Alkan was counted in Busoni's pantheon of five romantics alongside Chopin, Schumann, Liszt and Brahms. Brahms and Schumann are the references in the euphoric Grand Duo Concertant - nothing short of a 20 or so minute Sonata in three turbulent movements. This is a work of diving romance and if Alkan had stopped in the style of the first movement then we would have been able to 'place' Alkan. Instead we get a second movement that clamours in bass heavy capering for all the world like a picture of a Black Sabbath. As if to make ‘amends’ the finale is back to the helter-skelter tumble of vivacity we find in the first movement. This euphoria carries over into the Cello Sonata which is in four classically well-tailored movements. Alkan's originality or eccentricity (take your pick) returns for the Adagio which is part sentimental and part affecting. This perhaps offers a parallel with Joseph Holbrooke's chamber works in which sublime ideas and treatment suddenly find themselves up against kitsch music hall ditties. A wild saltarello with grand manner Hungarian gestures from the piano round out the picture.
With individual song comments from McNabb, an appreciative essay, complete discography, and fine artwork, the Icicle Works collection provides an excellent overview of the group's heyday. If not quite as strong as the band's debut album as an experience due to the inclusion of less successful later numbers, all the hit singles and some fine album cuts appear, not to mention an interesting rarity or two. Beginning with the "long version" of the chiming drive of "Hollow Horse" from The Small Price of a Bicycle, this collection fully showcases McNabb's passionate, elegant quaver and driving songwriting, as well as the abilities of the fine Layhe/Sharrock rhythm section. The three biggest hits get pride of place near the start: "Love Is a Wonderful Colour," "Birds Fly" (with wry comments from McNabb on its stateside re-titling as "Whisper to a Scream"), and "Understanding Jane".
Live at Reading is a live CD/DVD released by Nirvana on November 2, 2009, chronicling its 1992 performance at the Reading Festival. Bootlegged for years following the performance, the new issues present the performance for the first time mastered and color corrected. The CD version of Live at Reading debuted at number 37 on the Billboard 200 in the U.S.; the DVD version debuted at Number 1 in the top 40 on Billboard's Top Music Video Chart, remaining in the top 40 for 25 weeks.
This is Volume 1 in a new chamber series which explores the music of composers who were forced to flee Europe during the 1930s. The survey begins with works by the German-born Jewish composer Paul Ben-Haim (né Frankenburger) who immigrated to Palestine in October 1933. Ben-Haim was an accomplished pianist, conductor, choral coach, and composer who made a significant cultural contribution to his adoptive country. The list of musicians who commissioned, performed, and recorded his music includes Yehudi Menuhin, Itzhak Perlman, Menahem Pressler, and Leonard Bernstein. Among the Israeli composers he taught are Eliahu Inbal, Avraham Sternklar, Noam Sheriff, and Shulamit Ran.
Following the extremely successful Dvorák string quartets set (SU 3815-2), the internationally renowned Panocha Quartet – celebrating this year its incredible 40th anniversary of performing in the original line-up – plays the main role in this set too. The four CDs comprise piano quartets and quintets, string quintets and a string sextet. In terms of Dvorák’s oeuvre, this selection virtually spans his entire creative lifetime, from the composition the author designated with the opus number 1 (String Quintet in A minor, B 7) to pieces from the composer’s late period.