One of her most overlooked '60s albums, on which she presented some of her jazziest material, despite the title. None of these cuts were significant hits, and none were Aretha originals; she displayed her characteristically eclectic taste in the choice of cover material, handling compositions by Percy Mayfield, Sam Cooke, Smokey Robinson, and, at the most pop-oriented end of her spectrum, John Hartford's "Gentle on My Mind" and Bob Lind's "Elusive Butterfly." Her vocals are consistently passionate and first-rate, though, as is the musicianship; besides contributions from the Muscle Shoals Rhythm Section, session players include respected jazzmen Kenny Burrell, Ron Carter, Grady Tate, David Newman, and Joe Zawinul.
Organize your meetings, parties or free time with The Real … Aretha Franklin: The Ultimate Collection; Where you will find the best pieces of music so that all your emotions are afloat. 3 CD's that can not miss in your collection!
]At Columbia, Franklin lived an entirely different musical life than she would at Atlantic, one that was grounded in jazz and the Great American Songbook, revealing a gigantic vocal talent that betrayed potent hints of the tectonic soul shift to come at Atlantic. It takes precious little imagination to conclude that Franklin was as important to American music in the middle-to-late 1960s as singer/pianist Ray Charles was the decade before, the two star ascents crossing in creative eclipse.
"The Electrifying Aretha Franklin" is the Queen of Soul’s sophomore album for Columbia Records. Produced by John Hammond, this intimate outing features hits including “You Made Me Love You,” “Rock-A-Bye Your Baby with a Dixie Melody” and “It's So Heartbreakin'.” This 1962 classic is an outstanding representation of Franklin’s undeniable power and musicianship. This deluxe reissue version contains seven bonus tracks.
Runnin' Out of Fools is the seventh studio album by American singer Aretha Franklin. Runnin Out Of Fools is the birth of Aretha Franklin's soulful sound – a real change from the jazzier sound of her first two albums for Columbia, and a set that really shows some great sides of her talents! Arrangements are by Belford Hendricks, who creates an uptown-styled sort of sound – one that has fuller strings and a bit of backing vocals, but also a nice little groove at the bottom – territory that's somewhere between the country soul of the early 60s, and some of the tighter New York soul that was on the rise.