Will listeners raised on virtuoso performances of Mozart’s piano concertos be able to make room in the hearts for Christian Zacharias’ recordings with the Orchestre de Chambre de Lausanne? It depends on how willing they are to forego the pleasures of virtuosity for the pleasures music-making. This is not to say that Zacharias isn’t a virtuoso pianist. As his 20 years of recordings make very clear, he has talents & abilities far beyond those of most mortal pianists.
World premiere recordings
The interpretations from László Paulik using a Jahann Hentschl violin (c.1750) are of an exceptional standard with assured and expressive playing of purity and precision of intonation that at times takes the breath away. In the Allegros he displays astonishing virtuosity of great elegance with clean textures and articulation. I especially loved the heavenly sounds he displays and the high degree of emotional intensity in the contemplative and affecting Adagios. The sensitive support is impeccable displaying a wide spectrum of orchestral colours. Michael Cookson
Two rarely recorded Haydn violin concertos frame Rachel Podger’s performance of Mozart’s Sinfonia Concertante in E flat on this disc. Both concertos have only string accompaniment, here provided by the Orchestra of the Age of Enlightenment, and a discreet harpsichord (the player’s name unaccountably omitted from the list of the orchestra personnel in the accompanying booklet). Rachel Podger has chosen to play both concertos on her own Pesarinius violin (1739) that she feels is most suited to the style of these works and few would disagree with her choice. Her agile and spirited playing in the outer movements is complemented by her pure cantilena in the slow movements. As is to be expected, both works are full of baroque idioms and, while neither presents Haydn at his most inventive, they make an enjoyable pairing.
One of the more flamboyant characters in Paris in the latter half of the 19th century, Joseph Boulogne, Chevalier de St. George (1739?-1799) was known as a championship fencer and a brilliant violinist. It is not a surprise then that his violin concertos exhibit a swaggering solo part. What you won't find is much motivic development. What you will discover are gorgeous melodies, lots of them. Although they populate all his work, they especially saturate his lyrical middle movements, one of which appears to be the basis for the haunting oboe theme from the popular BBC series, "Foyle's War".
Midem Classique Award winner Christian Zacharias continues his survey of Mozart Piano Concertos as both performer & conductor. Featuring arguably 1 of the most famous, the A Major. MDG’s complete recording of Mozart’s piano compositions with Christian Zacharias in the double role as pianist & conductor of the Lausanne Chamber Orchestra continues with KV 488, certainly the most-performed piano concerto by the great Salzburg composer, complemented here by KV 246 & KV 175, Mozart’s very 1st piano concerto.