceptable to jazz purists.