Since 1727, JS Bach's "Great Passion" has gripped the hearts and uplifted the minds of audiences all over the globe. Nearly three centuries after its premiere, the work has lost none of its power to evoke feelings of compassion for all those who suffer. Its mix of urgent story-telling, meditative arias and mighty choruses sets St Matthew's account of Christ's betrayal, trial and execution eloquently and emotionally.
The city of St. Louis played host, in the 1920s and 1930s, to one of the most distinctive and vital blues scenes ever documented on record. Like Memphis and Atlanta, St. Louis served as a sort of magnet, attracting musicians from the surrounding hinterlands and providing performance opportunities that were not available out in the country. Many of the St. Louis musicians were transplanted Mississippians, like Charley Jordan, while others, like Clifford Gibson and Teddy Darby, originally hailed from Kentucky. The various early influences that the music of these players displayed ended up coalescing into something that might be called the “St. Louis sound”.
Warner Classics presents Best of Bach, a spirited selection of works by Bach, both choral and instrumental, performed by some of Warner Classics's most highly acclaimed artists…amazon.co.uk
…I greet this stunning performance as the way to hear this masterpiece. ~ J.F. Weber, Fanfare
This long-deleted Essential Classics reissue (available again courtesy of Arkivmusic.com’s on-demand reprint program) comprises the first CD remastering of two separate Bach piano releases. One disc features Rosalyn Tureck’s Bach Album, an early-1981 digital production made up mostly of short pieces, plus the Aria and Variations in Italian Style. The close-up yet warm sonics capture the full measure of Tureck’s technical specificity, subtle use of color, and micromanaged dynamics. Notice her absolute linear control in the F minor suite’s Prelude (first sound clip), or how her seemingly over-detached articulations (the seventh Italian variation) always maintain a lilting presence.
With The All-Baroque Box we realize one of our fondest dreams: harnessing the deep catalogue of Archiv Produktion (supplemented on occasion by Decca L oiseau lyre recordings) to create a comprehensive collection of great music from Monteverdi to Bach. The music ranges from huge Baroque (Missa Salisburgensis, Venetian polychoral, Charpentier Te Deum) to intimate Baroque (the Goldberg Variations, Bach cello suites, solo cantatas) overwhelming in its impact and emotional content.
"Acting as though I were one of Bach's pupils, I imagined myself being given the following assignment in a composition lesson: 'Here is a libretto; set it to music using whatever you find in the works I wrote up until now (1731). What you do not find, compose yourself'". Ton Koopman