Jimmy Smith wasn't the first organ player in jazz, but no one had a greater influence with the instrument than he did; Smith coaxed a rich, grooving tone from the Hammond B-3, and his sound and style made him a top instrumentalist in the 1950s and '60s, while a number of rock and R&B keyboardists would learn valuable lessons from Smith's example.
It’s a big one, a third previously unreleased Raspuitins stash LP, half of which was thought to be lost. Just recently it turned up in a Chicago warehouse and we managed to get out hands on it. Then with the blessing of Paul Coleman we reunited the masters with what was in the curtom archive to complete the LP, Huge!
“How do you measure achievement when you've never been paid? A hell of a question ain't it?”
Fourth album by New York's TOP blues cats whose previous album (Big Apple Blues: “Brooklyn Blues”, StoneToneRecords, Inc) was voted # 10 out of 100 best recent blues releases by Real Blues Magazine. “Live at O’Flaherty’s” captures raucous, sweltering, energy-oozing live performance of Big Apple Blues in a NYC club. To top it off, the CD was recorded unlike any other album in the last 3 decades - using old school, brutally revealing ½” vintage 70’s stereo Ampex tape recorder with virtually no postproduction. The result is - Blues like it is meant to be – true to the bone and free of studio tricks! Turn up loud and enjoy!
A live studio electric Chicago Blues and beyond record by the very TOP NYC blues cats. It is as authentic and driving as blues ever gets. Turn up loud and enjoy! Brooklyn Blues is the culmination of a few blues musicians walking into a recording studio with their gear, plugging in and rolling tape. That of course, is an over-simplification of the recording process, but it’s all the listener really needs to concern themselves with. Big Apple Blues is not a homage, but a continuation to the ‘living record’ of the Chicago-style electric blues of mid-century Middle America…