Berthold Georg Englert

Mathematical Horizons for Quantum Physics (repost)  eBooks & eLearning

Posted by interes at May 2, 2014
Mathematical Horizons for Quantum Physics (repost)

Mathematical Horizons for Quantum Physics by Huzihiro Araki, Berthold-Georg Englert
English | 2010 | ISBN: 9814313319 | 220 pages | PDF | 1,8 MB

Quantum theory is one of the most important intellectual developments in the early twentieth century. The confluence of mathematics and quantum physics emerged arguably from Von Neumann's seminal work on the spectral theory of linear operators.

Quantum Computing Devices: Principles, Designs, and Analysis (Repost)  eBooks & eLearning

Posted by Specialselection at Feb. 7, 2014
Quantum Computing Devices: Principles, Designs, and Analysis (Repost)

Goong Chen, David A. Church, Berthold-Georg Englert, Carsten Henkel, Bernd Rohwedder, Marlan O. Scully, M. Suhail Zubairy, "Quantum Computing Devices: Principles, Designs, and Analysis"
English | 2006-09-18 | ISBN: 1584886811 | 560 pages | PDF | 8.5 mb

Quantum Computing Devices: Principles, Designs, and Analysis (repost)  eBooks & eLearning

Posted by tot167 at May 3, 2009
Quantum Computing Devices: Principles, Designs, and Analysis (repost)

Goong Chen, David A. Church, Berthold-Georg Englert and oth., "Quantum Computing Devices: Principles, Designs, and Analysis"
Chapman & Hall/CRC | 2006 | ISBN: 1584886811 | 560 pages | PDF | 7,5 MB
Robert Smith - Georg Philipp Telemann: Fantasias for Viola da Gamba (2017)

Robert Smith - Georg Philipp Telemann: Fantasias for Viola da Gamba (2017)
Classical | MP3 CBR 320 kbps | 01:19:14 | 186 MB
Label: Resonus Classics

Lost the world for centuries, the recent redciscovery in 2015 of George Philipp Telemann's Twelve Fantasias for viola da gamba, represents a major addition to the solo repertoire of the instrument. In the year of the 250th anniversary of Telemann's death, acclaimed Amsterdam-based gambist Robert Smith brings these long forgotten works back to life with this striking recording of the complete set of fantasias in a vital addition to the Telemann discography.

Georg Hamann & Akari Komiya - Viola Dolorosa (2017)  Music

Posted by Pisulik at Aug. 1, 2017
Georg Hamann & Akari Komiya - Viola Dolorosa (2017)

Georg Hamann & Akari Komiya - Viola Dolorosa (2017)
Classical | MP3 CBR 320 kbps | 00:58:15 | 134 MB
Label: Sheva Contemporary

This beautiful CD pairs an important work by the living composer Peter Seabourne with two by Benjamin Britten. Seabourne's Pietà, like many of his works, takes inspiration from the other arts: in this case the statues of Michelangelo, and in particular the haunting face of Nicodemus in the Firenze Pietà. On the death of the composer’s parents it offered a suitable stimulus for a piece in their memory. This large scale, five movement work takes one on a powerful journey, from a melancholy "rocking to sleep", though doubting questions, a song of mourning, and a violent protest. It eventually reaches a kind of resolution, with a poignant "Good Night" (quoting Janacek) laying the music to rest. The two Britten pieces span his lifetime.

Lo scrutatore d'anime: Un romanzo psicoanalitico - Georg Groddeck (Repost)  eBooks & eLearning

Posted by Maroutan at July 30, 2017
Lo scrutatore d'anime: Un romanzo psicoanalitico - Georg Groddeck (Repost)

Lo scrutatore d'anime: Un romanzo psicoanalitico - Georg Groddeck
Italian | 2016 | 337 Pages | ASIN: B01HIMLS08 | EPUB | 1.09 MB

«Non è facile sopportare pensieri così intelligenti, audaci e impertinenti» scriveva Freud a Groddeck nel febbraio del 1920 a proposito dello "Scrutatore d’anime".
Questo singolare romanzo, l’unico che Groddeck abbia scritto, era stato fino allora rifiutato da vari editori, piuttosto scandalizzati dal suo contenuto, e fu proprio Freud a farlo accogliere fra le pubblicazioni della casa ufficiale del movimento psicoanalitico, il Psychoanalytischer Verlag, e con tutti gli onori: «Dobbiamo tutti dirle grazie per il sorriso delizioso con cui, nel suo "Scrutatore d’anime", ha rappresentato le nostre indagini sull’anima, altrimenti tanto serie»…

St.Georg - August 2017  Magazines

Posted by Torries at July 28, 2017
St.Georg - August 2017

St.Georg - August 2017
German | 132 pages | True PDF | 122 MB
Wiener Philharmoniker, Birgit Nilsson, Gerhard Stolze, Eberhard Wächter & Georg Solti - Strauss: Salome (1967/2017) [24/96]

Wiener Philharmoniker, Birgit Nilsson, Gerhard Stolze, Eberhard Wächter & Georg Solti - Strauss: Salome (1967/2017)
FLAC (tracks) 24-bit/96 kHz | Time - 99:05 minutes | 2.00 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

„If ever there was a dysfunctional family, it was the one in this opera, based on a Greek tragedy but deeply imbued with the ideas of Sigmund Freud. The mother Clytemnestra (mezzo-soprano Regina Resnik) and her lover Aegisthus (tenor Gerhard Stolze) have murdered the father, Agamemnon, on his triumphant return from the Trojan War. They have an excuse: Agamemnon gave his daughter Iphigenia for a human sacrifice.
Georg Solti - Verdi: Aida (1962/2017) [Official Digital Download 24/96]

Georg Solti - Verdi: Aida (1962/2017)
FLAC (tracks) 24-bit/96 kHz | Time - 152:08 minutes | 2.69 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Soprano Leontyne Price is joined by Jon Vickers, Rita Gorr, Robert Merrill, the Coro del Teatro dell' Opera di Roma, and the Orchestra del Teatro dell' Opera di Roma conducted by Georg Solti.
Decca marks the 90th birthday of Leontyne Price with the soprano leading casts conducted by Sir Georg Solti and Herbert von Karajan.

V.A. - Georg Solti: Richard Strauss - Elektra (2CDs, 2017)  Music

Posted by Discograf_man at July 14, 2017
V.A. - Georg Solti: Richard Strauss - Elektra (2CDs, 2017)

V.A. - Georg Solti: Richard Strauss - Elektra (2CDs, 2017)
Classical, Opera | MP3 CBR 320 kbps | 273 Mb
Label: Decca

Richard Strauss was filled with doubt as to whether he would be capable of expressing in music the crazed revenge of "Elektra" after writing his opera "Salome" with its shocking story. It is quite understandable that he had trouble in composing the work, although such difficulties are not in the least evident during the course of the drama or in the musical flow. Drawing on natural sources, the forceful melodies make use of polyphonic, complex motifs and extreme dissonances. Here and there, Strauss’s typical chordal harmonies gleam through, though hardly audible, taking the harsh dissonances and chromaticism to the very extremes of atonality.