In honor of CPE Bach's 300th birthday, hänssler CLASSIC will be releasing an exciting series of recordings dedicated to the music of this well known but hitherto neglected Bach son during the first 3 months of 2014. At the beginning there are the so-called “Hamburg” symphonies Wq 182, interpreted with great sensitivity and bite, when necessary, by the Stuttgart Chamber Orchestra under the renowned conductor and former violist of the Berlin Philharmonic, Wolfram Christ. Maestro Christ sees these works as expressive pieces, open to multiple interpretations that invite the listener to experience them as almost Romantic in their gesture and content. Deciding on a fortepiano continuo instrument is not only a historically informed decision, but contributes to a perfectly balanced overall sound.
Speaking about Johann Sebastian Bach’s second son Carl Philipp Emanuel (1714-1788), Mozart said “he is the father, we are the children”. Indeed, Carl Philipp Emanuel is one of the major musical figures of this key period, the turning point between the baroque and classical aesthetics. Although he left a large body of work written for instruments of all kinds, the keyboard was always his favourite. He produced a number of collections for it, featuring numerous sonatas and freestyle works such as fantasias, a genre in which he excelled. Aline Zylberajch and Alice Piérot offer a selection of pieces for both violin and keyboard and solo keyboard, all composed during Carl Philipp Emanuel’s mature years, from the 1760s up until his death.
Carl Philipp Emanuel Bach (8 March 1714 – 14 December 1788) was a German Classical period musician and composer, the fifth child and second (surviving) son of Johann Sebastian Bach and Maria Barbara Bach. His second name was given in honor of his godfather Georg Philipp Telemann, a friend of Emanuel's father.
Emanuel Bach was an influential composer working at a time of transition between his father's baroque style and the classical and romantic styles that followed it. His personal approach, an expressive and often turbulent one known as empfindsamer Stil or 'sensitive style', applied the principles of rhetoric and drama to musical structures. Bach's dynamism stands in deliberate contrast to the more mannered rococo style also then in vogue.
The previous two CDs from pianist Michael Rische of the Piano Concertos of Carl Philipp Emanuel Bach have been universally acclaimed for their high degree of musicality and the pianist’s passionate commitment to this composer. And in fact, much of the work of this highly original genius remains to be discovered. The 300th Birthday of Bach's second son offers an ideal occasion to become better acquainted with this extraordinary and surprising composer. In addition to the solo concertos, this CD also presents the Concerto for 2 Pianos and Orchestra Wq 46. In each work, Carl Philipp Emanuel Bach makes the claim - once again – of his unique place in the history of music, and as evident in these vital, life-affirming performances, is one of the truly great “rediscovered” composers of the past.
The legendary label, deutsche harmonia mundi, releases a special 50 CD boxset featuring star performers such as Hille Perl, Nikolaus Harnoncourt, Dorothee Oberlinger, Simone Kermes, and Nuria Rial and more! This collection displays the sheer variety available from the dhm archive. A perfect collection ranging Medieval, Renaissance, Baroque and Romantic music.
Freiburger Barockorchester (Freiburg Baroque Orchestra) is a German orchestra founded in 1987, with the mission statement: "to enliven the world of baroque music with new sounds". They are based in Freiburg im Breisgau, hence the name, and have recently started performed works by later composers such as Beethoven, Schubert and Weber as well as contemporary music.
This is a superb recording of the Two-Part and Sinfonias (Three-Part Inventions) of Johann Sebastian Bach. Kenneth Gilbert is a wonderful interpreter of Bach's keyboard music and in this recording plays an instrument made in 1671 by Jan Couchet that was subsequently enlarged in 1778. The Two-Part Inventions and Sinfonias consist of 15 parts; they were written as technical exercises and as composition demonstration pieces originally for his son Wilhelm Friedemann. The various pieces were probably written separately and were gathered together by Bach in major/minor key sequence and published in 1723. The recording is clear and well balanced. Kenneth Gilbert plays beautifully; the music is lively without being ostentatious.
Johann Christoph Friedrich Bach (21 June 1732 – 26 January 1795), the ninth son of Johann Sebastian Bach, sometimes referred to as the "Bückeburg Bach". He is not to be confused with other similarly-named members of the Bach family.