Double CD release celebrating the 40th anniversary of the world’s premier blues label. 38 songs - over 157 minutes of music. Complete 32 page booklet contains biographical information and photos of all artists featured on the compilation.
Alligator Records 30th Anniversary Collection has 31 songs (over 145 minutes of music), and offers a distinct alternative to our previous anniversary collections with one disc of studio material and one disc of live performances. Disc 2 features the only known video of Alligators first artist, Hound Dog Taylor, performing at the 1973 Ann Arbor Blues Festival.
The title track of Marcia Ball’s new album, The Tattooed Lady And The Alligator Man, is an irresistible tale of true love at the travelling carnival. It’s a story that nobody but Ball could spin, filled with vivid details, universal truths, and a rambunctious sense of fun and desire. With raucous horns punctuating Ball’s legendary piano pounding and emotional, melodic vocals, the song kicks off the CD of eleven originals and one glorious cover (Hank Ballard’s He’s The One). The release mixes Ball’s Gulf Coast blues, New Orleans R&B, swampy Louisiana ballads, and jumping, Tex-Mex flavored zydeco into a one-of-a-kind musical gumbo, a sound she has been perfecting over the course of her legendary career…
Collection includes 10 albums by American blues and reggae musician. Along with Keb' Mo' and Alvin Youngblood Hart, he raised the flag of acoustic guitar blues in the mid 1990s.
Charlie Musselwhite takes four different approaches on this Alligator release. On two tracks, he turns to guitar, proving a competent instrumentalist and convincing singer in a vintage Delta style. He also does two gospel numbers backed by the legendary Blind Boys of Alabama, which are heartfelt, but not exactly triumphs. Musselwhite reveals his jazz influence on three tracks, making them entertaining harmonica workouts. But for blues fans, Musselwhite's biting licks and spiraling riffs are best featured on such numbers as "If I Should Have Bad Luck" and "Leaving Blues." Despite the diverse strains, Musselwhite retains credibility throughout while displaying the wide range of sources from which he's forged his distinctive style.