Blue Block

Blue Block (1993)  Comics

Posted by mehararain at March 19, 2014
Blue Block (1993)

Blue Block (1993)
English | CBR | 33 pages | 32 MB

Rabih Abou-Khalil - Blue Camel (1992) {Enja}  Music

Posted by tiburon at July 3, 2017
Rabih Abou-Khalil - Blue Camel (1992) {Enja}

Rabih Abou-Khalil - Blue Camel (1992) {Enja}
EAC 1.3 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 600dpi | 437MB + 5% Recovery
MP3 CBR 320 Kbps | 262MB + 5% Recovery
Genre: Ethnic Fusion

Blue Camel is the pinnacle to date of Lebanese oud player Rabih Abou-Khalil's achievement as a jazzman. In both mood and scope, it can almost be characterized as a new Kind of Blue. Both tense and reflective, it is perfect for listening after midnight. Abou-Khalil brings back Charlie Mariano on alto sax and Kenny Wheeler on flugelhorn and trumpet, and they generally alternate solos with Abou-Khalil himself. Rounding out the roster is Steve Swallow on bass, Milton Cardona on congos, Nabil Khaiat on frame drums, and Ramesh Shotham on South Indian drums and percussion. They form a tight ensemble and play comfortably with each other.
Gil Evans - The Complete Pacific Jazz Sessions (1958-59) {Blue Note Connoisseur CD Series rel 2006}

Gil Evans - The Complete Pacific Jazz Sessions (1958-59) {Blue Note Connoisseur CD Series rel 2006}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 471 Mb | MP3 @320 -> 180 Mb
Full Artwork @ 300 dpi (jpg) -> 11 Mb | 5% repair rar | 24bit mastering
© 1958-59, 2006 Blue Note / Capitol | 0946 3 58300 2 6
Jazz / Cool / Modern Big Band / Progressive Jazz

Gil Evans released two records on World Pacific in 1958 and 1959. They were among his earliest dates as a leader. Gil Evans & Ten was issued by Prestige in 1957, but these dates stand out more. New Bottle, Old Wine was the first of the pair and the band included four trumpets, a trio of trombones, French horn (played by Julius Watkins), a pair of tubas, Cannonball Adderley as the lone saxophonist, and a rhythm section that included either Philly Joe Jones or Art Blakey on drums, Paul Chambers on bass, and Chuck Wayne on guitar.
Trombone Shorty - Parking Lot Symphony (2017) {Blue Note} [Proper]

Trombone Shorty - Parking Lot Symphony (2017) {Blue Note}
EAC 1.0b3 | FLAC tracks level 8 | Cue+Log+M3u | Full Scans 600dpi | 402MB + 5% Recovery
Genre: Jazz, Funk

On his fourth studio effort and first for Blue Note Records, 2017's Parking Lot Symphony, New Orleans singer, songwriter, and brass wizard Troy Andrews (aka Trombone Shorty) fully embraces the organic '70s-style R&B he’s heretofore only touched on. Ever since officially debuting in 2010 with Backatown, Andrews has moved ever closer to that '70s soul aesthetic with each subsequent album. Backatown even featured contributions from both Lenny Kravitz and legendary New Orleans pianist Allen Toussaint. In fact, his previous effort, 2013's Say That to Say This, had a similarly old-school bent courtesy of neo-soul master and co-producer Raphael Saadiq. But for Parking Lot Symphony, Andrews dives into the sound full-force, paired with producer Chris Seefried (Fitz & the Tantrums, Haley Reinhart, Andra Day) on a set of songs that bring to mind the earthy, vinyl-laden vibe of '70s artists like New Orleans own the Meters..
Lou Donaldson - The Righteous Reed! - The Best Of Poppa Lou (1967-1973) {Blue Note 7243 8 30721 2 5 rel 1994}

Lou Donaldson - The Righteous Reed! - The Best Of Poppa Lou (1967-1973) {Blue Note 7243 8 30721 2 5 rel 1994}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 467 Mb | MP3 @320 -> 178 Mb
Full Artwork @ 600 dpi (jpg) -> 56 Mb | 5% repair rar
© 1967-73, 1994 Blue Note / EMI | 7243 8 30721 2 5
Jazz / Soul Jazz / Hard Bop / Saxophone

Don't ya just love 'em? Jazz critics that is. I was reading just the other day what a complete waste of Lou Donaldson's ample talents his late 60's boogaloo beat records are. Well I am sorry - but I think they're great! It's all an attitude - sure LD's blowing is represented better elsewhere - but that just isn't the point. What we have here is archetypal party music, be it a scene from a 1960's movie or the Wag one Monday in the late 80's bursting at the seems as "Rev. Moses" shifts up a gear.
The Black Angels - Indigo Meadow (2013) {Blue Horizon BHV-16790-2}

The Black Angels - Indigo Meadow (2013) {Blue Horizon BHV-16790-2}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 306 Mb | MP3 @320 -> 108 Mb
Full Artwork @ 600 dpi (png) -> 224 Mb | 5% repair rar
© 2013 Blue Horizon / The Black Angels | BHV-16790-2
Rock / Neo Psychedelia / Alternative / Indie Rock

The opening tom hits and fuzzbox riffs that start Indigo Meadow give the indication that this is yet another turn on the Black Angels' merry-go-round of stoner rock and neo-psychedelia. However, the third song, "Don't Play with Guns," takes a decided turn with its big pop single hook, and the follow-ups "Holland" and "The Day" follow suit, as songs that are more carefully structured than the usual two-chord repetition that we've grown to expect. Not that there's anything wrong with the sound of bands like Spacemen 3 and Black Rebel Motorcycle Club, but after several albums based on repetition, this is a pleasant, unexpected change for the Austinites.

Blue Velvet (1986)  Video

Posted by Mindsnatcher at Oct. 31, 2016
Blue Velvet (1986)

Blue Velvet (1986)
A film by David Lynch | Nominated for one "Oscar" for best director
1080p BDRip | x265 HEVC @ 3265 Kbps, 23.976 fps | 1920 x 1080 | 2 hours 0min | 3.1 GB
English DTS-HD Master Audio 5.1 / 48 kHz / 2990 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
Subtitles: English, Russian, Portuguese, Italian, German, Spanish, Chinese, Dutch, Japanese
Genre: Drama, Psychological Thriller, Dark Humor, Surreal, Mystery

Jeffery Beaumont is a naive young man who becomes involved in murder, voyeurism, sado-masochism and a terrifying evil after he discovers a severed ear in a deserted field. He discovers and follows a nightclub singer, who is ensnared in a brutal relationship with the psychopathic Frank.
Jazz At Lincoln Center Orchestra With Wynton Marsalis - Live In Cuba (2015) {2CD Blue Engine Record BE0001}

Jazz At Lincoln Center Orchestra With Wynton Marsalis - Live In Cuba (2015) {2CD Blue Engine Record BE0001}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 935 Mb | MP3 @320 -> 325 Mb
Full Artwork @ 300 dpi (jpg) -> 42 Mb | 5% repair rar
© 2015 Blue Engine Record | BE0001
Jazz / Afro-Cuban Jazz / Trumpet

Recorded in 2010 over three nights during the Orchestra's week-long residency at the theater, Live in Cuba showcases the Jazz at Lincoln Center Orchestra with trumpeter Wynton Marsalis in concert at Havana's Teatro Mella. This is a dynamic two-disc collection that finds Marsalis and the JCLO celebrating the longstanding ties and creative synergy between American and Afro-Cuban jazz traditions.

GoGo Penguin - Man Made Object (2016) {Blue Note}  Music

Posted by tiburon at April 16, 2016
GoGo Penguin - Man Made Object (2016) {Blue Note}

GoGo Penguin - Man Made Object (2016) {Blue Note}
EAC 1.0b3 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 600dpi | 349MB + 5% Recovery
MP3 CBR 320 Kbps | 110MB + 5% Recovery
Genre: Jazz, Fusion

Its stick or twist for GoGo Penguin as they release this, their Blue Note debut and the first of a reputed three album deal. Do they push ahead, expanding their palette of electronica seen through the prism of acoustic jazz, or retreat a tad in deference to their new paymasters by emphasising the more traditional jazz elements of their sound. Should we be concerned that the two years since their breakthrough v2.0 album suggest a creative block or difficulty coping with the raised stakes? While they would hardly be the first act to lose their nerve on entering the major label big league, it is thankfully and emphatically not the case here as "Man Made Object" develops and builds on their early promise.

Malaya Blue - Heartsick (2016)  Music

Posted by funkerman at April 8, 2016
Malaya Blue - Heartsick (2016)

Malaya Blue - Heartsick (2016)
Blues, Jazzy Blues, Rock| MP3 320 kbps | 54:35 min | ~128 Mb
Label: MBM Music | Tracks: 11 | Rls.date: 2016

Malaya Blue proved all of the critics and tastemakers right by clearly becoming the breakthrough artist on the UK Blues circuit in 2015. After debuting as a live performer at The Great British Rock & Blues Festival, other festival organisers and venue owners were quick to offer spots and bookings. Malaya received an unprecedented four British Blues Awards nominations for Best Female Vocalist, Best Blues Album (Bourbon Street), Best Blues Track (Bitter Moon) and Emerging Artist.