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For much of the last two decades of his life, Chet Baker seemed to go in the studios so often that one never knew what to expect. The results were a crapshoot, depending on whether or not Baker was suffering the effects of his drug addiction at the time. Fortunately, his friendship with Chicago-based pianist Bradley Young in the early 1980s gave the younger man an opportunity to sit in with the trumpeter. As a result, Young impulsively suggested a record date during a return engagement in 1986, which Baker accepted, though everything had to come together quickly within two days, including finding a studio and assembling a band. Oddly enough, everything works, from the fine rhythm section…
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For much of the picture, live shows by Willie Nelson and his Family Band were recorded before audiences filled with lucky fans who had won the chance to be “extras” in radio giveaways. They were real concerts, with real audiences, filmed to be part of a road movie about a fictional artist. The recording engineer for the movie music and the soundtrack album was Bradley Hartman, who had been with Brian Ahern's Enactron Studios for a few years. He had recorded and mixed Stardust, as well as other Nelson projects during the mid-1970s.(Barbara Schultz - Mix Magazine, 2006)