Ground War explores the key technological advances that have defined ground warfare through the ages. From the gladius to the AK-47, from the chariot to the tank, from the trebuchet to the howitzer, and from the battle ramp to the star fort, the series follows the fascinating punch and counterpunch of battle tactics and new technologies. With classic examples like the stirrup and lesser known innovations like the gunner's quadrant, the series reveals how even the smallest innovations can have a wide-ranging effect on the way wars are fought.
Over four million Vietnamese died in what one side calls the American War and the other side calls the Vietnam War. A war so brutal, that it has been described as their 'own' Third World War by the Vietnamese. In this rare instance, it is those who lost the war that have almost exclusively written its history. Whilst countless stories have been told from the American point of view, most often reducing the Vietnamese to faceless shadows very little has been heard from the other side. The official Vietnamese line meanwhile continues to issue purely one dimensional propaganda. The Face of the Enemy is a unique documentary, in that it tells the story of the Vietnamese that fought in "The American" war, in their own words. In the film the veterans have the chance, often for the first time, to recall the experiences that transformed and changed their lives. A film that has inspired the filmmakers is Peter Davis' "Hearts and Minds" from 1975. A documentary, whose truth and relevance has been merely re-strengthened with the passage of time. The title of that film refers to a speech given by Lyndon B. Johnson in which he proclaimed the escalation of the American involvement in the Vietnam War. English subtitles hard coded to the film
Only the second major career-spanning retrospective of the Dead, The Best of the Grateful Dead – released in the spring of 2015, just before a series of farewell shows in the summer – takes advantage of the extra disc 2003's The Very Best of Grateful Dead lacked. Weighing in at 32 tracks – a full 16 cuts longer than Very Best – The Best of the Grateful Dead also follows a strict chronological sequence, so it takes a little while for the psychedelic haze to lift and the Dead to settle into the rangy, rootsy groove that characterized so much of their existence – right around "St. Stephen" and "China Cat Sunflower," both from 1969's Aoxomoxoa. From there, many – but by no means all – of the group's warhorses are marched out, all in their studio incarnations.