In Joe McCarthy's Afro-Cuban Big Band Play-Along Series, Volume 2, Grammy® Award-winning drummer & educator Joe McCarthy takes you beyond the printed page of his best-selling book of the same name by demonstrating and explaining the artistry of this popular musical genre. His innovative teaching concepts in Volume II target groove development and chart interpretation. Three groundbreaking new tunes from UNA MÁS will be played and analyzed, complete with demonstrations and multiple camera angles allowing you to see his multi-level playing on one screen. A bonus section entitled "Stylistic Coordination" provides you with a series of exercises to develop groove, coordination, consistency, balance, and concentration.
The Afro-Cuban Big Band Play-Along DVD gives the drummer/percussionist an opportunity to play contemporary Afro-Cuban music in a big band setting. Playing tunes from the Latin Grammy-winning group Afro-Bop Alliance, drummer Joe McCarthy focuses on three of the predominant groove categories of mainstream Afro-Cuban music: mambo, cha-cha-cha and 6/8 Afro-Cuban. State-of-the-art camera work gives an in-depth look at Joe’s multi-level approach to playing these exciting rhythms, while his focused, straight-ahead concepts take the mystery out of applying these grooves to the music of today. The DVD features play-along tracks (minus the drums), an E-book containing the complete charts and examples demonstrated on the DVD, and bonus tracks of additional tunes from Afro-Bop Alliance.
Featuring prime Latin jazz cuts from the heyday of the mambo, Afro Cuban Jazz: 1947-1960 is really a better than average showcase for one of the music's best: Machito. In fact, this disc contains 13 sides by Machito & His Orchestra, including two bebop gems featuring Charlie Parker ("Mango Mangue," "No Noise, Pts. 1-2"). That's not to overlook the presence of one of the supreme champions of Latin jazz, Dizzy Gillespie ("Manteca"), Stan Kenton and his mathematically frenetic bongo jams, and J.J. Johnson and Kai Winding teaming up for a couple of classics. Truthfully, however, the real meat here is heard on such Machito dancefloor fillers as "Oyeme" and "Minor Rama." So, when you've got a jones for jazz in a mambo mood, this disc will provide the needed salve.
Chucho Valdes, Cuba's most famous jazz musician, has rebalanced the repertoire of his Afro-Cuban Messengers on Border-Free, mixing its American-jazz agenda (the group's name deliberately references both Valdes' roots and the late Art Blakey's classic soul-bop Jazz Messengers group) with more extended Latin-American input, and some Native American and Andalusian connections, too. Saxophonist Branford Marsalis, guesting on three tracks, is warmly romantic on tenor on the loping Tabu, agile and fluent on the Cuban dance-shuffle Bebo, and mercurial on a soprano-sax break full of north African microtonalisms on the hurtling, horn-hooting finale, Abdel.