Reissue with SHM-CD format and new 24bit remastering. A very special album from Johnny Smith – one of the few to feature his sublime guitar sound amidst a larger string setting – which only seems to emphasize the moodier, darker tones of his instrument! The album's a lot like his My Dear Little Sweetheart set – and, like that one, it features help from conductor Irv Kostal, as well as violinist Gene Orloff – both artists with the right sort of subtle, understated approach to make sure that Johnny's six strings never get lost in the larger swirl! Most tunes are very slow-moving, which allows us to hear that Smith guitar magic in full relief – that special way that Johnny had of choosing just the right notes and colors, in just the right way.
Reissue with SHM-CD format and new 24bit remastering. Comes with a mini-description. Killer work from this overlooked Art Blakey stretch of the mid 70s – a time when the drummer was getting back to basics, and re-igniting his music with help from some key younger players! This set sparkles with sharp tenor from the great David Schnitter – already a powerhouse out of the box, and driven onto new heights by Blakey! Also present is pianist Albert Dailey, whose conception helps bring in some fresh sounds to the Jazz Messengers universe – alongside flute player Ladji Camara, who also vocalizes on one cut. Yoshio Suzuki handles bass, and old line trumpeter Bill Hardman comes in to round out the group – on titles that include "Uranus", "Third World Blues", "Namfulay", and "Backgammon".
The complete original LP More of the Greatest Piano of Them All (Verve MGV-8347), showcasing the brilliant pianist unaccompanied. This album, which includes original liner notes by André Previn, was part of the marathon sessions jazz producer Norman Granz planned for Tatum, who at that time was seriously ill and neglected by record companies due to stylistic changes in the music industry. He would die on November 5, 1956 at the age of 47. As a bonus, we have added the complete album Still More of the Greatest Piano of Them All (Verve MGV-8360), which includes original liner notes by Teddy Wilson, plus one extra track, all recorded during the same sessions.
Verve Records celebrated the 50th anniversary of Norman Granz's first Jazz at the Philharmonic concert with an all-star get-together at Carnegie Hall. Different groups of top players from Verve's legacy (both past and present) had opportunities to perform, and this CD has many of the highlights. Pianist Peter Delano plays "Tangerine" with a trio; Dee Dee Bridgewater sings "Shiny Stockings" with the Carnegie Hall Jazz Band; Hank Jones pays tribute to Art Tatum; Abbey Lincoln sings "I Must Have That Man"; Joe Henderson meets up with Antonio Carlos Jobim (who made his final concert appearance) on "Desafinado";"Manteca" features trumpeter Roy Hargrove and trombonist Steve Turre; pianist Yosuke Yamashita pays tribute to Bud Powell; Betty Carter scats on "How High the Moon"; Herbie Hancock and John McLaughlin play a restrained acoustic version of Bill Evans' "Turn out the Stars"; Hargrove teams up with altoist Jackie McLean and guitarist Pat Metheny for "The Eternal Triangle"; organist Jimmy Smith revisits Oliver Nelson's arrangement of "Down by the Riverside"; Art Porter and Jeff Lorber play some crossover, and J.J. Johnson contributes a few trombone solos.
This release contains the complete original quartet session showcasing the brilliant Art Tatum with clarinet player Buddy DeFranco, plus Red Callender on bass, and Bill Douglass on drums. It was the only collaborative recording date by Tatum and DeFranco. The master takes were originally issued as The Art Tatum-Buddy DeFranco Quartet on Verve MGV-8213. For this edition, it was added all three existing alternate takes, as well as unaccompanied piano versions by Tatum of three of the album's tunes. This music constitutes one of the various pairings of Tatum with other jazz greats produced by Norman Granz in the last years of the pianist's life. Tatum was seriously ill at that time and neglected by record companies due to stylistic changes in the music industry. He would die on November 5, 1956 at the age of 47.
Art Tatum was among the most extraordinary of all jazz musicians, a pianist with wondrous technique who could not only play ridiculously rapid lines with both hands (his 1933 solo version of "Tiger Rag" sounds as if there were three pianists jamming together) but was harmonically 30 years ahead of his time; all pianists have to deal to a certain extent with Tatum's innovations in order to be taken seriously…