Bad Boy Unleashed is your step by step system to take back your balls and unleash the Bad Boy that society has forced you to bury down deep inside of you. In the past 3 years, I’ve learned some things. And I put them all inside “Bad Boy Unleashed”. Now, I’ve got to be honest with you. You may THINK being a bad boy is about changing your personality. Like being an asshole or a jerk. I used to think that too. Nothing could be further from the truth.
The American lutenist, Hopkinson Smith, began as a teenager he began to study the classical guitar and in his early 20's, he became acquainted with the lute which he started to learn by himself. He majored in musicology at Harvard and graduated with honors in 1972. In 1973, Hopkinson Smith came to Europe to devote himself to the lute in earnest. He worked in Catalonia with Emilio Pujol, a profound pedagogue in the 19th century tradition who instilled in him a sense for higher artistic values, and in Switzerland with Eugen Dombois whose sense of happy organic unity between performer, instrument and historic period has had a lasting effect on him. From the mid 1970's, he was involved in various ensemble projects including the founding of the ensemble Hespèrion XX and a ten-year collaboration with Jordi Savall. This collaboration led to important experiences in chamber music which were a creative complement to his work as a soloist.
Reissue with SHM-CD format and new 24bit remastering. In 1957, Johnny Smith was at the height of his artistic power when he cut this album for the Roost label. Smith had a patented method for shifting from single-string statements of the melody line to complex chordal structures with amazing ease. This ability is put to use for each of the cuts on this album, but is especially useful on such cuts as "Angel Eyes" and "You Go to My Head." Smith's guitar also seemed to have a one of a kind resonance to it, which energized every melody he played, whether on the melody itself or when improvising, making his playing immediately recognizable.