Unlike Vince Guaraldi's Grace Cathedral concert, vibraphonist Cal Tjader's was not a religious event. In fact, this quintet outing (which includes Lonnie Hewitt on electric piano and the young Poncho Sanchez on congas) is a fairly typical concert for the era, despite the location. As it turned out, Tjader was a replacement for Guaraldi, who had originally been scheduled but had recently passed away. The vibist's Latin jazz group performs the leader's "I Showed Them," Milt Jackson's swinging "Bluesology," a medley from Black Orpheus, and "Body and Soul."
The second album pairing Palmieri and Tjader, Bamboleate moves beyond El Sonido Nuevo into the respective territories of each artist. "Bamboleate" is the Latin cooker ones expects from Palmieri but didn't find on the more subdued El Sonido Nuevo. "Semejanza" is an equally affecting jazz lilt led by Tjader. Framed by a melody that could have come straight off the Vince Guaraldi Trio's Charlie Brown Christmas album, it has an equally indelible, locomotive rhythm. Tjader's samba, "Samba de Los Suenho," is a welcome departure from the relative rigidity of El Sonido Nuevo.
Total bomb from the Big Three - Cal, Charlie, Tito. A really hard-hitting set from Cal Tjader and one that's done with a good dose of 60s Latin Soul as well! The album was recorded in the early 70s, but it's really got a late 60s New York flavor thanks to arrangers Charlie Palmieri and Tito Puente who cook up a groove that's sockingly soulful, and much more outta site than some of Tjader's other work from the time!
Cal Tjader's Brazilian explorations continue and actually deepen with this release, as he joins forces with a host of progressive young Brazilian musicians, all overseen by producer Airto Moreira. By now, Tjader had figured out how to fit into the blend, doing so by losing himself in the complex mix of Afro-Brazilian rhythms, American funk and 1970s-era electronics, integrating his own identity for the sake of the ensemble. Indeed, Tjader actually appears on marimba on tracks like Joao Donato's "Amazonas" and his collaboration with Hermeto Pascoal, "Mindoro," his playing taking on a more brittle edge as a result.
"…But overall, these performances are more cool jazz than soul-jazz. Soul Bird: Whiffenpoof (which Verve reissued on CD in 2002) isn't among Tjader's essential albums, but it's an enjoyable demonstration of the vibist's ability to be a bit more commercial than usual and still maintain his bop-based integrity." ~allmusicguide
An extension of the popular Original Jazz Classics series (est. 1982), the new OJC Remasters releases reveal the sonic benefits of 24-bit remastering-a technology that didn't exist when these titles were originally issued on compact disc. The addition of newly-written liner notes further enhances the illuminating quality of the OJC Remasters reissues. "Each of the recordings in this series is an all-time jazz classic," says Nick Phillips, Vice President of Jazz and Catalog A&R at Concord Music Group and producer of the series.
Album by vibraphonist Cal Tjader recorded in 1979 and reissued later. Tjader used to perform with various musical groups after the dissolution of his 'Modern Mambo Quintet'. For this occasion he formed a sextet including the five musicians: Mark Levine on piano and keyboards, Roger Glenn on flute and percussion, Vince Lateano on percussion, Rob Fisher on bass and Poncho Sanchez on congas and percussion. The album is a classic Tjader, which was awarded in 1981 with the Grammy Award for Best Latin Recording.