Fifty years, 11 CDs, 11 Doctors and 389 tracks. This is the release that Doctor Who fans worldwide have been waiting for, assembled after years of research and trawls through dusty archives and libraries. It's a comprehensive overview of the very special music that has accompanied the Doctor over his travels through time and space from William Hartnell in 1963 to present day Matt Smith. From Ron Grainer's iconic theme realised by the BBC Radiophonic Workshop's Delia Derbyshire to Murray Gold's orchestral tapestries, this is a musical saga of monumental proportions. The esteemed collection of composers featured include Tristram Cary, Brian Hodgson, Wilfred Josephs, Dudley Simpson, Geoffrey Burgon, Paddy Kingsland, Roger Limb, Malcolm Clarke, Keff McCulloch, Dominic Glynn, John Debney and many more. The lavish 32 page booklet with the set includes liner notes from Doctor Who composer Mark Ayres on the history of music in the series and details of the episodes.
Jennifer Holliday shot from obscurity to stardom in 1981 when she originated the role of Effi in the Broadway musical Dreamgirls and introduced the song "And I Am Telling You I'm Not Going." Holliday quickly earned a reputation as one of the finest vocalists of her generation, but after focusing her talents on gospel music in 1995 with the album On & On, she retired from the recording studio. With 2014's The Song Is You, Holliday makes her long-awaited return to pop music, lending her rich voice and passionate vocal style to a romantic set of standards and R&B classics. The Song Is You includes the selections "At Last," "Nobody Does It Better," "The Look of Love," "Love Me by Name," and many more.
Yeah, All Rise: A Joyful Elegy for Fats Waller is a tribute to the great stride pianist, but in Jason Moran's hands, it's not what one would expect. This album isn't full of stride piano, but it is full of Fats Waller's larger persona as a performer. Waller mixed jokes and comic routines, and did whatever he could to connect with his audience in his act, and if his piano playing was the hinge, it sat on a door that opened straight to the dancefloor. This album had its beginnings when Moran was commissioned by the N.Y.C. performing arts venue Harlem Stage Gatehouse to create a tribute to Waller as part of its Harlem Jazz Shrines series.