Of all the Blue Note artists of the 1960s, tenor saxophonist Hank Mobley may very well be the most underrated. A consistent player whose style evolved throughout the decade, Mobley wrote a series of inventive and challenging compositions that inspired the all-stars he used on his recordings while remaining in the genre of hard bop. For this lesser-known outing, Mobley teams up with trumpeter Donald Byrd, pianist Cedar Walton, bassist Ron Carter, and drummer Billy Higgins for four of his songs (given such colorful titles as "A Dab of This and That," "No Argument," "The Hippity Hop," and "Bossa for Baby"), along with a song apiece from Byrd and Jimmy Heath. An excellent outing, fairly late in the productive career of Hank Mobley.
Tenor saxophonist Hank Mobley recorded frequently for Blue Note in the 1960s (six albums from 1967-1970) and, although overshadowed by the flashier and more avant-garde players, Mobley's output was consistently rewarding. For this overlooked session, which was not issued until 1980 and then finally reissued on CD in 1988, a regular contingent of top Blue Note artists (Mobley, trumpeter Lee Morgan, altoist James Spaulding, pianist Cedar Walton, bassist Walter Booker, and drummer Billy Higgins) are joined by a wild card, guitarist Sonny Greenwich.
Astell&Kern, the leading hi res portable music player that boasts studio sound quality, has announced a special package partnership with Blue Note Records to commemorate the record company's 75th anniversary in the world of Jazz and Blues. 75 legendary Blue Note jazz albums that have been remastered in the Hi-Res digital format. Especially, five Blue Note albums make their exclusive hi-res audio debuts with this release: Art Blakey & The Jazz Messengers' Mosaic, Tina Brooks' True Blue, Don Cherry's Complete Communion, Andrew Hill's Point Of Departure, and Bobby Hutcherson's Components.
Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. One of the greatest albums ever from Blue Note tenor giant Hank Mobley – a set that really explodes in all the new directions Hank was taking in the 60s! Mobley in the 50s was already the stuff of legend – a tremendous soloist on tenor, and every bit his own man – firmly focused forward with a voice that was already tremendous – but which was turned towards a lot of new ideas with records like this!
Part of Blue Note's quality series of artist samplers, The Best of Hank Mobley surveys the great tenor saxophonist's prime stretch from 1955-1965. Originally overshadowed by the likes of Joe Henderson, Wayne Shorter, and, of course, Coltrane, Mobley nevertheless gained the respect of his peers, thanks to his richly fluid phrasing and smooth, caramel tone…
Part of Blue Note's quality series of artist samplers, The Best of Hank Mobley surveys the great tenor saxophonist's prime stretch from 1955-1965. Originally overshadowed by the likes of Joe Henderson, Wayne Shorter, and, of course, Coltrane, Mobley nevertheless gained the respect of his peers, thanks to his richly fluid phrasing and smooth, caramel tone – in lieu of trying to impress you, he seduced you slowly from afar. And while one is advised to dive in directly with any one of his Blue Note discs – especially Soul Station, No Room for Squares, and A Slice of the Top – this ten-track overview still works well as a launching pad. Backed by a stellar array of "Blue Note" regulars like Lee Morgan, Curtis Fuller, Billy Higgins, Freddie Hubbard, and Horace Silver, Mobley ranges effortlessly from early hard bop favorites ("Funk in a Deep Freeze") to mature, solo-rich material from the mid-'60s ("The Turnaround"). In between, there are two stunning originals from his banner year of 1960 ("This I Dig of You," "Take Your Pick") and one of the best of his several bossa nova numbers ("Recado Bossa Nova").
Bar jazz is not a term for a musical genre, it is rather a conceptual idea or a special mood. Let Dianne Reeves beguile with her confessional "You Taught My Heart To Sing" or Brazilian super star Eliane Elias with a tantalizing version of "How Insensitive". Relax even more with the warm sound of Miles Davis and the dignified style of Stan Getz. Now, grab a coctail and settle down in a comfortable lounge chair. All set for a perfect hour of bar jazz at its best.
Leonard Feather once famously described Hank Mobley as 'the middleweight champion of the tenor saxophone.' Middleweights never get much respect. But before drugs and general dissipation got him, Mobley recorded some albums for Blue Note in the 1960s that make time stand still. Soul Station exemplifies the suave, flowing melodicism and erotic rhythmic subtlety that made Mobley unique. With a rhythm section for the ages behind him, Mobley delivers profundities of soul and swing now gone from planet Earth. This Audio Wave reissue uses JVC's XRCD24 mastering and manufacturing technologies and gets you closest to Blue Note's master tapes.