Thelonious Monk, in addition to all his other notable qualities, was actually one of Riverside's most valuable talent scouts, recommending such mainstays as Johnny Griffin and Wilbur Ware, and introducing the label to Sonny Rollins and Clark Terry. The astoundingly adept trumpeter was always greatly appreciated by Thelonious, who quickly accepted the invitation to accompany Terry on this occasion. It was an album full of firsts and rarities: Monk's only Riverside appearance as a sideman; the first of Terry's many recordings on flugelhorn; the first of a great many Riverside dates for the great bassist Sam Jones; and the only occasion on which Monk and drummer Philly Joe Jones recorded together.
Clark Terry joined forces with Cuban bandleader Chico O'Farrill for these 1966 studio session, which consist almost exclusively of Latin tunes. Although there are a number of all-stars present in addition to Terry, including trumpeters Joe Newman, Ernie Royal, and Snooky Young, along with guitarists Everett Barksdale and Barry Galbraith, the solos are all by Terry, so there is little interaction in these brief charts. ~ AllMusic
Aside from a three-song session for V-Disc during the late 1940s, this CD contains Clark Terry's first recordings as a leader. Already an alumni of both Charlie Barnet's and Count Basie's bands, and a then-current member of Duke Ellington's orchestra, Terry is more focused on bop in these dates, with a terrific band including trombonist Jimmy Cleveland, baritone saxophonist Cecil Payne, pianist Horace Silver, cellist/bassist Oscar Pettiford, bassist Wendell Marshall, and drummer Art Blakey, with charts by Quincy Jones.
Norman Granz is one of the most important non-musicians in the history of jazz and no one has made a greater contribution to the staging, recording and filming of jazz concerts. This series of performances from the prestigious MONTREUX JAZZ FESTIVAL now makes a part of this legacy available on DVD for the first time. Clark Terry has been described as 'possessor of the happiest sound in jazz.' A veteran of Duke Ellington's orchestra, he began to perform as a soloist in the sixties and established a reputation as one of the great teachers of jazz music, which continues to the present day. In this typically exhilarating performance from 1977 he is joined by an all-star band including Oscar Peterson, Ronnie Scott, Niels Pedersen, Joe Pass, Bobby Durham and Milt Jackson.
This two-fer combines two of trumpeter/flügelhornist Clark Terry's albums for the Impulse! label: 1964's The Happy Horns of Clark Terry and 1967's It's What's Happenin'. Generally considered one of Terry's best '60s outings, The Happy Horns of Clark Terry is a jaunty, swinging affair that finds Terry joined by such names as saxophonists Phil Woods and Ben Webster, bassist Milt Hinton, and others. Featuring a lively take on Duke Ellington's "Rockin' in Rhythm," Bix Beiderbecke's "In a Mist," and even an Ellington medley, the album is a must-hear for Terry fanatics.