R.I.P. Arthur. In Memoriam. Given the urban title of alto saxophonist Arthur Blythe's debut Columbia album, it's quite a shock when he and his red-hot band of collaborators that include James Blood Ulmer on guitar, Bob Stewart on tuba, flutist James Newton, bassist Cecil McBee, and Jack DeJohnette open with the decidedly funky Latin breaks on "Down San Diego Way." It's not a vamp and it's not a misleading intro, the first of four tracks showcases not only the deep versatility of the rhythm section, but Blythe's own gift as both a composer and as a soloist. He states the melody, handing off the harmonics to Ulmer and Newton and then flies high into the face of its chosen changes, allowing the beat to change under him several times before bringing back a theme and letting Ulmer solo.
Mose Allison, who was a musical institution long before 1987, had not run out of creative juices after 30 years of major league performances. This set finds him introducing such ironically truthful songs as "Ever Since The World Ended," "Top Forty," "I Looked In The Mirror" and "What's Your Movie." The many guest artists (including altoist Arthur Blythe, tenor-saxophonist Bennie Wallace, Bob Malach on both alto and tenor and guitarist Kenny Burrell) are unnecessary frivolities but Allison's trio (with bassist Dennis Irwin and drummer Tom Whaley) is tight and ably backs the unique singer-pianist.
The Leaders was a veritable supergroup of leftward-leaning, mid-'80s jazz stars. Its front line was comprised of three of the era's important personalities trumpeter Lester Bowie, from the decade's most critically acclaimed band, the Art Ensemble of Chicago; alto saxophonist Arthur Blythe, whose Columbia albums of the time almost (but not quite) brought free jazz a measure of popular acceptance; and tenor saxophonist Chico Freeman, who made a series of records that melded the best of mainstream jazz with the passion and originality of the avant-garde. The horns combined with pianist Kirk Lightsey, bassist Cecil McBee, and drummer Famoudou Don Moye to make a pair of generally fine, if unspectacular, records.
An outstanding nine CD collection of rare jazz, blues, country, pop, cowboy, march, ragtime, vaudeville and gospel recordings that form our musical legacy, compiled by jazz historian Allen Lowe. More than10 hours of music in a presentation slipcase with a 127 page booklet containing many photos and a wealth of interesting information about the music. Space here only permits artist and song title listings of the first 4 CD's in the 9 CD set.