The lingering despair of Satie's gnossienes and gymnopedies are among the most affected compositions from the last century, and Roge transmits this fragility such that one becomes cautious of other Satie interpreters after experiencing his delicate phrasing. In addition to the artistic quality of Roge's pianism, this disc is a very comprehensive survey of Satie's piano works, although it neglects the gorgeous nocturnes that can be found on a recording by Roge unfortunately titled "after the rain..the soft sounds of Erik Satie".
Rogé produces consistently beautiful tone and this recital gives no mean pleasure an this score. His playing is distinguished by intelligence and sympathy, as well as subtle of colour. He is moreover supported by recording quality of real excellence.
Currently a faculty member of the Washington Conservatory, Haskell Small received his musical training at the San Francisco Conservatory and Carnegie-Mellon University. He has studied piano with Leon Fleisher, William Masselos and Robert Sheldon and composition with Vincent Persichetti. His musical output is difficult to categorize. Nevertheless, it is clear that he is a throwback to the great composer/pianist tradition of the past …….
The disc is EMI's budget CD, but the performances included here are of highest quality. In fact I've never come across any performances that come so close to Chopin's ideal - the fragile beauty, the shimmering tone colours, the noble poetry and the heart-felt intimacy of Barenboim's playing reminds me of what Chopin's contemporaries described of his pianism. I've got dozens of CDs of 24 Preludes, but this is the one I always come back to for its radiant beauty that only comes from a self-effacing, sincere heart.
The contents of the EMI box are too numerous to list but all the sonatas, variations, and most short pieces are here: absent is the London Sketchbook, which is trite juvenalia.
Uzbek-born pianist Anna Malikova is best known for her interpretations of music by Chopin. She has performed and recorded both concertos, the complete etudes, preludes, and impromptus, and numerous individual solo works. But Malikova is hardly a specialist: she plays a wide range of compositions, taking in large segments of the outputs of J.S. Bach, Soler, Mozart, Beethoven, Schubert, Liszt, Saint-Saëns, Rachmaninov, Prokofiev, and Shostakovich. She has toured extensively throughout Europe, Asia, Australia, and South America, and has performed with many of the world's leading ensembles, including the Academy of St. Martin-in-the-Fields, and the major orchestras of Warsaw, Moscow, Sydney, Oslo, Tashkent, and others.