Mangy Love marks the eighth long-player for Cass McCombs, who, fans will be happy to hear, continues to hold form as a refreshing renegade on his game. The singer/songwriter takes on the messiness of life including timely sociopolitical topics, with grooving accompaniment that makes it go down breezily. Along the way, he dips into psychedelia, reggae, Baroque pop, funk, and more. Compared to the mercurial 22-track set that was 2013's Big Wheel and Others, Mangy Love sounds focused and determined, even given a certain amount of style sampling.
Light in its darkness, claustrophobic in its panorama, distant in its intimacy, present in its time-lessness; WIT'S END should be given one's full and undivided attention. With sounds that conjure the colours purple and black, this is his darkest record to date. It seems Cass is going deeper into the mania of a man buried alive inside his self-made Cata-combs, banging the stone walls, crying to be let out, and enjoying the quiet away from the out-side world. However, he is not a man afraid of his own shadow, for in this environment of complete dark-ness, no shadows can be cast. This is a world of total Feeling. Here, words become a catalyst away from the slavery of arbitrary Thought and toward Feeling.
Day of the Dead is an epic tribute to the music and artistry of the Grateful Dead, curated by Aaron and Bryce Dessner of The National. They have brought together some of their favourite musicians to reinterpret the songs and sounds of the Dead for a new generation. 59 tracks and over 5 hours of music makes the album a landmark to get lost in, to discover hidden treasures and to make your own playlists for whatever mood you’re in. Covers by The War On Drugs, Kurt Vile, Bill Callahan, Courtney Barnett, Anohni, Wilco, Mumford & Sons, Unknown Mortal Orchestra, The Flaming Lips, Stephen Malkmus, Cass McCombs, Tim Hecker, Lucinda Williams, Perfume Genius, Fucked Up, Bonnie "Prince" Billy, The Tallest Man On Earth and others.
Collection includes four studio albums and one collaboration album by American rock band Arbouretum.