The Busch Quartet was particularly admired for its interpretations of Brahms, Schubert and above all Beethoven.
This collection of 16 CDs contains the complete recordings for Warner Classics.
Over the past 40 years Philippe Herreweghe has been working with some extraordinary soloists with whom he has had very fertile and stimulating dialogues, both musically and personally. Philippe Herreweghe: "It seems important to give these musicians the opportunity to express themselves on the label PHI in works they are particularly fond of." This is the case of the present recording. Christine Busch, leader of the orchestra of Collegium Vocale Gent, recorded the Sonatas & Partitas for solo violin by J. S. Bach - a work she admires, and she has been playing since her childhood. Philippe Herreweghe: "Christine Busch inspires by her technical perfection, her strength, her humility, her sense for poetry, as well as by her qualities needed to serve the greatest of all composer".
From the notes:The first time Fritz Busch had conquered the concert stage in London had been on 4 November 1929, when he directed Brahms' Violin Concerto at the Queen's Hall, featuring the London Symphony Orchestra and young prodigy Yehudi Menuhin. It is, however, strange to see that Fritz Busch recordings from London (apart from any recording sessions made in connection with the Glyndebourne Festival) date from only the short phase of 1934/36. Notes by Dr. Jürgen Schaarwächter, Max-Reger-Institut, Karlsruhe, 2009
Seit 2007 ist das Pulsar Trio aktiv. In der ungewöhnlichen Besetzung mit Klavier, Schlagzeug und Sitar spielen sie Instrumentalmusik, die um die indische Sitar kreist. 2012 spielten sie ihr Debütalbum “Erpelparka-Suite” ein. Nun haben sie bei t3 Records “Caethes Traum” veröffentlicht.
There's a bit of a role reversal going on with this one. Trumpeter Cuong Vu—a Pat Metheny devotee from the time he first heard the guitarist's Travels (ECM, 1983) as a teenager—eventually came to join the Pat Metheny Group, enhancing the sound of the band on a pair of Grammy-winning albums: Speaking Of Now (Warner Bros. 2002) and The Way Up (Nonesuch, 2005). Now Metheny returns the favor, joining Vu's crew for this expansive outing.
For those needing a reminder of Cole's very original and expert piano playing, this 18-track roundup of some of his best instrumentals should fit the bill. Part of Capitol's three-volume series of Cole's classic trio sides (the other two cover the vocals), The Best of the Nat King Cole Trio includes gem after gem from the group's 1943-1949 prime and features the classic lineup that included guitarist Oscar Moore and bassist Johnny Miller. With Cole and Moore seamlessly blending lines throughout, the group forged the standard for many a piano trio to follow by way of classics like "Jumpin' at Capitol," "Sweet Georgia Brown," and "These Foolish Things"…