You thought Marcus Miller and Jaco and Stanley Clark were funky? They are indeed but they don't play the double bass. Brian Bromberg displays absolute chops that Charles Mingus would have wanted. Akira Jimbo as usual with his unbelievable groove keeps the whole album going and Otomaro Ruiz is one hell of a pianist. With this CD you CAN'T go wrong.
This one-disc run through Underworld's 20-year career serves a purpose, yet newcomers should know this prime techno act already has a couple of necessary albums (Dubnobasswithmyheadman and Second Toughest in the Infants), plus there's a companion release to this set (1992-2012) that features the "real" full-length versions of most of these cuts, although you do have to shell out for a second disc. On top of this all, folks intrigued by Underworld generally fall in love with them, so this gateway drug will likely become redundant.
In 2016, as he was preparing for the release of Reflection, Brian Eno admitted that he wasn't quite sure what the term "ambient music" even means anymore. It's been used to describe everything from atmospheric techno to tense, foreboding sound sculptures. For him, it's always referred to generative compositions, unrestricted by time constraints or rhythmic structures, and often left to chance. Reflection continues with the type of albums he initiated with 1975's untouchable Discreet Music. The piece slowly unfolds over the course of an hour, with notes calmly being suspended in mid-air, only to drift away and pop up later at their leisure.