Bach Cantatas Masaaki Suzuki Bach Collegium Japan)

Bach: Complete Keyboard Works - Ivo Janssen (2011)  Music

Posted by naponski at March 31, 2012
Bach: Complete Keyboard Works - Ivo Janssen (2011)

Bach: Complete Keyboard Works - Ivo Janssen (2011)
EAC Rip | Flac (Tracks + cue + log) | 20 CDs | Full Scans | 4.8 GB
Genre: Classical | Label: VOID | Catalog Number: 0098

This 20-disc box set has been entertaining me for several months. Dutch pianist Ivo Janssen set up his own record label to distribute his 1997 Goldberg Variations, recorded on the hoof over two days in Haarlem. Its success prompted him to tackle Bach’s complete keyboard output. And there’s a sense of fly-by-night impetuosity about some of these performances, all taped in the same venue with the same producer, the cycle finally finished in 2009.
Lou Reed - 9 Album Collection (1972-76) [9CD] {2006 Japan Mini LP Remaster} [repost]

Lou Reed - 9 Album Collection (1972-76) [9CD] {2006 Japan Mini LP Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.84 Gb | MP3 @320 -> 980 Mb | Artwork | 5% repair rar
© 2006 RCA / BMG Japan | BVCM-37725~33
Rock / Experimental / Rock & Roll

Cardboard sleeve (mini LP) reissue from Lou Reed. Part of a 9-album Cardboard sleeve (mini LP) Lou Reed reissue campaign featuring the albums "Lou Reed," "Transformer," "Berlin," "Rock and Roll Animal," "Sally Can't Dance," "Lou Reed Live," "Metal Machine Music," Coney Island Baby," and "Rock adn Roll Heart." Lou Reed's solo debut suggests that neither Reed nor his new record company were quite sure about what to do with him in 1972. It would be years before the cult of the Velvet Underground became big enough to mean anything commercially, leaving Lou pretty much back where he started from in the public eye after five years of hard work, and he seemed to be searching for a different musical direction on this set without quite deciding what it would be.
Jack Wilson - The Jack Wilson Quartet featuring Roy Ayers (1963) {2012 Japan Jazz Best Collection 1000 Series 24bit WPCR-27094}

Jack Wilson - The Jack Wilson Quartet featuring Roy Ayers (1963) {2012 Japan Jazz Best Collection 1000 Series 24bit WPCR-27094}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 225 Mb | MP3 @320 -> 82 Mb
Full Artwork @ 600 dpi (jpg) -> 117 Mb | 5% repair rar | 24-bit remaster
© 1963, 2012 Warner Japan / Atlantic / Rhino | WPCR-27094 | Jazz Best Collection 1000 Series
Jazz / Cool / Post Bop / Piano

A great album recorded in 1963 for Atlantic – one of our favorite ever! Jack Wilson's one of our favorite piano players, and we rave about him all the time on these pages – and one of the reasons why we love him so much is that he was often accompanied by Roy Ayers, who started out his career playing vibes in his group! The pair together are a dream, and this album is arguably their best effort – filled with moody modal cuts, and lots of lyrical interplay that hits these beautiful high points, then dives into pits of darkness. Titles include "Harbor Freeway", "De Critifeux", "Corcovado", "Jackleg", and "Nirvana & Dana".
Monty Alexander - Fridaynight (1985) {2015 Japan Timeless Jazz Master Collection Complete Series}

Monty Alexander - Fridaynight (1985) {2015 Japan Timeless Jazz Master Collection Complete Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 252 Mb | MP3 @320 -> 116 Mb
Full Artwork @ 600 dpi (png) -> 235 Mb | 5% repair rar
© 1985, 2015 Limetree / Timeless Records / Solid Records Japan / Ultra-Vibe | CDSOL-6414
Jazz / Post Bop / Piano

Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. A great little date from pianist Monty Alexander – a set that's maybe got a bit more bite than some of Monty's American records from the time – even though this overseas release was still recorded in Florida! The core trio also features added percussion – which provides a stronger rhythmic impulse than usual, and which has the group really stretching out on some longer tunes – especially the album's version of "Since My Baby Left Me", which features guest cornet from Nat Adderley! The group on the rest of the record features Alexander on piano, Reggie Johnson on bass, Ed Thigpen on drums, and Robert Thomas Jr. on percussion.
Lionel Hampton & His Giants Of Jazz 1979 - Hamp In Haarlem (1979) {2015 Japan Timeless Jazz Master Collection Complete Series}

Lionel Hampton & His Giants Of Jazz 1979 - Hamp In Haarlem (1979) {2015 Japan Timeless Jazz Master Collection Complete Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 271 Mb | MP3 @320 -> 105 Mb
Full Artwork @ 600 dpi (png) -> 256 Mb | 5% repair rar
© 1979, 2015 Timeless Records / Solid Records Japan / Ultra-Vibe | CDSOL-6412
Jazz / Vibes / Drums

Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. Lionel Hampton was always at his best in a concert setting and this 1979 performance in Haarlem, the Netherlands, is not exception. Fronting a tentet consisting of both veterans and younger musicians, the vibraphonist's energy is contagious to both his band and the audience. The opener, "Glad Hamp" is a furious reworking of the chord changes to "I Got Rhythm," showcasing trumpeter Joe Newman.

Johann Sebastian Bach - The Cantatas [55 CD] (Repost)  Music

Posted by Bibixy at Sept. 14, 2013
Johann Sebastian Bach - The Cantatas [55 CD] (Repost)

Johann Sebastian Bach - The Cantatas (Masaaki Suzuki)
BIS | 1995-2011 | 55 CD | 55 RAR | 6.5Gb
MP3 192 Kbps | Lame encoded | Tracks | Covers & Booklets

For those who are not familiar with the Bach Collegium Japan, it is an orchestra and choir founded in 1990 by their director and keyboard player Masaaki Suzuki. The orchestra is renowned as Japan’s leading period instrument players applying their historically informed knowledge of sacred baroque music and specialising in the work of J.S. Bach. The chosen venue for Suzuki’s cycle of recordings has been the Shoin Women’s University Chapel in Kobe, Japan.
Suzuki really is a master of his art directing impeccable vocal and instrumental performances.
The George Lewis Band Of New Orleans - Jazz At Preservation Hall IV (1962) {2013 Japan Jazz Best Collection 1000 Series 24bit}

The George Lewis Band Of New Orleans - Jazz At Preservation Hall IV (1962) {2013 Japan Jazz Best Collection 1000 Series 24bit remastered}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 195 Mb | MP3 @320 -> 87 Mb
Full Artwork @ 600 dpi (png) -> 163 Mb | 5% repair rar | 24bit remaster
© 1962, 2013 Atlantic / Warner Japan / WEA / Rhino | WPCR-27393 | Jazz Best Collection 1000 Series
Jazz / New Orleans Jazz / Jazz Blues / Clarinet

Features 24 bit remastering and comes with a mini-description. This is the music that will be playing when you die and go to heaven. Excellent original style Dixieland, George's clarinet is heaven! I don't know if any record can do justice to the live experience of the original giants of jazz creating this stuff. But the George Lewis tracks on this record come pretty close! For this alone this CD is well worth buying.
The Eureka Brass Band Of New Orleans - Jazz At Preservation Hall I (1962) {2013 Japan Jazz Best Collection 1000 Series 24bit}

The Eureka Brass Band Of New Orleans - Jazz At Preservation Hall I (1962) {2013 Japan Jazz Best Collection 1000 Series 24bit Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 201 Mb | MP3 @320 -> 93 Mb
Full Artwork @ 600 dpi (png) -> 159 Mb | 5% repair rar | 24bit remaster
© 1962, 2013 Atlantic / Warner Japan / WEA / Rhino | WPCR-27390 | Jazz Best Collection 1000 Series
Jazz / Dixieland / New Orleans Jazz

Features 24 bit remastering and comes with a mini-description. Jazz at Preservation Hall: The Eureka Brass Band features New Orleans street parade jazz with bristling horns, sousaphone, and two marching drummers. Trumpeter Percy Humphrey leads an ensemble notable for the presence of saxophonist Emanuel Paul and Percy's brother, Willie, who blows some of the best clarinet he ever recorded. What makes this an unforgettable listening experience is the dual trombone action supplied by Albert Warner and Oscar "Chicken" Henry.
Nat Adderley Quintet - Workin' - Live In Subway, Vol. 1 (1992) {2016 Japan Timeless Jazz Master Collection Complete Series}

Nat Adderley Quintet - Workin' - Live In Subway, Vol. 1 (1992) {2016 Japan Timeless Jazz Master Collection Complete Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 385 Mb | MP3 @320 -> 126 Mb
Full Artwork @ 600 dpi (png) -> 259 Mb | 5% repair rar
© 1992, 2016 Timeless Records / Solid Records Japan / Ultra-Vibe | CDSOL-6421
Jazz / Hard Bop / Cornet

Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. Nat Adderley's not actually busking in the subway – but instead playing a smoking little set at the Subway Nightclub in Cologne – working with an excellent group that includes Vincent Herring on alto sax, and some excellent rhythm work from the trio of Rob Bargad on piano, Walter Booker on bass, and Jimmy Cobb on drums! The tunes are all nice and long, and have a stretching, soulful feel that's really great – and which gets past the "classic" soul jazz cliches that can sometimes mar other Adderley albums from later years. Nat's in fine fine form, and Herring seems to help him unwind in a hip groove that's really carried off well – and the album's got a richness that easily makes it one of the best later sessions from Nat you can find! Titles include "The Chant", "Almost Always", "The Big J", "Plum Street", and "The Scene".
Suzuki, Bach Collegium Japan - Bach: Secular Cantatas Vol 4 - Academic Cantatas (2014)

Suzuki, Bach Collegium Japan - Bach: Secular Cantatas Vol 4 - Academic Cantatas (2014)
EAC Rip | Flac (Image + cue + log) | 1 CD | Full Scans | 351 MB
Genre: Classical | Label: Bis | Catalog Number: 2001

The two works on this disc perfectly illustrate a particular type of secular cantata, the so-called ‘dramma per musica’. In such works the libretto is constructed dramatically, and the singers embody various roles, such as gods and other characters from antiquity, and allegorical figures. The parallel with opera is apparent, although the ‘drammi per musica’ do without any scenic element. Bach primarily used the form in works intended for princely tributes or academic festivities: educated audiences could be expected to recognize the characters and literary traditions involved.