Bach Cello Suite Mischa Maisky

Haydn, Schumann - Cello Concertos (Mischa Maisky, Leonard Bernstein) (2007/1986)

Haydn, Schumann - Cello Concertos (Mischa Maisky, Leonard Bernstein) (2007/1986)
NTSC 4:3 (720x480) VBR | (LinearPCM, 2 ch) | (DTS, 6 ch) | 7.33 Gb (DVD9) | 99 min
Classical | Deutsche Grammophon

Mischa Maisky performs with the Vienna Symphony and Vienna Philharmonic conducted by Leonard Bernstein in concertos by Haydn and Schumann. “Maisky and his players perform the Haydn with warm, polished energy. His Schumann, with a fairly restrained Bernstein, sometimes overdoes the languishing, but it's beautiful playing, and visually compelling.” (BBC Misic Magazine)

Mischa Maisky - Bach: The Cello Suites (2007/1993) RE-UP  Music

Posted by Vilboa at Jan. 7, 2016
Mischa Maisky - Bach: The Cello Suites (2007/1993) RE-UP

Mischa Maisky - Bach: The Cello Suites (2007/1993)
NTSC 4:3 (720x480) VBR | (LinearPCM, 2 ch) | (DTS, 5 ch) | 4.34 Gb+5.35 Gb (DVD5+DVD9) | 162 min
Classical | Deutsche Grammophon

"The Bach Suites are the great baritone soliloquies of music, and Maisky has the voice for them: marvellously firm and unrestrained in the upper register, always true in pitch, never unpleasant and yet rarely giving the impression that anything as frivolous as tonal beauty is the goal … The recording captures the sense of a lone musician responding inquisitively and strongly, with all his mind and technique, to divine dictation." - The Times
Mischa Maisky & Martha Argerich - J.S. Bach: Three Sonatas for Violoncello and Piano, BWV 1027-1029 (1985)

Mischa Maisky & Martha Argerich - J.S. Bach: Three Sonatas for Violoncello and Piano, BWV 1027-1029 (1985)
EAC | FLAC | Tracks (Cue&Log) ~ 192 Mb (incl 5%) | Mp3 (CBR320) ~ 117 Mb (incl 5%) | Scans included
Genre: Classical | Label: Deutsche Grammophon | # 415 471-2 | Time: 00:43:26

These three sonatas - composed originally for the viola da gamba and harpsichord - are very musically-appealing compositions. And unlike previous Baroque cahmber-music tradition, the harpsichord is not relegated to mere continuo but projected into the spotlight as co-soloist - perhaps to showcase some of Bach's keyboard virtuosity. There are several fine period recordings of these works on viola da gamba and harpsichord (Savall, Peri, Crum, Wispelwey) or modern cello with harpsichord (Ma, Tortelier). But if your taste favors all modern instuments (cello, piano), then this circa-80's CD by the legendary Martha Argerich and Misha Maisky is the ticket.

Mischa Maisky - Maisky! [Box Set] (2001)  

Posted by luckburz at Oct. 7, 2013
Mischa Maisky - Maisky! [Box Set] (2001)

Mischa Maisky - Maisky!
EAC+LOG+CUE | FLAC: 0,99 GB | 4xCD Box | Full Artwork | 5% Recovery Info
Label/Cat#: Deutsche Grammophon # 471 508-2 | Country/Year: Germany 2001
Genre: Classical | Style: Various, Cello

…In great demand as a chamber player, Maisky has performed with a number of extraordinary musicians, including Vladimir Ashkenazy, Gidon Kremer, Peter Serkin, and Martha Argerich. Acclaimed for his renditions of concertos by Haydn and Schumann, Maisky is the only cellist to have received a Deutsche Grammophon offer to record Bach's complete works for the cello…

Colin Carr - Bach: Cello Suites (2013)  Music

Posted by peotuvave at Feb. 21, 2016
Colin Carr - Bach: Cello Suites (2013)

Colin Carr - Bach: Cello Suites (2013)
EAC Rip | Flac (Image + cue + log) | 548 MB | MP3 320Kbps CBR | 346 MB | 2 CDs | Full Scans
Genre: Classical | Label: Wigmore Hall Live | Catalog Number: 60

Performing regularly throughout the world as a soloist, chamber musician, recording artist and teacher, British cellist Colin Carr is a frequent guest at the world’s leading concert halls and festivals. He counts Maurice Gendron and William Pleeth amongst his teachers. In May 2012 he retruned to Wigmore Hall to record Bach’s cello suites, true masterworks regarded as the pinnacle of the repertoire for the instrument. Demonstrating his great technical prowess and mastery, Carr searched deep beneath the richly detailed surface of the six suites and explored their inner workings with great style. His meditative performance and profoundly personal communion with the works of Bach are captured within this recording.
Heinrich Schiff - Johann Sebastian Bach: Cello Suites (2005) 2 CDs

Heinrich Schiff - Johann Sebastian Bach: Cello Suites (2005) 2 CDs
EAC | FLAC | Tracks (Cue&Log) ~ 600 Mb (incl 5%) | Mp3 (CBR320) ~ 350 Mb (incl 5%) | Scans included
Genre: Classical | Label: EMI Classics | # 7243 5 86534 2 7 | Time: 02:04:56

In the '80s there were those listeners who thought that Heinrich Schiff might redeem cello performance practice from fatal beauty and lethal elegance. Aside from the burly and brawny Rostropovich, more and more cellists were advocating a performance style whose ideals were perfect intonation and graceful phrasing. In some repertoire, say, Fauré, these are perfectly legitimate goals. In other repertoire, Beethoven and Brahms, say, it is a terrible mistake. In Bach's Cello Suites, as the fay and fragile Yo-Yo Ma recordings make clear, it was a terminal mistake. Not so in Schiff's magnificently muscular 1984 recordings of the suites: Schiff's rhythms, his tempos, his tone, his intonation, and especially his interpretations were anything but fay or fragile. In Schiff's performance, Bach's Cello Suites are not the neurasthenic music of a composer supine with dread and despair in the dark midnight of the soul, but the forceful music of a mature composer in full control of himself and his music.
Isang Enders - Bach - Cello Suites (2014) {2CDs Berlin Classics - 0300552BC}

Isang Enders - Bach - Cello Suites (2014) {2CDs Berlin Classics - 0300552BC}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 615 Mb | MP3 @320 -> 340 Mb
Full Artwork @ 300 dpi (png) -> 198 Mb | 5% repair rar
© 2014 Berlin Classics / Edel Germany | 0300552BC
Classical / Chamber Music / Baroque / Cello

"Bach is immortal," writes Isang Enders in the foreword to his new CD of the six Suites for solo cello. "They say that Bach is the beginning and the end of all things, immortal, incomprehensible and even holy." Given this enormous challenge, no musician can be blamed for being plagued by doubts when approaching works of such calibre. And yet: "Bach's music is so human and thus always contemporary and pure. The suites should speak, they should sing and dance, hunt and contemplate – altogether subjectively and characteristically, now that I have overcome my doubts. The subjective aspect of this recording is the result of my firm conviction." These are the words of a young cellist, a high‐flyer, who led the cello section at the Dresden Staatskapelle when he was only twenty, then gave it up for a solo career. That is really all we need say; it is what marks out the Bach playing of Isang Enders from all the competing interpretations. Youthful vigour, consummate technique and a deep understanding of the works make for a perfect combination of head, heart and soul.
Edward Elgar - Cello Concerto, 'Enigma' Variations, 'Pomp and Circumstance' (2012) [Mischa Maisky, Giuseppe Sinopoli]

Edward Elgar - Cello Concerto, 'Enigma' Variations, 'Pomp and Circumstance' (2012)
Mischa Maisky, cello; Philharmonia Orchestra, conducted by Giuseppe Sinopoli

EAC | FLAC | Image (Cue&Log) ~ 344 Mb (incl 5%) | Mp3 (CBR320) ~ 196 Mb (incl 5%) | Scans included
Genre: Classical | Label: Deutsche Grammophon | # 478 3619 GB | Time: 01:14:33

Enigma Variations is the work that secured Elgars reputation as a composer of international significance. The 14 variations are all character portraits of friends, including his wife and the composer himself, the most famous being the ninth, the achingly nostalgic Nimrod. The Cello Concerto is Elgars last substantial work and has become not only one of his best loved, but also one of the most popular concertos ever written for the instrument.
Sviatoslav Richter - J.S. Bach: English Suite No. 3; Piano Concerto BWV 1052; Concerto for 2 Pianos BWV 1061 (2003)

Sviatoslav Richter - J.S. Bach: English Suite No. 3; Piano Concerto BWV 1052; Concerto for 2 Pianos BWV 1061 (2003)
Moscow Chamber Orchestra, conductor Rudolf Barshai, Anatoly Vedernikov, piano (BWV 1061)
USSR State Symphony Orchestra, conductor Kurt Sanderling (BWV1052)

EAC | FLAC | Image (Cue&Log) ~ 262 Mb (incl 5%) | Mp3 (CBR320) ~ 157 Mb (incl 5%) | Scans included
Genre: Classical | Label: Melodiya | # MEL CD 10 00731 | Time: 01:01:33

From the irresitably forceful opening bars of the English Suite's prelude to the throbbing repeated octaves of the D minor concerto, Richter shows why many of Bach's works are ideally suited to the piano. The Bach concerto is often regarded as a student piece, or relegated to refined performances on the harpsichord. Not here – the bookend movements are as maniacal, pulsing and driving as the best of John Coltrane or Prokofiev. The CD is worth it just for those movements, but Richter's treatment of the English Suite is equally enlightening, especially the Prelude and Gavotte.
Mischa Maisky & Daria Hovora - Franz Schubert: Songs Without Words (1996)

Mischa Maisky & Daria Hovora - Franz Schubert: Songs Without Words (1996)
EAC | FLAC | Image (Cue&Log) ~ 306 Mb (incl 5%) | Mp3 (CBR320) ~ 196 Mb (incl 5%) | Scans included
Genre: Classical | Label: Deutsche Grammophon | # 449 817-2 | Time: 01:17:15

SCHUBERT: SONGS WITHOUT WORDS is an elegant recital by pianist Daria Hovora and cellist Mischa Maisky that allows us to hear Schubert songs, beautifully rich as they are with the texts as sung by many of our finest singers, here solely for the instrumental line. Somehow the interplay between melody and accompaniment (always an equal partnership in Schubert's hands) is heightened by this experience. Not that the entire album is appropriated by the cello standing in for a vocalist: the opening work is "Sonata for Arpeggione and Klavier" and is one of the highlights of the CD. But just listen to the performances of 'Standchen', 'An die Musik' and 'Du bist die Ruhe' and hear the extraordinary marriage between the piano and cello, singing as beautifully as any other version. This is one of those CDs that bears keeping out for multiple listenings in the late evening.