Japanese-only six CD box set from the Jazz legend featuring five discs containing recordings from his famous trios (one trio per disc) plus a bonus CD. 'Dr. Joe' features bassist John Patitucci and drummer Antonio Sanchez (Pat Metheny). 'From Miles' (tribute to Miles Davis), recorded live in New York, 2006 and featuring Corea, bassist Eddie Gomez and drummer Jack DeJohnette. 'Chillin' In Chelan' (tribute to Thelonious Monk) recorded live in Washington D.C. in 2005 features bassist Christian McBride and drummer, Jeff Ballard. 'The Boston Three Party', tribute to Bill Evans recorded at Boston's Berklee Performance Center on 4/28/06 and features Eddie Gomez (bass) and Airto Moreira(drums). All new studio recordings 'Brooklyn, Paris to Clearwater' featuring Chick Corea (keyboards), spectacular French bassist Hadrien Feraud (John McLaughlin) and drummer Richie Barshay. A five track bonus cd featuring 2 tracks from Corea/Gomez/ Moreria, 2 tracks from Corea/McBride/ Ballard and 1 track from Corea/Patitucci/Sanchez.
A mixture of Latin and Flamenco with jazz was pianist Chick Corea's strategy for this 2007 Barcelona concert from the Palau de Musica.
The Chick Corea Songbook is a studio album released by The Manhattan Transfer on September 29, 2009. The album features The Manhattan Transfer's interpretations of several Chick Corea compositions, as well as an additional track that was written specifically by Mr. Corea for this album. All About Jazz editor Jerry D'Souza stated regarding this album, "Manhattan Transfer is back, and in top-notch form with a marvelous blend of melody and song."
Three CD box set of Chick Corea’s piano music, reminding us that the distinguished solo piano tradition at ECM started in 1971 with Corea’s spontaneously-recorded volumes of improvisations and jazz tunes (all by Chick save for Monk’s “Trinkle, Tinkle” and Wayne Shorter’s “Masqualero”). The “Children’s Songs”, recorded in 1983, are finely-honed yet playful solo piano miniatures that can be related to the tradition of Bartók’s “Mikrokosmos” and Kurtág’s “Játékok”. Violinist Ida Kavafian and cellist Fred Sherry join Chick for an “Addendum”. Booklet includes liner notes by Chick Corea and Neil Tesser, plus archive photos.
Believed to have been composed between August 1775 and January 1777, the Concerto In E Flat Major for two pianos technically counts as being the tenth of Mozart's twenty-seven concertos, that huge and prodigious body that would set the standards for all piano concertos from Mozart's time forward. Although it is not performed with the same frequency as his later works (especially the final eight concertos, 20-27), this "Double" piano concerto, believed to have been composed by Mozart for performance by him and his sister Maria Anna ("Nannerl"), is nevertheless a fascinating experiment of Mozart's, one that requires a pair of solid keyboard virtuosos to do (and for the composer's Seventh piano concerto, you needed three soloists). Fortunately on this 1984 Teldec recording, we have the required two keyboard virtuosos, both of whom come from very divergent musical backgrounds. Austrian-born pianist Friedrich Gulda came from a classical music background and began exploring jazz later on in his life; while Chick Corea is one of the best-known pianists in American jazz music, and, like fellow jazz musicians Wynton Marsalis and Herbie Hancock, developed a great feel for classical music.
This post-Return to Forever Chick Corea LP is a bit of a mixed bag. Corea is heard on his many keyboards during an atmospheric "The Woods," interacts with a string section on "Tweedle Dee," features a larger band plus singer Gayle Moran on a few other songs and even welcomes fellow keyboardist Herbie Hancock for the "Mad Hatter Rhapsody." The most interesting selection, a quartet rendition of "Humpty Dumpty" with tenorman Joe Farrell set the stage for his next project, Friends. Overall, this is an interesting and generally enjoyable release.
Reissue and remastered. Comes with new liner notes. Available only for a limited period of time until March 20, 2015. It's unlikely that two major musicians could have more in common than Chick Corea and Herbie Hancock. Born a year apart, they both got their starts on Blue Note sessions in the early 1960s, worked extensively with Miles Davis (albeit in very different periods), and were among the architects and biggest successes of fusion in the 1970s. Equally distinguished as pianists and composers, they share many of the same influences, both in classical music (Ravel, Debussy, Bartók) and jazz (Davis, John Coltrane, and Bill Evans), and in the late 1970s, both were dividing their time between electric and acoustic projects.