„Beethoven is the alpha and omega of the symphonic repertoire: a repertoire crucial to any orchestra’s quality. However my orchestra at the Paris Opera had never played the Beethoven symphonies before.“ (Philippe Jordan) This Edition contains all Beethoven Symphonies with the Orchestra and Chorus of the Opéra national de Paris conducted by Philippe Jordan. A brand new production filmed in the highest quality known on the market today made by the creators oft he successful Shostakovich cycle. Philippe Jordan presents a young but traditionalist interpretation in the spirit of historical performance practice, setting a new course in Beethoven interpretation. Includes a documentary film „Philippe Jordan – Born to Conduct“ by Reiner E. Moritz. Reiner E. Moritz sketches his astonishing career and in his film uses exciting excerpts of his most important conducting performances, allowing Jordan to recount not only his childhood memories, but also his own career.
Herbert Blomstedt's Beethoven cycle with the Staatskapelle Dresden is one of the great ones, as much for the magnificent playing of this finest of all German orchestras as for Blomstedt's effortlessly musical interpretations.' - David Hurwitz, Editorial Reviews - Amazon.com
Volume 3 in the series with the complete orchestral works of Ludwig van Beethoven is ready from the Swedish Chamber Orchestra and its music director since 1997, Thomas Dausgaard. The piano concertos are true gems of the classical canon, as Beethoven was an expert both in the art of writing for the orchestra and himself a master pianist. Russian pianist Boris Beresovsky (b.1969) is such a wizard. At the age of 21 he won the Gold Medal at the 1990 International Tchaikovsky Competition in Moscow. It is a privilege to hear how the combination Berezovsky and Dausgaard/SwCO really hit it of in this music. They are enjoying themselves, surprising each other, challenging and courteous at the same time. The sounding result speaks for itself.
The Beethoven set includes the first two piano concertos (No. 1 in two versions, one with cadenzas supplied by Glenn Gould) together with Beethoven’s only completed opera in its final version: Fidelio. He always had a strong and fervent view of freedom and its resonance still rings true today nearly two hundred years since its first performance.