24bit Vinyl

The Nice - Nice (1969) Immediate/Z12 52022 - US Promo Pressing - LP In 24bit/96kHz - ONLY RE-POST

The Nice - Nice
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
Label: Immediate/Z12 52022 | Release: 1969 | Genre: Symphonic-Rock

Essential: a masterpiece of progressive-rock music.
As Nice As Mother Makes It
After two very robust but patchy albums the Nice adopted a slightly different approach to their third by exploiting a half live/half studio hybrid. They felt that this (on the advice of their new manager Tony Stratton-Smith) would showcase the 'best of both worlds' as the studio precedents were not felt to do justice to their live performances.
The Nice - Ars Longa Vita Brevis (1969) Immediate/Z12 52020 - US Pressing - LP In 24bit/96kHz - ONLY REPOST

The Nice - Ars Longa Vita Brevis
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
Label: Immediate/Z12 52020 | Release: 1968 | This Issue: 1969 | Genre: Symphonic-Rock

Excellent addition to any prog-rock music collection.
It is not possible to overestimate the Nice's importance to Progressive Rock. In their moment, they were prog and if the eye-opening debut Thoughts of Emerlist Davjack didn't show that, this dazzling follow-up did. Sure they're so old and dated you'd never put them on unless alone in the house.
Zubin Mehta & New York Philharmonic – Pictures At An Exhibition (1980) M 35165 - 1st US Pressing LP/FLAC In 24bit/96kHz

Zubin Mehta & New York Philharmonic Orchestra – Mussorgsky/Ravel – Pictures At An Exhibition/La Valse
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 900mb
Label: CBS Masterworks/M 35165 | Release: 1980 | Genre: Classical

Here are sets of Pictures to suit almost every personal art gallery. The newest issue (though not the most recently recorded—it has a 1979 analogue source) is the least memorable. The orchestral playing is excellent and certain portrayals are striking, the ”Ballet of Unhatched Chicks”, for instance and ”Samuel Goldenberg and Schmuyle”, while the closing sequence is strongly projected.
The Chieftains – The Chieftains 2 (1971) Island Records/ILPS-9365 – US Pressing - LP/FLAC In 24bit/96kHz

The Chieftains – The Chieftains 2
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz
Label: Island Records/ILPS-9365 | Released: 1971 | US Issue: 1976 | Genre: Irish-Folk

This is the real stuff, the very best of the group’s early albums and the best representation of the Chieftains’ original sound.
The Chieftains – The Chieftains (1964) Island Records/ILPS 9364 – US Pressing - LP/FLAC In 24bit/96kHz

The Chieftains – The Chieftains
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz
Label: Island Records/ILPS 9364 | Released: 1964 | US Issue: 1976 | Genre: Irish-Folk

The debut album by the Chieftains, recorded when they were still a semi-professional outfit, is more restrained than their subsequent efforts. The opening number introduces each of the bandmembers, Paddy Moloney and Sean Potts on pipes, followed by Michael Tubridy on flute and David Fallon on bodhran, Martin Fay on the fiddle, and then Tubridy on the concertina. The group would later acquire what can only be called a more soulful approach, but the playing here was a revelation at the time, if only for its stripped-down authenticity.
David Bowie – The Rise And Fall (1972) RCA Victor/AYL1-3843 – US Pressing - LP/FLAC In 24bit/96kHz

David Bowie – The Rise And Fall Of Ziggy Stardust And The Spiders From Mars
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz
Label: RCA Victor/AYL1-3843 | Release: 1972 | This Issue: 1980 | Genre: Classic-Rock

Essential: a masterpiece of rock music
WHAM BAM THANK YOU MAM
Deeply inspired by the rise and fall of Vince Taylor (whom Bowie incidentally met in 1971). David/Ziggy will mix this story with science-fiction themes, the atmosphere of the star rock system mixing the whole stuff with his androgynous look. Ziggy will appear as such on stage. Intelligent glam rock? Probably.
Galadriel – Galadriel (1971) Akarma/AK 158 – IT 180g Pressing - LP/FLAC In 24bit/96kHz

Galadriel – Galadriel
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz
Label: Akarma/AK 158 | Released: 1971 | This Issue: 2001 | Genre: Progressive-Rock

Excellent addition to any prog-rock music collection
Galadriel biography
The band’s sole legacy, a self-titled album released in 1971, is quite similar to myriads of obscure early 70’s rock bands with vague progressive leanings: blues based with elements of soft or folk-rock (JETHRO TULL-style for the flute), a bit of jazz and some hard rock.
Serú Girán – Serú Girán (1978) Sazam Records/SR-16052 – 1st AR Pressing - LP/FLAC In 24bit/96kHz - NEW 2017 RIP!

Serú Girán - Serú Girán
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 900mb
Label: Sazam Records / SR-16052 | Release: 1978 | Genre: Progressive-Rock

Initially panned by both the public and the press, Serú girán gradually won the Argentine people and became a historic album and the beginning of Serú Girán, the Argentine Beatles!….
Donovan – Fairytale (1965) Musidisc/mini-27 – BR Mono Pressing - LP/FLAC In 24bit/96kHz

Donovan ‎– Fairytale
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz
Label: Musidisc/mini-27 | Release: 1965 | This Issue: 1969 | Genre: Country-Folk

As a finishing touch for this 2016 year, I share this rarity.
This is the version of Fairytale that collectors from all over the world are looking for: The Brazilian edition 7″ with yellow cover.
Billy Cobham – Spectrum (1973) Atlantic/SD 7268 – US Pressing - LP/FLAC In 24bit/96kHz

Billy Cobham – Spectrum
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz
Label: Atlantic/SD 7268 | Released: 1973 | This Issue: 197? |Genre: Jazz-Rock

Essential: a masterpiece of progressive rock music
There’s no question that Billy Cobham is one of the most talented and influencial drummers on the planet. I had high hopes going into this one that it would be another “Birds Of Fire” shred-fest. Not quite, although the first song delivers big time in that style. Jan Hammer, his old MAHIVISHNU ORCHESTRA band mate helps out, while Tommy Bolin doesn’t disappoint on guitars. We also get some bass, sax, flugelhorn, trumpet and flute to round out this mostly jazzy sounding album.