Albinoni 12 Concerti

T.Albinoni - 12 Concerti а cinque, op.5  Music

Posted by alekhno at March 20, 2010
T.Albinoni - 12 Concerti а cinque, op.5

Tommazo Albinoni - 12 Concerti a cinque, Opera V (Venezia, 1707)
Classical | EAC | FLAC, CUE, LOGS | 2 CD | Covers | 609 Mb | rs.com | 1999
Le Cameriste

Tomaso Albinoni - 12 concerti op.5  

Posted by alekhno at Jan. 28, 2008
Tomaso Albinoni - 12 concerti op.5

Tomaso Albinoni - 12 concerti op.5
Classical | FLAC & CUE | 1 CD | Covers | Size: 413Mb | rs.com
Arcangelo Corelli - 12 Concerti Grossi Op.6 - I Solisti Italiani - 2010

Arcangelo Corelli - 12 Concerti Grossi Op.6 - I Solisti Italiani - 2010
Classical | Eac. Flac, Image+Cue, Log | Scans | 668 MB
Label: DENON | TT: 125'51

I Solisti Veneti is one of the first rank of small Italian chamber orchestras with modern instruments. Founded in Padua in 1959 by Claudio Scimone, it has made a reputation especially with Italian Baroque music, recording many works by Antonio Vivaldi, Tomaso Albinoni, Francesco Geminiani, Benedetto Marcello and Giuseppe Tartini. Giuliano Carmignola and Piero Toso were two of the soloists in the ensemble. The group has made over 300 recordings, many on the Erato record label. A number of these were first-ever recordings of works of Vivaldi, Albinoni and Rossini.

Albinoni - Oboe Concerti (The London Virtuosi)  Music

Posted by ArlegZ at Jan. 31, 2011
Albinoni - Oboe Concerti (The London Virtuosi)

Albinoni - Oboe Concerti (The London Virtuosi)
Classical | EAC | Flac(Image)+Cue, Logs, Scans | CD1:64’05; CD2:58’27; CD3:52’14 | 866.47 MB
Released: February 15, 1995 | Label: Naxos

Tomaso Albinoni was a contemporary of Vivaldi in Venice, and his Concerti a cinque opus 9, published in 1722, provide ample evidence of his felicity in composition. His wife was a well-known opera singer, and his oboe concertos sound like wonderfully cantabile instrumental da capo arias: first there is an energetic fast movement, then a lyrical slow movement, followed by another fast movement that once again takes up themes from the first movement. The music is contrapuntal, harmonious, balanced and, to put it blankly, full of sheer enjoyment…

Tomaso Albinoni - An Entertainment of Harmony  Music

Posted by alekhno at Dec. 15, 2009
Tomaso Albinoni - An Entertainment of Harmony

Tomaso Albinoni- Sonatas, Concertos & a Fugue for flute, recorder, oboe, cello, harpsichord & organ
Classical | ECD-DA Extractor | FLAC, CUE, NO LOG | 1 CD | Covers | 370 Mb | rs.com | 1999
Badinage

During the eighteenth century music publishers, and occasionally composers themselves, adapted sonatas originally intended for string instruments, for wind instruments. The adaptation of Albinoni's violin sonatas for woodwind instruments has a historical precedent set by one of the great musicians of the French Baroque. The composer, flautist, bassoonist, gambist and instrument maker Jacques Hotteterre Le Romain (c. 1680-1761) adapted some of Albanian's violin sonatas for the flute….
Albinoni - Sonate da Chiesa, Op. 4, Trattenimenti Armonici, Op. 6

Tomaso Albinoni - 6 Sonate da Chiesa, Op. 4,
12 Trattenimenti Armonici per camera, Op. 6

Classical | EAC Rip | Flac, CUE, NO LOG | 2 CD | Covers | 960 Mb | rs.com | 1994
The Locatelli Trio: Elizabeth Wallfisch, violin
Richard Tunnicliffe, cello
Paul Nicholson, harpsichord & organ

Albinoni - Double Oboe Concertos & String Concertos, Vol.1  Music

Posted by alekhno at Sept. 17, 2009
Albinoni - Double Oboe Concertos & String Concertos, Vol.1

Tomaso Albinoni - Double Oboe Concertos & String Concertos, Vol.1
Classical | EAC Rip | Flac, CUE, NO LOG | 1 CD | Covers | 380 Mb | rs.com | 1996
Collegium Musicum 90, Simon Standage

Albinoni - 12 Concertos op. 10 (Toso, Carmignola, I Solisti Veneti) (1981)

Albinoni - 12 Concertos op. 10 (Toso, Carmignola, I Solisti Veneti) (1981)
Classical | 2cd | EAC Rip | Flac + Cue + Log | covers
Erato 0630-18943-2 | rel: 1998; rec: 1979 | 620Mb

For sheer affability of sentiment, good humour and harmonic warmth this set of concertos beats almost any other that I know. Perhaps there is nothing memorable here, certainly taken as a whole there are fewer song-like melodies than can be found in Albinoni's Opp. 7 and 9, for instance, but from the occasion when I first heard these concertos, about 12 years ago, they have remained firmly in my affection. Albinoni's Op. 10 Concertos, 12 of them, and all for strings, were discovered comparatively recently in Sweden by a Dutch musicologist, I think.
The Avison Ensemble - George Frideric Handel: 12 Concerti Grossi, Opus 6 (2010) [Linn 24-96]

The Avison Ensemble - George Frideric Handel: 12 Concerti Grossi, Opus 6 (2010)
FLAC (tracks) 24 bit/88,2 kHz | Time - 160:28 minutes | 3,34 GB
Official Digital Download - Source: LinnRecords.com | Covers & Digital Booklet

The Avison Ensemble, directed by Pavlo Beznosiuk, present George Frideric Handel's complete Opus 6 Concerti Grossi on a three disc set. This work is widely regarded as the composer's greatest contribution to the Baroque period.
Geminiani - 12 Concerti Grossi da Corelli (Chiara Banchini, Ensemble 415) (2003)

Geminiani - 12 Concerti Grossi da Corelli (Chiara Banchini, Ensemble 415) (2003)
Classical | Eac. Flac, Img+Cue, Log | Covers | 688.71 MB
Label: Zigzag | Catalog N.: ZZT040301 | TT: 116:24

The first six sonatas, or the sonate da chiesa as they are commonly referred to, were published in Geminiani’s arrangements in 1726 and met with immediate success. Not only were the sonorities amplified by the instrumental expansion, but Corelli’s difficult-to-play sonatas were now within reach of violinists with more modest abilities. The skill with which Geminiani embellished Corelli’s music while remaining true to Corelli is immediately evident when Corelli and Geminiani are played back-to-back. It is roughly the aural equivalent of a black and white photo now viewed in color. Geminiani’s arrangements of the second set of six sonatas, the sonate da camera, were soon completed but did not meet with the same immediate popularity. The last sonata/concerto, No. 12 in D Minor, the Follia, is structurally different from the others. It is a theme with 25 variations and has taken on a life of its own separate from the other 11 concertos.