Beethoven – Complete Symphonies – Karajan (1977)

Herbert Blomstedt, GewandhausKinderchor - Beethoven: The Complete Symphonies (2017)

Herbert Blomstedt, GewandhausKinderchor - Beethoven: The Complete Symphonies
Classical | WEB FLAC (tracks) & d. booklet | 347:32 min | 1.31 GB
Label: Accentus Music | Tracks: 37 | Rls.date: 2017

In celebration of Herbert Blomstedt’s 90th Birthday in July 2017, Accentus Music releases a new Beethoven cycle that captures the spirit of the long-standing partnership between the legendary conductor laureate and the Gewandhausorchester Leipzig. All nine symphonies, released in a box set containing five CDs, are live recordings made at the Leipzig Gewandhaus between May 2014 and March 2017.
Beethoven - The Complete Orchestral Works, vol.12: Piano Concerto No.5 'Emperor'; Choral Fantasy (2015)

Ludwig van Beethoven: Piano Concerto No.5 in E flat major 'Emperor', Op.73; Choral Fantasy, Op.80 (2015)
Boris Berezovsky, piano; Swedish Chamber Orchestra Örebro; Thomas Dausgaard, conductor

EAC | FLAC | Image (Cue&Log) ~ 252 Mb (incl 5%) | Mp3 (CBR320) ~ 155 Mb (incl 5%) | Scans included
Genre: Classical | Label: Simax Classics | # PSC 1285 | Time: 00:53:59

Though close to each other in date, the two works on this disc, which are the last in which Beethoven wrote for piano and orchestra together, are in other respects quite dissimilar. The Emperor is a standard piano concerto or so it seems to us, because it was uniquely influential in defining the form for the next 100 years. To its first audiences it must have seemed highly individual, and even idiosyncratic. The Choral Fantasy, on the other hand, appears to us an unorthodox, even unique conception, much freer in form, as befits the title fantasy which Beethoven chose for it. Yet both are entirely characteristic of the composer in their deployment of a structure that served the purposes of the content of the work itself to its greatest advantage. Concluding the Complete Orchestral Works of Beethoven, this vol. 12 finds Thomas Dausgaard, Boris Berezovsky and the Swedish Chamber Orchestra on top form.
Beethoven - The Complete Orchestral Works, vol.7: Piano Concerto No. 4 & Piano Concerto in D, op. 61a (2005)

Ludwig van Beethoven: Piano Concerto no. 4 in G major, op.54; Piano Concerto in D major, op. 61a (2005)
Boris Berezovsky, piano; Swedish Chamber Orchestra Örebro; Thomas Dausgaard, conductor

EAC | FLAC | Image (Cue&Log) ~ 265 Mb (incl 5%) | Mp3 (CBR320) ~ 195 Mb (incl 5%) | Scans included
Genre: Classical | Label: Simax Classics | # PSC 1280 | Time: 01:12:12

Starting the second half of our great Beethoven series, Boris Berezovsky returns with the Fourth Piano Concerto and Beethoven's own version of the Violin Concerto arranged with the piano as the solo instrument. Boris's earlier contributions to the series have been very well received indeed, and the Russian virtuoso has more up his sleeve. The works on this seventh volume in this series originates from a particularly fruitful time in Beethoven"s career as a composer, around the same time as his fourth and fifth symphony and the Razumovsky quartets. He continues to expand the formal boundaries for the concerto, and the result is of course some of the most fantastic music ever written.
Beethoven - The Complete Orchestral Works, vol.5: Piano Concerto No 3 & Triple Concerto (2002) [Berezovsky, Dausgaard]

Ludwig van Beethoven: Piano concerto no.3 in C minor, op.37; Triple concerto in C minor, op.56 (2002)
Boris Berezovsky, piano; Urban Svensson, violin; Mats Rondin, cello
Swedish Chamber Orchestra Örebro; Thomas Dausgaard, conductor

EAC | FLAC | Image (Cue&Log) ~ 278 Mb (incl 5%) | Mp3 (CBR320) ~ 191 Mb (incl 5%) | Scans included
Genre: Classical | Label: Simax Classics | # PSC 1183 | Time: 01:09:07

The soloists step into the light again for this fifth release in the Simax-series with the complete orchestral music of Beethoven. After the wonderful reception of piano concertos 1 and 2 (PSC 1181) its now time for concerto no.3, with Berezovsky on exceptional form. Plus a stunning rendering of the Triple concerto. Dausgaard leads with a sensitive ear to the poetry and somewhat melancoly expression found in both these concertos, engaging the orchestra in "chamber musical" ensemble with the soloists. But there are massive outbursts as well, in sparkling performance!
Beethoven - Berliner Philharmoniker / Herbert von Karajan - Symphony No. 7 & No. 8 (2003) {Hybrid-SACD // EAC Rip}

Ludwig van Beethoven - Symphony No. 7 in A major, op. 92 & No. 8 in F major, op. 93
Berliner Philharmoniker / Herbert von Karajan
EAC+LOG+CUE | FLAC: 301 MB | Full Artwork: 73 MB | 5% Recovery Info
Label/Cat#: Deutsche Grammophon # 474 604-2 G SA6 | Country/Year: Germany 2003, 1963
Genre: Classical | Style: Viennese School, Orchestral
Beethoven - Berliner Philharmoniker / Herbert von Karajan - Symphony No. 7 & No. 8 (2003) {Hybrid-SACD // ISO & HiRes FLAC}

Ludwig van Beethoven - Symphony No. 7 in A major, op. 92 & No. 8 in F major, op. 93
Berliner Philharmoniker / Herbert von Karajan
SACD ISO (Stereo): 2,43 GB | 24B/88,2kHz Stereo FLAC: 1,08 GB | Full Artwork | 5% Recovery Info
Label/Cat#: Deutsche Grammophon # 474 604-2 G SA6 | Country/Year: Germany 2003, 1963
Genre: Classical | Style: Viennese School, Orchestral
Beethoven - The Complete Orchestral Works, vol.3: Piano Concertos Nos 1 & 2; Rondo (2001) [Berezovsky, Dausgaard]

Ludwig van Beethoven: Piano Concertos No. 1 (op.15) & No. 2 (op.19); Rondo in B flat Major, WoO 6 (2001)
Boris Berezovsky, piano; Swedish Chamber Orchestra Örebro; Thomas Dausgaard, conductor

EAC | FLAC | Image (Cue&Log) ~ 252 Mb (incl 5%) | Mp3 (CBR320) ~ 185 Mb (incl 5%) | Scans included
Genre: Classical | Label: Simax Classics | # PSC 1181 | Time: 01:08:19

Volume 3 in the series with the complete orchestral works of Ludwig van Beethoven is ready from the Swedish Chamber Orchestra and its music director since 1997, Thomas Dausgaard. The piano concertos are true gems of the classical canon, as Beethoven was an expert both in the art of writing for the orchestra and himself a master pianist. Russian pianist Boris Beresovsky (b.1969) is such a wizard. At the age of 21 he won the Gold Medal at the 1990 International Tchaikovsky Competition in Moscow. It is a privilege to hear how the combination Berezovsky and Dausgaard/SwCO really hit it of in this music. They are enjoying themselves, surprising each other, challenging and courteous at the same time. The sounding result speaks for itself.
Simon Rattle - Beethoven: Complete Symphonies, Piano Concertos Nos. 1 & 2, Fidelio (2010) 9CD Box Set

Simon Rattle - Beethoven: Complete Symphonies, Piano Concertos Nos. 1 & 2, Fidelio (2010)
EAC | FLAC | Image (Cue&Log) ~ 2.49 Gb (incl 5%) | Mp3 (CBR320) ~ 1.42 Gb (incl 5%) | Scans included
Genre: Classical | Label: EMI Classics | # 50999 4 57573 2 7 | Time: 09:56:50

The Beethoven set includes the first two piano concertos (No. 1 in two versions, one with cadenzas supplied by Glenn Gould) together with Beethoven’s only completed opera in its final version: Fidelio. He always had a strong and fervent view of freedom and its resonance still rings true today nearly two hundred years since its first performance.
George Szell, Cleveland Orchestra - Beethoven Complete Symphonies & Overtures - Original Jacket Collection (DSD) [2004]

George Szell, The Cleveland Orchestra - Beethoven Complete Symphonies & Overtures
Original Jacket Collection (DSD) [2004]

FLAC | 10 CDs | EAC+CUEs+LOGs | Box Set Artwork, Booklet | Total Time: 622:44 | 2.33 GB
Genre: Classical | Style: Romantic | Label: Sony | Country/Year: Japan, 2005 | 5% Rec. Info

Sibelius - Complete Symphonies (Karajan, Kamu)  Music

Posted by alexo at Sept. 3, 2013
Sibelius - Complete Symphonies (Karajan, Kamu)

Sibelius - Complete Symphonies (Berliner Philharmoniker, Helsinki Radio Symphony Orchestra, Okko Kamu, Herbert von Karajan)
Classical | EAC Rip | FLAC, CUE, LOGs | Complete Artwork | 1,03 GB
Released: 2003 | Label: Deutsche Grammophon

Some critics claim that Karajan's 1965 recording of Sibelius' Symphony No. 5 with the Berlin Philharmonic is the greatest performance of that symphony ever recorded. Some claim that his 1967 recording of the Sixth is the greatest performance of that symphony ever recorded. And a few critics even assert that his 1965 Fourth is, if not the greatest ever recorded, at least the most beautiful ever recorded. Beautiful? Yes, certainly; all of Karajan's mid-'60s recordings of Sibelius, like all of his mid-'60s recordings of everything, were opulently, sumptuously, voluptuously beautiful.