Introducing 7-String Guitar , the first-ever method book written especially for seven-stringed instruments. It teaches chords, scales and arpeggios, all as they are adapted for the 7-string guitar. It features helpful fingerboard charts, and riffs & licks in standard notation and tablature to help players expand their sonic range in any style of music. …
The 7-String guitar is the foundation that gives some of popular music, especially heavy metal its ferocious sound. In this program, Buz McGrath of Unearth reveals his lead and song writing techniques. Learn sweep arpeggios, 7 string minor seventh arpeggios, hammer pull off runs and shred riffs spanning the neck. Buz teaches his unique way of creating harmony sections and pivoting lead techniques.
Leo Kottke's wide-release debut came about after he sent a cassette to John Fahey's Takoma label. Not surprisingly, it recalls Fahey's work in a number of respects: the synthesis of numerous influences from blues, pop, classical, and folk styles, the weirdly titled instrumentals, even the tongue-in-cheek liner notes. Kottke's brand of virtuosity, however, is more soothing and easy on the ear than Fahey's. It's far from sappy, though, the rich and resonant picking intimating some underlying restlessness, like peaceful open fields after a storm. Establishing much of the territory Kottke was to explore throughout his career, this release was also one of his most popular, eventually selling over 500,000 copies.
…The first thing that struck me was how comfortable Lams appeared to be with the material. One gets the impression that he has lived with this music for many years, absorbing it deeply into his unconscious so that it reemerges in his playing with minimal intellectual intervention. Of course, this all-important spiritual dimension must be combined with exceptional technical ability and seasoned performance skills to create lovely music and I'm happy to report that's the case. A novel take on Bach's timeless reperto ire.
Even though Franz Joseph Haydn is widely credited as the father of the string quartet, the Casal Quartet makes a startling claim that the honor may belong to Franz Xaver Richter, whose seven String Quartets, Op. 5, seem to have determined the character of the genre, from their first performance by Carl Ditters von Dittersdorf's quartet in 1757. Richter's quartets preceded Haydn's and Boccherini's earliest efforts by several years, suggesting that they were likely influential. Furthermore, the sophistication and polish of his Op. 5 suggests that he may well have composed other such quartets, though if he did, they are lost.