Beethoven – Complete Symphonies – Karajan

Herbert Blomstedt, GewandhausKinderchor - Beethoven: The Complete Symphonies (2017)

Herbert Blomstedt, GewandhausKinderchor - Beethoven: The Complete Symphonies
Classical | WEB FLAC (tracks) & d. booklet | 347:32 min | 1.31 GB
Label: Accentus Music | Tracks: 37 | Rls.date: 2017

In celebration of Herbert Blomstedt’s 90th Birthday in July 2017, Accentus Music releases a new Beethoven cycle that captures the spirit of the long-standing partnership between the legendary conductor laureate and the Gewandhausorchester Leipzig. All nine symphonies, released in a box set containing five CDs, are live recordings made at the Leipzig Gewandhaus between May 2014 and March 2017.
Beethoven - Berliner Philharmoniker / Herbert von Karajan - Symphony No. 7 & No. 8 (2003) {Hybrid-SACD // EAC Rip}

Ludwig van Beethoven - Symphony No. 7 in A major, op. 92 & No. 8 in F major, op. 93
Berliner Philharmoniker / Herbert von Karajan
EAC+LOG+CUE | FLAC: 301 MB | Full Artwork: 73 MB | 5% Recovery Info
Label/Cat#: Deutsche Grammophon # 474 604-2 G SA6 | Country/Year: Germany 2003, 1963
Genre: Classical | Style: Viennese School, Orchestral
Beethoven - Berliner Philharmoniker / Herbert von Karajan - Symphony No. 7 & No. 8 (2003) {Hybrid-SACD // ISO & HiRes FLAC}

Ludwig van Beethoven - Symphony No. 7 in A major, op. 92 & No. 8 in F major, op. 93
Berliner Philharmoniker / Herbert von Karajan
SACD ISO (Stereo): 2,43 GB | 24B/88,2kHz Stereo FLAC: 1,08 GB | Full Artwork | 5% Recovery Info
Label/Cat#: Deutsche Grammophon # 474 604-2 G SA6 | Country/Year: Germany 2003, 1963
Genre: Classical | Style: Viennese School, Orchestral
Wiener Philharmoniker, Christoph von Dohnanyi - Mendelssohn: The Complete Symphonies (2010) (Repost)

Wiener Philharmoniker, Christoph von Dohnanyi - Mendelssohn: The Complete Symphonies (2010)
EAC | FLAC (image+.cue, log) | Covers Included | 04:16:55 | 1,15 Gb
Genre: Classical | Label: Decca | Catalog: 478 2366

Although apart from Nos. 3 and 4 Mendelssohn’s Symphonies turn up surprisingly rarely in concert programmes there are now many complete recordings from which the collector can choose. For anyone with a special interest in the composer the chance to compare the approaches of, say, Karajan, Abbado, Sawallisch and Masur may well be irresistible, and when versions by other distinguished conductors who have recorded only individual Symphonies, including Toscanini, Norrington and Gardiner, are added the choices seem endless.
Beethoven - Complete Symphonies (Philadelphia, Muti) (1998) (6CD Box Set) {EMI}

Beethoven - Complete Symphonies (Philadelphia, Muti) (1998) (6CD Box Set)
EAC Rip | FLAC (tracks+.cue, log) | Artwork | 1608 mb | MP3 CBR 320kbps | RAR | 950 mb
Classical | Label: EMI - 5 72923 2

"Muti's Beethoven Fifth is fleet, fluid, and transparent. He shows his usual attention to details, and offers many individual touches. I especially enjoyed the horn crescendo in bar 34 of the Allegro con brio. It's not indicated in my ancient Eulenberg score but makes perfect sense in its context. …Muti achieves a clarity and rhythmic definition found only in the finest interpretations…The playing of the Philadelphia Orchestra is nothing short of spectacular. The fast string triplets from measure 132 in the final movement are not only accurate but beautifully played with full tone.
Gabriele Baldocci - Liszt: Beethoven Complete Symphonies, Vol. 2 (2017)

Gabriele Baldocci - Liszt: Beethoven Complete Symphonies, Vol. 2 (2017)
Classical, Piano | MP3 CBR 320 kbps | 01:11:50 | 165 MB
Label: Dynamic | Release Year: 2017

Liszt’s vast output includes a large number of piano transcriptions of pieces that range from Bach organ works to extracts of Wagner, as well as virtuoso fantasias and ‘paraphrases’ of operas by numerous composers, including Mozart, Verdi and Gounod. Liszt freely re-imagined the original works in order to produce dazzling performances. But his piano transcriptions of Beethoven’s nine symphonies are entirely different. These accounts are profoundly faithful to the score, prepared with minute attention to matters of instrumental timbre on the one hand, and suitably pianistic translations of orchestral textures and techniques on the other.
Beethoven - Complete Symphonies (Philippe Jordan) (2016) [Blu-ray]

Beethoven - Complete Symphonies (Philippe Jordan) (2016) [Blu-ray]
3xBluRay | BDMV | MPEG-4 AVC Video / 1080i / 25 fps | 405 min | 18,3+20,2+41,6 Gb
Audio1: German / LPCM Audio / 2.0 / 48 kHz | Audio2: DTS-HD Master Audio / 5.0 / 48 kHz / 24-bit

BluRay-rip | AVC | MKV 1920x1080 / 5184 kbps / 25 fps | 405 min | 18,2 Gb
Audio: DTS / 5ch / 48.0 KHz / 24 bits
Classical | ArtHaus Musik | Sub: German, English, French

„Beethoven is the alpha and omega of the symphonic repertoire: a repertoire crucial to any orchestra’s quality. However my orchestra at the Paris Opera had never played the Beethoven symphonies before.“ (Philippe Jordan) This Edition contains all Beethoven Symphonies with the Orchestra and Chorus of the Opéra national de Paris conducted by Philippe Jordan. A brand new production filmed in the highest quality known on the market today made by the creators oft he successful Shostakovich cycle. Philippe Jordan presents a young but traditionalist interpretation in the spirit of historical performance practice, setting a new course in Beethoven interpretation. Includes a documentary film „Philippe Jordan – Born to Conduct“ by Reiner E. Moritz. Reiner E. Moritz sketches his astonishing career and in his film uses exciting excerpts of his most important conducting performances, allowing Jordan to recount not only his childhood memories, but also his own career.
Beethoven - Anne-Sophie Mutter / von Karajan - Violinkonzert (1980, 20__, Deutsche Grammophon # 413 818-2) [RE-UP]

Ludwig van Beethoven - Violinkonzert
Anne-Sophie Mutter / Berliner Philharmoniker / Herbert von Karajan
EAC+LOG+CUE | FLAC: 215 MB | Full Artwork: 98 MB | 5% Recovery Info
Label/Cat#: Deutsche Grammophon # 413 818-2 | Country/Year: Germany 20__, 1980
Genre: Classical | Style: Viennese School
Beethoven, van Ludwig: Symphonies (complete) – Staatskapelle Dresden; Herbert Blomstedt

Ludwig van Beethoven: Symphonies Nos. 1 to 9 – Helena Döse (sop.); Marga Schiml (mezzo.); Peter Schreir (ten.); Theo Adam (bass);
Staatskapelle Dresden; Herbert Blomstedt (cond.)

5 CDs | EAC Rip | 1,62 GB | FLAC+LOG+Cue | Scans
Classical | Label: Brilliant Classics | Recorded 1975-1980 | Published: 2012 | Catalog Number 94289

Beethoven, van Ludwig: Symphonies (complete) – Staatskapelle Dresden; Herbert Blomstedt

Herbert Blomstedt's Beethoven cycle with the Staatskapelle Dresden is one of the great ones, as much for the magnificent playing of this finest of all German orchestras as for Blomstedt's effortlessly musical interpretations.' - David Hurwitz, Editorial Reviews - Amazon.com
Beethoven - The Complete Orchestral Works, vol.12: Piano Concerto No.5 'Emperor'; Choral Fantasy (2015)

Ludwig van Beethoven: Piano Concerto No.5 in E flat major 'Emperor', Op.73; Choral Fantasy, Op.80 (2015)
Boris Berezovsky, piano; Swedish Chamber Orchestra Örebro; Thomas Dausgaard, conductor

EAC | FLAC | Image (Cue&Log) ~ 252 Mb (incl 5%) | Mp3 (CBR320) ~ 155 Mb (incl 5%) | Scans included
Genre: Classical | Label: Simax Classics | # PSC 1285 | Time: 00:53:59

Though close to each other in date, the two works on this disc, which are the last in which Beethoven wrote for piano and orchestra together, are in other respects quite dissimilar. The Emperor is a standard piano concerto or so it seems to us, because it was uniquely influential in defining the form for the next 100 years. To its first audiences it must have seemed highly individual, and even idiosyncratic. The Choral Fantasy, on the other hand, appears to us an unorthodox, even unique conception, much freer in form, as befits the title fantasy which Beethoven chose for it. Yet both are entirely characteristic of the composer in their deployment of a structure that served the purposes of the content of the work itself to its greatest advantage. Concluding the Complete Orchestral Works of Beethoven, this vol. 12 finds Thomas Dausgaard, Boris Berezovsky and the Swedish Chamber Orchestra on top form.