Higher Truth is the fourth and final studio album by Soundgarden vocalist Chris Cornell. The album was released on September 18, 2015. Upon its release, Higher Truth received generally favourable reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 68 based on 11 reviews, which indicates "generally favorable reviews". Stephen Thomas Erlewine of AllMusic said, "While Higher Truth never seems as self-consciously confessional as Euphoria Mourning, this mellow simplicity is an attribute: a relaxed Cornell creates a comforting mood piece that's enveloping in its warmth."Collin Brennan of Consequence of Sound stated, "Higher Truth ironically doesn't strive for anything higher. It stakes its claim in the rich soils of the middle ground, a place that values intimacy above innovation, quiet truths above the ones that scream. And it's all the better for it."
Best Moves brings together the strongest singles from Chris de Burgh's first five albums, making for a short but pleasant collection of early material. Not all the tracks are ballads though, and the album is greatly benefited by the eerie "Spanish Train" and the whimsical air of "Patricia the Stripper." A live version of "Broken Wings" appears here as well, with its album version coming from 1977's At the End of a Perfect Day.
An album that fuses the influence of African music, jazz-rock, and free improvisation, Chris McGregor's Brotherhood of Breath shares affinities with the '70s music of Don Cherry and Miles Davis. Somewhat of a legendary album amongst collectors of British jazz and fusion, the LP was originally released in the '70s and in early 2002 finally became reissued by the Italian label Akarma. Enlisted on the session were the talents of a group of extraordinary musicians from the free jazz, progressive rock, and improvisation scenes. Chris McGregor led the group on piano and African xylophone with Malcolm Griffiths and Nick Evans on trombones, Mongezi Feza on pocket trumpet and Indian flute, Mark Charig on cornet, Harry Beckett on trumpet, and Dudu Pukwana on alto saxophone. Ronnie Beer's tenor saxophone is outstanding, and pitched up against Alan Skidmore's tenor and soprano saxophone, completing a massive horn section, are two bigger names: '70s U.K. jazzman Mike Osborne on alto saxophone and clarinet and John Surman on baritone and soprano saxophone.
On Chris Dingman's sophomore album, 2015's The Subliminal and the Sublime, the creative jazz vibraphonist/composer finds inspiration in nature, and the result is an often stunning album of both grand gestures and detailed, percolating undercurrents. Featuring alto saxophonist Loren Stillman, pianist Fabian Almazan, guitarist Ryan Ferreira, bassist Linda Oh, and drummer Justin Brown, Dingman's sextet displays true mastery of wide dynamics across a suite whose extended-form movements culminate in strikingly dramatic fashion. Opener "Tectonic Plates" begins with high singing tones and chordal volume swells, creating an ethereal ambience over which Stillman introduces a calm melody, briefly joined by sharper yet still understated support from the other bandmembers to close this lovely four-and-a-half-minute intro.