This was Kyung-Wha Chung's first recording, made when she was 22, just after her sensational London debut in the Tchaikovsky Concerto with the same orchestra and conductor. It is splendid. Only a young, radiantly talented player could make these two tired warhorses sound so fresh and vital; only a consummately masterful one could sail through their daunting technical difficulties with such easy virtuosity and perfection. Her tone is flawlessly beautiful, varied in color and inflection; she puts her technical resources entirely at the service of the music, giving every note meaning and honestly felt expression without exaggeration or sentimentality. The Tchaikovsky has charm, humor, sparkle; the slow movement is dreamy, wistful, and unmuted but subdued and inward. The Sibelius is dark and bleak but full-blooded, passionate, and intense. The orchestra sounds and plays better in the Sibelius.
This Sibelius-Kavakos recording when it was originally released in 1991 was voted: "Best Concerto Recording 1991" (GRAMOPHONE Award), "Record of the year 1991" (The U.K. Sibelius Society), "Pick of the year " (Classic CD, the U.K.), Records of the year 1991 ( Helsingin Sanomat).
I can't think of any professional performer who wouldn't be glad to claim Graffman's tremendously solid, albeit simpler pianism. Indeed, Graffman's sense of forward sweep and sustaining power within long, introspective passages score over what Van Cliburn halfheartedly delivered in his own recording with the Boston Symphony a few years later…Reissued through Arkivmusic.com's "on demand" program, this disc is well worth hearing. -Jed Distler; classicstoday.com
Ferruccio Dante Michelangiolo Benvenuto Busoni (April 1, 1866 – July 27, 1924) was an Italian composer, pianist, editor, writer, piano and composition teacher, and conductor.
Thank you Kathleen Battle for making another masterful recording.Mozart's requiem is an excellent work,and this particular version is well recorded too.I just wish mozart wrote more music for the soprano to sing in his requiem.I must say that Verdi's requiem is the greatest ever composed,but thus far of all the requiems i've listened to,mozart's requiem must come in second.Mozart,you go boy!!Kathleen,you go girl!!!! Ps,requiems should be listened to especially on rainy evenings & nights with some introspective thoughts.Perhaps,mozart is now composing an anti-requiem for the afterlife..
The appeal of this release hinges more on its sound quality than on the quality of its well-known and excellent performances. Unfortunately, it doesn't sound very good. One can more or less hear Richter – details of articulation occasionally get lost, inner voices are sometimes obscured, and bigger sonorities are often opaque – but he sounds like he's miles away. One can hear Sanderling and the USSR Radio & Television Symphony Orchestra only faintly when they're quiet, somewhat better when they're louder, and all too well when they're really loud. There have been better releases of these recordings in the past – many listeners prefer the 1995 BMG-Melodiya issues – and there will likely be better releases in the future. This one's not worth it except for Richter specialists who have to have every release of every performance Richter ever recorded.