Boulez Columbia

Pierre Boulez - Complete Columbia Album Collection (2014)  Music

Posted by newskl at Oct. 26, 2015
Pierre Boulez - Complete Columbia Album Collection (2014)

Pierre Boulez - Complete Columbia Album Collection (2014)
Classical | MP3 320kbps CBR | 67 CDs | 7.82 GB
Label: Sony | Catalog Number: 301333 | Rls.date: 13th Oct 2014

Sony Classical is delighted to announce an unprecedented reissue of the recordings made by Pierre Boulez for CBS/American Columbia. Covering a career spanning over 55 years, these albums are all being issued together for the first time in a single Sony Classical box set of x67 CDs. Every recording comes from the best source; several have been newly re-mastered from the original analogue tapes, such as Bergs Altenberg Lieder, Op. 4 (1967), Seven Early Songs (1972) and Carter's A Mirror On Which To Dwell. Each disc comes in a card slip case, with original artwork, all collected together in a heavy duty card box. Superb value budget priced release.
Mitsuko Uchida, Pierre Boulez - Schoenberg: Piano Concerto, Berg: Sonata, Webern: Variations (2001) (Repost)

Mitsuko Uchida, Pierre Boulez - Schoenberg: Piano Concerto, Berg: Sonata, Webern: Variations (2001)
EAC | FLAC (image+.cue, log) | Covers Included | 63:45 | 257 MB
Genre: Classical | Label: Philips | Catalog: 468 033-2

Mitsuko Uchida has been a committed exponent of Schoenberg's Piano Concerto for over a decade now. It is a work which remains controversial in its adaptation of the serial method to an almost Brahmsian harmonic palette, wedded to a formal approach that takes up the integrated design, and textural richness, of Schoenberg's pre-atonal works. Certainly in terms of the balance between soloist and orchestra, this recording clarifies the often capricious interplay to a degree previously unheard on disc (and most likely in the concert hall too).Interpretatively, it combines Pollini's dynamism, without the hectoring touch that creeps into the Adagio's climactic passages, and Brendel's lucidity, avoiding the deadpan feeling that pervades his final Giocoso.

Pierre Boulez Conducts Schoenberg: Box Set 11CDs (2014)  Music

Posted by Discograf_man at Jan. 7, 2017
Pierre Boulez Conducts Schoenberg: Box Set 11CDs (2014)

Pierre Boulez Conducts Schoenberg: Box Set 11CDs (2014)
Classical | MP3 CBR 320 kbps | 1,61 Gb
Label: Sony Classical | Release Year: 2014

This 11-disc set is essential for anyone interested in the music of Arnold Schoenberg. It is the complete Sony "Boulez Conducts Schoenberg" series in a Brilliant-style box without jewel cases. Whether you are just investigating Schoenberg, or looking to complete the series, this is a most welcome release.
Patrick Gallois, Lydia Wong - French Flute Music: Poulenc, Messiaen, Dutilleux, Jolivet, Boulez, Sancan (2005)

French Flute Music: Poulenc, Messiaen, Dutilleux, Jolivet, Boulez, Sancan (2005)
Patrick Gallois, flute; Lydia Wong, piano

EAC | FLAC | Image (Cue&Log) ~ 224 Mb (incl 5%) | Mp3 (CBR320) ~ 144 Mb (incl 5%) | Scans included
Genre: Classical | Label: Naxos | # 8.557328 | Time: 00:59:33

Since the end of the seventeenth century French composers have shown a particular skill and deftness of touch in writing for the flute. The instrument owes much of its prominence in French music of the twentieth century to the use made of it in orchestral colouring by composers such as Debussy and Ravel, as well as to a group of highly gifted players associated in one way or another with the Paris Conservatoire. They include the soloist on this recording, Patrick Gallois, a pupil of Jean-Pierre Rampal. This collection of works composed during the last sixty years ranges from Poulenc’s Sonata, marked by rhythmic vitality and a delicate vein of sentimentality, Messiaen’s Le merle noir, inspired by bird song, to Boulez’s Sonatine, which the composer himself has characterised as ‘organised delirium’.

Debussy - Pelleas et Melisande (Pierre Boulez) (2002/1992)  Music

Posted by Vilboa at Aug. 31, 2016
Debussy - Pelleas et Melisande (Pierre Boulez) (2002/1992)

Debussy - Pelléas et Mélisande (Pierre Boulez) (2002/1992)
NTSC 16:9 (720x480) VBR | Francais (Dolby AC3, 2 ch) | (Dolby AC3, 6 ch) | (DTS, 6 ch) | 7.71 Gb+2.21 Gb (DVD9+DVD5) | 158 min
Classical | Deutsche Grammophon | Sub: Francais, English, Deutsch, Espanol, Chinese

Peter Stein staged the work for Welsh National Opera in 1992 and won universal praise, as did Pierre Boulez for his conducting. Within austere, wholly appropriate sets, beautifully lit by Jean Kalman, Stein catches the very essence of this singular and elusive piece. Each of the 15 scenes is given its own distinctive décor in which the action is played out on several levels – high for the tower scenes, low for the eerie, subterranean grottoes, for instance. A masterstroke is the subtle evolution from one scene to another in view of the audience, offering a visual counterpoint to the interludes. Stein sees that Debussy's instructions are scrupulously observed. In fact, as a whole, this is an object-lesson in modern staging. Stein and his collaborators reflect the ebb and flow of crude realism and fragile dream-life that permeate the score, which Boulez has identified as lying at its heart. Director and conductor worked closely with each other over a six-week rehearsal period, something unlikely to occur today, so Boulez's interpretation is in complete accord with the staging, his musical direction at once direct and luminous, timbres finely balanced one with the other.
Erik Bosgraaf · Jorrit Tamminga · Pierre Boulez - Dialogues (2015)

Erik Bosgraaf · Jorrit Tamminga · Pierre Boulez - Dialogues (2015)
Contemporary Classical | Brilliant Classics BRI94842 | 2015 | 66:29 | EAC (FLAC, cue, log) | Booklet | Various File Hosts | 309 MB
Erik Bosgraaf, recorders, Jorrit Tamminga, electronics

Recorder virtuoso Erik Bosgraaf (b. 1980) was personally granted permission to arrange for recorder Boulez' (1925-2016) Dialogue de l'ombre double, originally for clarinet and electronics. ...The result is a dynamic interplay between Bosgraaf's recorder and the fascinating electronic timbres and colours. The second work on this release is a musical dialogue between Bosgraaf and electronic wizard Jorrit Tamminga (b. 1973), creating unheard-of sounds of the recorder interwoven in electronic sound tapestries.
Wagner - Die Walkure (2005) [2DVD] {Deutsche Grammophon} (Pierre Boulez)

Wagner - Die Walkure (2005) [2DVD] {Deutsche Grammophon} (Pierre Boulez)
2DVD9 -> 12.7 Gb | All Regions | NTSC 4:3 | Deutsch (LPCM, 2 ch / DTS, 6 ch) | ~ 215 min | ISO Images
Subs: English, Deutsch, Francais, Espanol, Chinese
Full Artwork @ 300 dpi (png) -> 90 Mb | 5% repair rar
© 2005 Deutsche Grammophon | 00440 073 4059
Classical / Opera

The legendary centennial Ring! Pierre Boulez and Patrice Chéreau with their breathtaking reading of Wagner's gargantuan masterpiece. Wagner's ideas of "racial purity" reach a logical conclusion in Act I of Die Walküre, powerfully performed in this Bayreuth production. Siegfried, the tragic hero of the cycle, is begotten in an adulterous, incestuous mating of Siegmund (Peter Hoffmann) and Sieglinde (Jeanne Altmeyer), a twin brother and sister. No miscegenation here.
Mahler: Des Knaben Wunderhorn - Boulez, Kozena, Gerhaher, Cleveland Orchestra (2010)

Mahler: Des Knaben Wunderhorn - Boulez, Kozena, Gerhaher, Cleveland Orchestra (2010)
EAC Rip | FLAC, IMG+CUE, LOG | 318 MB | Complete Scans (19 MB - Booklet pdf)
Classical | Label: Deutsche Grammophon | Catalog Number: 001469902 | RAR 3% Rec. | Filesonic/Fileserve

This is the best Boulez recording in quite a while. He offers the canonic 12 Wunderhorn songs, meaning no Urlicht and no Das himmlische Leben in the original orchestration before it became the finale of the Fourth Symphony. You won't miss them. None of the songs are done as duets, and you won't be bothered by that either. The singing is exceptional: Magdalena Kozená combines a sweet timbre with plenty of personality and attention to the words; Christian Gerhaher's light, somewhat grainy baritone may not be to all tastes, but his unfailing musicality and his gusto (singing but never shouting) in the big "military" songs carries the day.
Miles Davis - Miles At The Fillmore - Miles Davis 1970: The Bootleg Series Vol. 3 (2014) {4CD Set Columbia-Sony Music}

Miles Davis - Miles At The Fillmore - Miles Davis 1970: The Bootleg Series Vol. 3 (2014) {4CD Set Columbia-Sony Music}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.44 Gb | MP3 @320 -> 592 Mb
Full Artwork @ 600 dpi (png) -> 1.17 Gb | 5% repair rar
© 1970, 2014 Columbia / Legacy / Sony Music | 88765433812
Jazz / Jazz Funk / Fusion / Trumpet

Until now, the official recordings of Miles Davis' performances at the Fillmore East between June 17 and 20, 1970 have been limited to the double album Miles at the Fillmore. That set's producer Teo Macero, edited the recordings to create medleys of each night's music to four roughly 20-minute selections. This four-disc set contains all four concerts. There are 100 minutes of previously unreleased music from Wednesday through Saturday; an additional 35 minutes of unreleased music comes from a previous gig at the Fillmore West.
The J. J. Johnson Quintet - J Is For Jazz (1956) {2015 Japan Jazz Collection 1000 Columbia-RCA Series SICJ 79}

The J. J. Johnson Quintet - J Is For Jazz (1956) {2015 Japan Jazz Collection 1000 Columbia-RCA Series SICJ 79}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 198 Mb | MP3 @320 -> 101 Mb
Full Artwork @ 600 dpi (png) -> 235 Mb | 5% repair rar
© 1956, 2015 Columbia / Sony Music Japan | SICJ 79
Jazz / Bop / Hard Bop / Trombone

Reissue with the latest 2015 remastering. Comes with liner notes. Nicely sharp sounds from the great JJ Johnson – a set that has the trombonist really honing his edge on a host of tight, short tracks – with a vibe that almost recalls his initial bop recordings on Blue Note and Prestige! The style here is a bit more sophisticated – definitely with an ear towards the modern directions that JJ was exploring in the 50s – but the sound is also nicely spontaneous, with more focus on improvisation between group members than larger arrangements – quite nice, given that the group features excellent tenor from Bobby Jaspar on tenor – and either Tommy Flanagan or Hank Jones on piano, Percy Heath or Wilbur Little on bass, and Elvin Jones on drums. Tracks are short, and titles include "Overdrive", "Cube Steak", "Chasin The Bird", and "Solar".