For over two decades, the Hi-Hat Club occupied a choice location among the jazz clubs of Boston’s South End district, at the corner of Columbus and Massachusetts Avenue. After the end of World War II, lesser luminaries took over the band-stand, and after a while entertainment practically stopped altogether. Dave Coleman, a jazz promoter, had taken over management of the club in 1949. Through Coleman’s personal initiative, the Hi-Hat enjoyed its most successful years, and by 1951 it was the only club featuring a consistent policy of presenting modern jazz.
Fourth album by New York's TOP blues cats whose previous album (Big Apple Blues: “Brooklyn Blues”, StoneToneRecords, Inc) was voted # 10 out of 100 best recent blues releases by Real Blues Magazine. “Live at O’Flaherty’s” captures raucous, sweltering, energy-oozing live performance of Big Apple Blues in a NYC club. To top it off, the CD was recorded unlike any other album in the last 3 decades - using old school, brutally revealing ½” vintage 70’s stereo Ampex tape recorder with virtually no postproduction. The result is - Blues like it is meant to be – true to the bone and free of studio tricks! Turn up loud and enjoy!
A live studio electric Chicago Blues and beyond record by the very TOP NYC blues cats. It is as authentic and driving as blues ever gets. Turn up loud and enjoy! Brooklyn Blues is the culmination of a few blues musicians walking into a recording studio with their gear, plugging in and rolling tape. That of course, is an over-simplification of the recording process, but it’s all the listener really needs to concern themselves with. Big Apple Blues is not a homage, but a continuation to the ‘living record’ of the Chicago-style electric blues of mid-century Middle America…
MLO (or Music of Life Orchestra) is a project of Jon Tye & Peter Smith who met in London, UK. It had a fairly short lifespan, from 1993 to 1997 or thereabouts. After the release of their third album Plastic Apple, things stalled as Tye spent more time working on his solo project Twisted Science.
One of the overly neglected but generally solid full-lengths from the ambient-house generation, Plastic Apple reveals influences from a range of sources. From the hip-hop lilt of the opener "DJ Food's Sonic Soup" to the tongue in cheek naturalism of the closer "Birds 'N' Flutes 'N' Shit," Tye and Smith reveal their sense of humor over a set of slightly chilled, completely inventive electronics.