One of the most prominent latter-day British minimalists, Graham Fitkin enjoys both renown in Europe and a kind of enfant terrible status in his native England, although this is gradually wearing off. Nevertheless, to know Fitkin is not necessarily to love him; blogger/composer Alex Christaki has written that Fitkin's Mesh is "quite typical of a 'contemporary' style, meaning that its capturing texture feels to well adapted to today's modern music. I also feel that once you have heard it a second hearing is unnecessary." Another English critic once commented that "if I hear Fitkin's Cud one more time I'm afraid I'm going to lose my mind."
Kathryn Stott is a British classical pianist who performs as a concerto soloist, recitalist and chamber musician. Her specialities include the English and French classical repertoire, contemporary classical music and the tango. She teaches at the Royal Academy of Music and Chetham's School of Music, and has organised several music festivals and concert series.
Kathryn Stott: The Complete Solo Recordings presents the celebrated British pianist’s entire solo recording output on Conifer Records, newly remastered and collected together in this 9 CD box set. Features works by Chopin, Rachmaninoff, Liszt, Debussy, and more.
"After the widely noticed performance at the „Acht Brücken Festival 2016” at Cologne's Philharmonic Hall, Gregor Schwellenbach, Hauschka, Erol Sarp (of „Grandbrothers“), Daniel Brandt, Paul Frick (both of "Brandt Brauer Frick") and John Kameel Farah will be releasing their interpretation of Steve Reich’s "Six Pianos" as a studio recording via FILM. The re-recording of this piece is an interpretation of Reich’s composition but still far more than just that – it is a modern approach to his idea behind it. "Keyboard Study #1" by Terry Riley is a worthy b-side opposed to Reich’s composition. The piece is kind of a building set of ever lengthening, repetitive patterns played against each other with the right and left hand displaced. The composition proposes various possible combinations for the performer to choose from and repeat at will. And what the performers have chosen proves Gregor Schwellenbach’s assumption: "Especially Terry Riley’s and Steve Reich’s music are open doors for pianists socialized by pop music and their audience".
A solitaire in French is a single mounted jewel, a concept that seems less than apt for the rather hefty works recorded here by British pianist Kathryn Stott. But this fine recital holds together in another way: Ravel, who so often provides the temporal endpoint for traditional piano recitals, is here, to a greater or lesser extent, the launching point for the other three composers featured. Stott's reading of the neoclassical Le Tombeau de Couperin is beautifully precise and balanced, catching the economy of this Baroque-style suite to the hilt. That economy carries over into the later works, even the rarely performed Piano Sonata of Henri Dutilleux, a work that deftly fuses Ravel's sense of classical forms with a largely dissonant language. The opening Prelude and Fugue of Jehan Alain, actually two separate works that are reasonably enough combined here, is another seldom-played piece that makes an arresting curtain-raiser, and the final "Le baiser de l'Enfant Jésus" of Messiaen, part of the giant Vingt regards sur l'Enfant Jésus, is the splendid climax of the whole, its spiritual, dreamlike ascent at the end superbly controlled.
This video takes the beginner through the selection and use of basic woodturning tools as well as the tool movement required to make simple projects. This video is the best alternative to actually being able to take a class from Chris Stott.