John McLaughlin & Paco de Lucia: Paco and John - Live at Montreux 1987 it's truly a shame that, all too often, artists with diverse careers become pigeon-holed, defined by the primary genre in which they first achieved notoriety. Take guitarist John McLaughlin, for instance. Ask most jazz fans about him and what will first come out of most of their mouths will include either the words "fusion," "jazz-rock" and/or Miles Davis, in any permutation/combination (not that there's anything wrong with that). Those a little further in the know might also be aware of his longstanding investigation into the nexus of eastern and western music with his Indo-collaboration, Shakti.
La-La Land Records and 20th Century Fox present the remastered release of acclaimed composer Mark Snow’s (THE X-FILES, MILLENIUM, GHOST WHISPERER, BLUE BLOODS) original motion picture score to the 1998 motion picture THE X-FILES: FIGHT THE FUTURE, starring David Duchovny, Gillian Anderson and John Neville. Composer Snow launches the beloved television series, THE X-FILES onto the silver screen with an astounding score that retains the show’s already established sonic palette of atmospheric synths, while opening up its musical universe with the addition of a live orchestra. This special limited edition release features much improved sound and contains some music not previously released. Also, the incorrectly reversed stereo channels on the original soundtrack release have been corrected here. Produced by Mark Snow and Nick Redman, and mastered by Mike Matessino, this exciting release also contains exclusive liners by writer Julie Kirgo and an updated print interview with Snow conducted by film music writer Randall D. Larson.
This concert film captures beloved pianist and musician Dr. John performing a 1995 concert. The setlist includes "Iko Iko," "Gee Baby Ain't I Good To You," "Right Place, Wrong Time," "Goin' Back to New Orleans," "Mess Around," amd "Makin' Whoopee."
New version of the Paco de Lucía Integral, 27 CDs his complete work remastered. "Cositas Buenas", his last album, comes as a new in this new Integral. Now in a new economic format. This collection is a unique tour of the work of Paco de Lucia from 1964 to 2004. Flamenco is not improvised: everything is carefully rehearsed. Every falseta, every step of the dance, although it may appear spontaneous is based on conscientious preparation. Flamenco artists are not fans of improvisation in their public performances; only in the dance are small spaces left. In the singing and above all the guitar there is no place for improvisation.
40/40: The Best Selection is a comprehensive double-disc career overview of Olivia Newton-John designed to celebrate her four decades in show business. Yes, the compilation runs 40 tracks, but this is not designed to showcase each era of Olivia's career in equal measure. Perhaps there are a few more latter-day cuts than most audiences would know, and maybe there are a few more early tracks than needed, but all the big hits are here, from the early mellow country-rock to the slick soft rock and melodic disco of the turn of the '80s. Compared to the U.S. compilation Gold, this isn't quite as good - there's too much of the two bookends of a long career - but it does have what most casual audiences require: all the hits, all sounding as good as they ever have.
Digitally remastered two CD set containing a pair of albums from iconic New Orleans singer/songwriter Mac Rebennack AKA Dr. John. By the end of the '90s, Dr John was again embracing the mysterious bubbling gumbo of his Gris-Gris era, which was music to the ears of a generation of younger British musicians such as Paul Weller, Gaz Coombes of Supergrass and Jason Pierce of Spiritualized. While Pierce is credited with producing two tracks here, the lion's share of ANUTHA ZONE was helmed by UK producer legend John Leckie. Although much of the album was recorded in New York in 1998, six tracks were recorded at Abbey Road, with guest appearances from the UK stars above. The following year saw Dr John pay his respects to the music of Duke Ellington - like he says: 'Doesn't sound like these tunes were written by a hundred year-old cat, but they were. You want to know the ticket to immortality, write a bunch of tunes that people keep on singin' and playin'. The package includes 24 page booklet is fully annotated by Paul Myers.
"Let Me Be There" is a 1973 album by Olivia Newton-John. The American publication of this 1973 album by MCA Records used the cover art from Olivia's 1972 LP record "Olivia" which was not released by MCA. Some of its songs were taken for the U.S. publication, such as song titles from the British publications of the albums "If Not for You" and "Olivia". Though the title song was a commercial failure in England, it was Olivia Newton-John's first American Top Ten hit, successfully boosting her singing career in North America. She had previously charted in the Billboard Top 40 with the song "If Not for You".