The lingering despair of Satie's gnossienes and gymnopedies are among the most affected compositions from the last century, and Roge transmits this fragility such that one becomes cautious of other Satie interpreters after experiencing his delicate phrasing. In addition to the artistic quality of Roge's pianism, this disc is a very comprehensive survey of Satie's piano works, although it neglects the gorgeous nocturnes that can be found on a recording by Roge unfortunately titled "after the rain..the soft sounds of Erik Satie".
Rogé produces consistently beautiful tone and this recital gives no mean pleasure an this score. His playing is distinguished by intelligence and sympathy, as well as subtle of colour. He is moreover supported by recording quality of real excellence.
Currently a faculty member of the Washington Conservatory, Haskell Small received his musical training at the San Francisco Conservatory and Carnegie-Mellon University. He has studied piano with Leon Fleisher, William Masselos and Robert Sheldon and composition with Vincent Persichetti. His musical output is difficult to categorize. Nevertheless, it is clear that he is a throwback to the great composer/pianist tradition of the past …….
The disc is EMI's budget CD, but the performances included here are of highest quality. In fact I've never come across any performances that come so close to Chopin's ideal - the fragile beauty, the shimmering tone colours, the noble poetry and the heart-felt intimacy of Barenboim's playing reminds me of what Chopin's contemporaries described of his pianism. I've got dozens of CDs of 24 Preludes, but this is the one I always come back to for its radiant beauty that only comes from a self-effacing, sincere heart.
By late summer of 1837, the 27-year-old Schumann was secretly engaged to his beloved Clara Wieck. The powerful emotions connected with this event were a stimulus to Schumann’s creative impulses, for he was a Romantic through & through. It was at this time that he composed the deeply personal Davidsbundlertanze -18 dances inspired by the imaginary league of David. This fellowship, invented by Schumann, consisted of Schumann’s own alter egos, plus a number of well-respected musicians & friends including Felix Mendelssohn-Bartholdy. The group was established as a way of fighting against the Philistines; it was Schumann’s response to contemporary musical trends which he saw as cheap, excessively virtuosic, & superficial.
Alexander Arutiunian was one of the most prominent composers in the USSR, one of the representatives of the Armenian ‘Mighty Handful’ and much admired by Shostakovich. An accomplished pianist, Arutiunian created virtuoso piano works that are rooted in Armenian folk traditions while expressing, in the words of Hayk Melikyan, “a rich palette of emotions reflecting both his time and the history of his nation”…