Bill Jennings

Bill Laswell - Hear No Evil (1988) {2CD Meta Records MT005 rel 1999}

Bill Laswell - Hear No Evil (1988) {2CD Meta Records MT005 rel 1999}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 506 Mb | MP3 @320 -> 205 Mb
Full Artwork @ 300 dpi (jpg) -> 17 Mb | 5% repair rar
© 1988, 1999 Meta Records | MT005
Jazz / World Fusion / Indie / Indian / Dark Ambient / Avant-Garde / Dub / Experimental Rock

Originally released in 1988, this album marked one of the truly successful world fusion creations, which Rhythm Magazine said symbolizes "the birth of a new era in music". It's a direct, transcendent exchange between six acclaimed musicians from diverse cultures, including L. Shankar, Zakir Hussain, Nicky Skopelitis, Daniel Ponce, Aiyb Dieng and producer/bassist Bill Laswell. This CD is a true American melting pot of deeply tangled roots, merging East and West to create a new music soundscape. At it's core, there's Indian music, and somewhere underneath lies flashes of the slow rustic lope of American country music.
VA - Bill Haney's Atlanta Southern Soul Brotherhood Vol. 2 (1999) {Kent}

VA - Bill Haney's Atlanta Southern Soul Brotherhood Vol. 2 (1999) {Kent}
EAC Rip | FLAC with CUE and log | scans | 312 mb
MP3 CBR 320kbps | RAR | 135 mb
Genre: R&B, soul

Bill Haney's Atlanta Southern Soul Brotherhood Vol. 2 is a 1999 compilation album highlighting the production works of Atlanta producer Bill Haney and some of the music he released on his chain of record labels. This is the second of two volumes released by Kent that focused on Haney's works.

Jerome Jennings - The Beast (2016)  Music

Posted by funkerman at Nov. 19, 2016
Jerome Jennings - The Beast (2016)

Jerome Jennings - The Beast (2016)
Jazz | MP3 320 kbps | 62:28 | ~143 Mb
Label: Iola Records | Tracks: 09 | Rls.date: 2016

Jerome Jennings has distinguished himself for more than a decade in New York City and Internationally as one of the most versatile and in-demand drummers/educators in Jazz music.
Big Bill Broonzy - The Bill Broonzy Story (1999) 3CD Set [Repost]

Big Bill Broonzy - The Bill Broonzy Story (1999) 3CD Set
EAC | FLAC | Image (Cue&Log) ~ 667 Mb (incl 5%) | Mp3 (CBR320) ~ 490 Mb (incl 5%) | Scans ~ 117 Mb
Blues, Country Blues, Folk Blues, Acoustic Chicago Blues | Label: Verve | # 547 555-2 | 03:23:52

Originally recorded in 1957, these sessions turned out to be the last the legendary Big Bill Broonzy would record; only a little over a year later, he succumbed to lung cancer. This collection consists not of fan or producer favorites, but Broonzy favorites, and includes a variety of blues, folk, and devotional music. Though he was instrumental to the development of the blues and the Chicago sound, much of the material on this three-disc set reaches back to the music that the blues came from, with a lot of drop-in help from Broonzy's friends, of which there were many. That makes these recordings not only recordings, but documentation, a testament to a bluesman who was at once musician and historian.

Bill O' Connell - Heart Beat (2016)  Music

Posted by mark70 at Nov. 17, 2016
Bill O' Connell - Heart Beat (2016)

Bill O' Connell - Heart Beat (2016)
MP3 320 kbps CBR | 56:33 min | 133 MB
Genre: Latin Jazz | Label: Savant Records

Here is the latest offering by Latin Jazz great Bill O’Connell, making his fourth release for the Savant label. Always one to seek out new ways to express his music vision, the pianist has throughout his career embraced a broad stylistic swath of jazz, Latin and Brazilian idioms while experimenting with an equally diverse orchestral formats, from a duo to unconventional trio settings and ensembles of various sizes.
Crosby, Stills, Nash and Young - The Bill Graham Tribute Concert, S. Francisco 1991 (2016)

Crosby, Stills, Nash and Young - The Bill Graham Tribute Concert, S. Francisco 1991 (2016)
Folk Rock | MP3 CBR 320 kbps | 00:46:44 | 114 MB
Label: All Access | Release Year: 2016

1991 COMING TOGETHER FOR THE OCCASIONAL QUARTET Crosby, Stills, Nash & Young, perhaps the first and only folk super group, are nothing if not sporadic in their collective performances and recordings. Nothing wrong with that however as all members of this occasional quartet release and perform solo or in any number of configurations beautifully between times and can always be counted on to come together when the need arises. One such event followed the tragic helicopter crash that caused the deaths of concert impresario Bill Graham and his girlfriend in 1991. The tribute concert, played by many of those artists supported most notably by Graham across many years, was organised for San Francisco s Golden Gate Park, less than a week after the tragedy.

Bill Wyman's Rhythm Kings - Groovin' (2000)  Music

Posted by JET 1 at Nov. 8, 2016
Bill Wyman's Rhythm Kings - Groovin' (2000)

Bill Wyman's Rhythm Kings - Groovin' (2000)
EAC Rip | FLAC (Image) +CUE, LOG | 458 MB | Covers Included
Genre: Roots Rock, Blues | Label: Repertoire Records | Catalog Number: REP5023

The band has a core rhythm section, but features a revolving combination of all-star guest front men and women. These recordings feature the talents of Gary Brooker, Georgie Fame, Albert Lee, Andy Fairweather Low, Chris Rea, Beverley Skeete, Mick Taylor and George Harrison (amongst his last recordings) on an intriguing and varied selection of covers and originals.
Bill Evans With Jeremy Steig - What's New (1969) {2014 Japan Universal 100 Series UCCU-99047}

Bill Evans With Jeremy Steig - What's New (1969) {2014 Japan Universal 100 Series UCCU-99047}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 267 Mb | MP3 @320 -> 104 Mb
Full Artwork @ 600 dpi (jpg) -> 99 Mb | 5% repair rar
© 1969, 2014 Verve Records / Universal Japan | UCCU-99047
Jazz / Post Bop / Modal Music / Piano / Flute

This LP has the debut of drummer Marty Morell with Bill Evans and bassist Eddie Gomez, and this particular trio would retain the same personnel for six productive years. Actually, this is a quartet set with guest flutist Jeremy Steig, whose playing recalls Herbie Mann's recording (Nirvana) with Evans back in the early '60s. Both flutists were always open to the influences of pop and rock, although in both of their collaborations with Evans, the music is very much on the pianist's turf. With the exception of Evans' "Time Out for Chris" and the "Spartacus Love Theme," the songs performed on this date would fit securely in the Miles Davis repertoire of the late '50s. Steig is in particularly fine form on the program which includes tunes such as "Straight No Chaser," "Autumn Leaves," and "So What."

Big Bill Morganfield - Bloodstains On The Wall (2016)  Music

Posted by El Misha at Nov. 3, 2016
Big Bill Morganfield - Bloodstains On The Wall (2016)

Big Bill Morganfield - Bloodstains On The Wall (2016)
Chicago Blues | MP3 CBR 320 kbps | 48:43 | 116 MB + 5% Recovery
Label: Black Shuck Records | # 888295504478 | Tracks: 12 | Rls.date: 2016

Many men try to fill their father's shoes when they join the family business. Few, however, must prove they are up to the task in front of an audience as large as the one that watched Big Bill Morganfield. Blues lovers the world over revere his late father, Muddy Waters. Morganfield didn't take up the challenge until several years after his dad passed away in 1983. When he realized he wanted to delve into the world of blues as his father had, he purchased a guitar, intending to pay homage to the…

Waylon Jennings - The Lost Nashville Sessions (2016)  Music

Posted by Pisulik at Oct. 21, 2016
Waylon Jennings - The Lost Nashville Sessions (2016)

Waylon Jennings - The Lost Nashville Sessions (2016)
Country | MP3 CBR 320 kbps | 00:47:02 | 107 MB
Label: Country Rewind | Release Year: 2016

A collection of never-released Waylon Jennings recordings will finally be heard when The Lost Nashville Sessions hits stores. The album's track list includes classics such as "Only Daddy That'll Walk the Line," "Singer of Sad Songs" and "Green River." A few cover songs are thrown into the mix, as well, including Jennings' take on Chuck Berry's "Brown Eyed Handsome Man" and Kris Kristofferson's "Sunday Morning Coming Down." (The latter song was made famous by Johnny Cash, who just so happened to be Jennings' roommate in the few years prior to Jennings' recording of the melancholic ballad.)