Ashkenazy Bach Wtc

Vladimir Ashkenazy - Bach: Italian Concerto; French Overture; Aria Variata (2014) [Official Digital Download 24/96]

Vladimir Ashkenazy - Bach: Italian Concerto; French Overture; Aria Variata (2014)
FLAC (tracks) 24-bit/96 kHz | Time - 77:18 minutes | 1.19 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Vladimir Ashkenazy adds another title to his enormous catalogue of recordings for Decca which embraces his work as one of the most acclaimed pianists of his generation as well as over 25 years as a conductor. Ashkenazy devotes this solo album to Bach, on which he performs works including the French Overture and the Italian Concerto.
Maurizio Pollini - Johann Sebastian Bach: The Well-Tempered Clavier, Book 1 (2009) 2CDs

Maurizio Pollini - Johann Sebastian Bach: The Well-Tempered Clavier, Book 1 (2009)
EAC | FLAC | Image (Cue&Log) ~ 380 Mb | Mp3 (CBR320) ~ 260 Mb | Scans included
Classical | Label: Deutsche Grammophon | # 0289 477 8078 GH2 | Time: 01:50:24

There's nothing at all wrong with Maurizio Pollini's 2009 performance of Bach's Well-Tempered Clavier, Book 1. The Italian pianist's intellectual lucidity, interpretive clarity, and technical virtuosity are apparent in every prelude and fugue, and his probing insights and penetrating analysis inform every note. However, there is almost nothing right with the sound quality of the recording. The piano sounds too distant, making it hard to hear precisely what Pollini is doing, but oddly, the ambient sound is too present, making every extraneous noise too loud. One should not hear the pedals being pressed and lifted, much less the clatter of the hammers and the twanging of the strings above the sound of the music. Worse yet, one can hear what sounds like every breath Pollini takes nearly as loudly as every note he plays. These are all grievous flaws that should have been eliminated, and their presence fatally undermines the brilliance of Pollini's performances. A reengineered version of these performances would be most welcome, but the present recording is so flawed that it virtually destroys Pollini's playing.
Sviatoslav Richter - Johann Sebastian Bach: The Well-Tempered Clavier, Book 1 (2011) 2CDs [Re-Up]

Sviatoslav Richter - Johann Sebastian Bach: The Well-Tempered Clavier, Book 1 (2011)
EAC | FLAC | Image (Cue&Log) ~ 502 Mb | Mp3 (CBR320) ~ 288 Mb | Scans included
Genre: Classical | Label: Melodiya | # MEL CD 10 01848 | Time: 02:01:44

This cycle of preludes and fugues composed by Johann Sebastian Bach ranks tremendously high in the world of music. It is not just one of the immortal masterpieces of the world music literature; it is an encyclopedia of polyphonic art, a handbook for life, and an inexhaustible source of delight. Sviatoslav Richter said, Whenever I set to the Well-Tempered Clavier, I always get consumed with a desire not to exclude any of the sides for the sake of one narrow and dogmatic position. I am confident that Bach can be played in different ways, with different articulation and different dynamics, as long as the whole is preserved and the performance is convincing.
Kenneth Gilbert - J.S. Bach: The Well-Tempered Clavier, Book I (2003) 2CD

Kenneth Gilbert - J.S. Bach: The Well-Tempered Clavier, Book I (2003) 2CD
EAC | FLAC | Image (Cue&Log) ~ 790 Mb (incl 5%) | Mp3 (CBR320) ~ 270 Mb (incl 5%) | Scans included
Genre: Classical | Label: Archiv Produktion | # 474 221-2 | Time: 01:51:00

Although not quite at the level of profundity of his teacher Gustav Leonhardt's recording, Kenneth Gilbert's 1983 recording of Book 1 of Bach's The Well-Tempered Clavier does have a style and polish that Leonhardt's too often lacked. Thus, while Leonhardt goes further into some of the minor-key fugues to find intellectual and spiritual depths that Gilbert does not plumb, Gilbert's playing is so much more elegant and graceful than Leonhardt's that it is difficult to choose between them. For listeners who approach The Well-Tempered Clavier as a volume of virtuoso works whose success depends on the effortless refinement of the player, the Gilbert, with its superbly remastered sound, will be the one to get. For listeners who approach The Well-Tempered Clavier as a volume of prayers written as preludes and fugues, the Leonhardt will be preferable. Both are superb and both belong in any Bach collection.
Mozart - Piano Concertos: Nos. 9, 12, 26 (Uchida, Ashkenazy, Francesch) (2013/1989-90)

Mozart - Piano Concertos: Nos. 9, 12, 26 (Uchida, Ashkenazy, Francesch) (2013/1989-90)
NTSC 4:3 (720x480) VBR | (LinearPCM, 2 ch) | (Dolby AC3, 6 ch) | (DTS, 5 ch) | 6.89 Gb (DVD9) | 95 min
Classical | EuroArts

Mozart, who composed 21 piano concerti, can be regarded as the “inventor” of the popular piano concerto. Although J.S. Bach and his son had written numerous concerti for harpsichord or fortepiano and orchestra before him, Mozart’s enormous input to the genre is mostly due to his concerti being regarded as ‘popular music’ by his contemporaries: to be enjoyed and quickly replaced by newer works. For this series on four DVDs, the most influential, the most artistically challenging and the most popular piano concerti have been selected to be performed by the best Mozart interpreters of our time. Volume I features pianists Mitsuko Uchida, Vladimir Ashkenazy and Homero Francesch each performing a concerto representing a different stage in Mozart's life. The performances on this DVD were shot in highly attractive baroque venues – at the Mozarteum, Salzburg, in Hampton Court Palace, London and in the Christian-Zais-Saal, Wiesbaden – capturing the atmosphere of a performance in Mozart’s lifetime.
Wilhelm Backhaus – Piano Masters - Schumann, Schubert, Bach (1999)

Wilhelm Backhaus – Piano Masters - Schumann, Schubert, Bach (1999)
Classical/Various style periods | FLAC lossless | cuesheets+log | covers+booklet | 1h15m | 189mb
Label: PEARL | cat. no. GEM 0046
Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner - J.S. Bach: Mass in B minor BWV 232 (2015) [24/96]

Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner - J.S. Bach: Mass in B minor BWV 232 (2015)
FLAC (tracks) 24-bit/96 kHz | Time - 105:33 minutes | 3.40 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

The Monteverdi Choir and English Baroque Soloists are renowned of their spectacular performances of Bach’s epic masterpiece, which they have toured extensively.

Trip in den Tod - Heiko Grießbach  eBooks & eLearning

Posted by Maroutan at June 21, 2017
Trip in den Tod - Heiko Grießbach

Trip in den Tod - Heiko Grießbach
German | 2017 | 195 Pages | ISBN: 1521482330 | EPUB | 180.14 KB

Natur, Ruhe und Entspannung in einem Ferienhaus in der Einsamkeit Brandenburgs. Eine Facebookgruppe trifft sich auf ein Wochenende, um sich besser kennenzulernen und um eine Seance durchzuführen. Doch bevor sie überhaupt loslegen und einen Geist beschwören können, begegnen sie dem Grauen und dem Tod. »Wetten, dass keiner von euch an flüssige Genüsse gedacht hat?« Lars blähte stolz seine flache Brust. »Wir haben einen Kasten Bier und zwei Pullen Braunen mit.« »Alkoholika gibt es in der Bar im Wohnzimmer«, meldete sich Rolf. »Alkoholika!« Sandra konnte nicht anders, sie musste ihn schon wieder nachäffen…
Netherlands Bach Society, Jos Van Veldhoven - J.S. Bach: Mass in B minor (2007) [Official Digital Download 24/192]

Netherlands Bach Society, Jos Van Veldhoven - J.S. Bach: Mass in B minor (2007)
FLAC (tracks) 24-bit/192 kHz | Time - 105:21 minutes | 3.24 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Sometimes you come across a performance that may not be exactly to your taste, but is nonetheless so persuasive of its type that it disarms criticism. This is one. It's not quite a "one to a part" interpretation of the work, but with 10 choristers and eight strings, it is intimate, and that always risks minimizing the majesty that Bach built into the Sanctus, the eight-part Osanna, and the choruses with trumpets and drums.
Gachinger Kantorei, Bach-Collegium Stuttgart, Helmuth Rilling - Wolfgang Rihm: Deus Passus (2001) 2CDs

Wolfgang Rihm - Deus Passus (Passions-Stücke nach Lukas) (2001) 2CDs
Juliane Banse, soprano; Iris Vermillion, mezzo-soprano; Cornelia Kallisch, alto
Christoph Prégardien, tenor; Andreas Schmidt, baritone
Gächinger Kantorei; Bach-Collegium Stuttgart; Helmuth Rilling, conductor

EAC | FLAC | Image (Cue&Log) ~ 330 Mb | Mp3 (CBR320) ~ 228 Mb | Artwork included
Classical, Choral | Label: Hänssler Classic | # CD 98.397 | Time: 01:30:24

Deus Passus is one quarter of the Passion Project 2000, which celebrated not only the turning of the millennium but also commemorated the 250th anniversary of Bach’s death. German conductor Helmuth Rilling honored this occasion by commissioning Passions from four disparate composers: Wolfgang Rihm, Tan Dun, Sofia Gubaidulina, and Osvaldo Golijov. Deus Passus is a setting of the Passion according to St. Luke, and it is a marvel of a piece for many reasons. For a full hour and a half, with music that is mostly slow and largely atonal (in the sense that Berg’s music is atonal), the twisting, aching, unpredictable harmonies are totally captivating. Rihm chooses a straightforward setting, a simple, dramatic telling of the story, and it is in his capacity for restraint that the true brilliance of the piece lies. He uses the chorus sparingly, mostly for dramatic purposes, having it portray the angry rabble bent on crucifying Jesus (as it often does in Bach’s passions).