Cambridge Music Handbooks

Berlioz: Roméo et Juliette (Cambridge Music Handbooks)  eBooks & eLearning

Posted by lengen at Dec. 26, 2016
Berlioz: Roméo et Juliette (Cambridge Music Handbooks)

Berlioz: Roméo et Juliette (Cambridge Music Handbooks) by Julian Rushton
English | Aug. 26, 1994 | ISBN: 0521373972 | 129 Pages | PDF | 4 MB

Berlioz's "dramatic symphony" Roméo et Juliette is regarded by many as his finest work; it is certainly among the most original.

Gershwin: Rhapsody in Blue (Cambridge Music Handbooks)  eBooks & eLearning

Posted by happy4all at April 2, 2015
Gershwin: Rhapsody in Blue (Cambridge Music Handbooks)

Gershwin: Rhapsody in Blue (Cambridge Music Handbooks) By David Schiff
1997 | 136 Pages | ISBN: 0521559537 , 0521550777 | PDF | 3 MB

Bach: The Goldberg Variations (Cambridge Music Handbooks)  eBooks & eLearning

Posted by happy4all at April 2, 2015
Bach: The Goldberg Variations (Cambridge Music Handbooks)

Bach: The Goldberg Variations (Cambridge Music Handbooks) By Peter Williams
2001 | 120 Pages | ISBN: 0521001935 , 0521807352 | PDF | 1 MB

Holst: The Planets (Cambridge Music Handbooks)  eBooks & eLearning

Posted by happy4all at April 2, 2015
Holst: The Planets (Cambridge Music Handbooks)

Holst: The Planets (Cambridge Music Handbooks) By Richard Greene
1995 | 112 Pages | ISBN: 0521456339 , 0521450004 | PDF | 3 MB

Haydn: String Quartets, Op. 50 (Cambridge Music Handbooks)  eBooks & eLearning

Posted by insetes at April 1, 2015
Haydn: String Quartets, Op. 50 (Cambridge Music Handbooks)

Haydn: String Quartets, Op. 50 (Cambridge Music Handbooks) By W. Dean Sutcliffe
1992 | 128 Pages | ISBN: 0521399955 , 0521391032 | PDF | 3 MB

Stravinsky: Oedipus Rex (Cambridge Music Handbooks)  eBooks & eLearning

Posted by bookwarrior at March 31, 2015
Stravinsky: Oedipus Rex (Cambridge Music Handbooks)

Stravinsky: Oedipus Rex (Cambridge Music Handbooks) By Stephen Walsh
1993 | 132 Pages | ISBN: 0521407788 , 0521404312 | PDF | 3 MB

Beethoven: Violin Concerto (Cambridge Music Handbooks) by Robin Stowell  eBooks & eLearning

Posted by thingska at Feb. 10, 2015
Beethoven: Violin Concerto (Cambridge Music Handbooks) by Robin Stowell

Beethoven: Violin Concerto (Cambridge Music Handbooks) by Robin Stowell
English | Feb 13, 1998 | ISBN: 0521451590, 0521457750 | 140 Pages | PDF | 4,4 MB
The Beatles: Sgt. Pepper's Lonely Hearts Club Band (Cambridge Music Handbooks) by 2 F. Moore

The Beatles: Sgt. Pepper's Lonely Hearts Club Band (Cambridge Music Handbooks) by 2 F. Moore
Cambridge University Press | November 28, 1997 | English | ISBN: 0521573815 | 111 pages | PDF | 1 MB

Sgt. Pepper's Lonely Hearts Club Band (1967) represents the highpoint of the recording career of the Beatles. This is a detailed study of this album, and it demonstrates how serious discussion of popular music can be undertaken without failing either the approach or the music.

Mendelssohn: The Hebrides and Other Overtures (Cambridge Music Handbooks)  eBooks & eLearning

Posted by AlenMiler at Oct. 28, 2014
Mendelssohn: The Hebrides and Other Overtures (Cambridge Music Handbooks)

Mendelssohn: The Hebrides and Other Overtures (Cambridge Music Handbooks) by R. Larry Todd
Cambridge University Press | September 24, 1993 | English | ISBN: 0521404193, 0521407648 | 129 pages | PDF | 4 MB

The concert overtures A Midsummer Night's Dream, Calm Sea and Prosperous Voyage, and The Hebrides (Fingal's Cave), conceived by Mendelssohn before the age of twenty, have ranked among the most enduring of the nineteenth-century orchestral repertoire.

Debussy: La Mer (Cambridge Music Handbooks)  eBooks & eLearning

Posted by chiquitas at June 6, 2010
Debussy: La Mer (Cambridge Music Handbooks)

Debussy: La Mer (Cambridge Music Handbooks)
Cambridge University Press | 1995-03-31 | ISBN: 0521441005 | PDF | 5 Mb | 121 pages

La Mer stands at the center of Debussy's achievement. Described by the composer as "a seascape without figures," it is arguably the greatest and most original French symphony. In this study, La Mer is considered in the context of Debussy's personal and musical development. Detailed discussion of performance styles draw on current recordings, and two analytical chapters trace the growth of ideas through the work. Studies of rhythm, motif and tonality show how Debussy generates "narratives" across the three movements.